Live Performance Review
The concert I chose to review was a performance of Vivaldi’s The Four Seasons. This was a performance of the three movements of ‘Winter’. It was performed by the Academy of St Martin in the Fields, with guest soloist Julia Fischer. Niccolo Paganini’s ‘Caprice NR. 2’ was also performed. This performance took place in 2002, at the Nymphenburg Palace (Schloss Nymphenburg) in Munich Germany. Antonio Vivaldi, the composer of ‘Winter’, was born in Venice, Italy in 1678. He was a virtuoso violinist, teacher, and a cleric as well. He is referred to as one of the greatest Baroque composers of his time. He had a lot of influence across all of Europe. He composed instrumental concertos for the violin and many other instruments. He also wrote sacred choral works on top of over 40 operas. He was most well-known for his work ‘The Four Seasons”. Niccolo Paganini was born in Genoa, Italy in 1782. He was taught to play the violin at an early age. When he outgrew the teachings of his father he moved on to Genoa where he would
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It wasn’t quite as somber as the second one but it also wasn’t as chaotic as the first. It brought back the idea that winter is still here and it’s still dangerous but it’s also good. A sort of middle ground between both sides of the spectrum of winter. It seems to be more of a cautious warning for winter.
The final piece that was in the concert was a solo done by Julia Fischer. She performed Niccolo Paganini’s “Caprice NR. 2.” This piece sounded like Vivaldi’s which may be why I didn’t notice it was a different piece until I noticed the pause between pieces. It was also very amazing to see her handwork as she played the violin in the close-up it gave. I think what made me like this piece the most, and this entire concert was because of the violin. They’re naturally a quiet instrument but they’re also a very powerful instrument when played with
The concert that I attended was of the cellist “Pablo Mahave Veglia” and he performed at the recital hall at Saint Cloud State University on September 9th. His concert was specifically instrumental and it was a solo recital. This concert’s genre was mainly a concerto and the concert represented the Baroque period. The main instrument that was used in this concert was the cello and there was also some electronic music incorporated throughout his performance.
The concert I attended was the Liszt, Prokofiev, and Dvořák concert at the Chicago Symphony Center. Emmanuel Krivine is a French conductor who conducted the orchestra to play Liszt’s compositions Les Préludes, Symphonic Poem No. 3. Next was Prokofiev’s Piano Concerto No. 2 in G Minor, Op. 16 in the Andantino, Scherzo: Vivace, Moderato, Allegro tempestoso, the piano soloist was Russian pianist Denis Kozhukhin who was accompanied by The Chicago Symphony Orchestra. Lastly was Dvořák’s Symphony No. 8 in G Major, Op. 88 was performed by The Chicago Symphony Orchestra, the four movements played was, Allegro con Brio, Adagio, Allegretto grazioso, and Allegro MA non troppo.
Vivaldi wanted to go into priesthood, but due to illness he was unable to continue this pursuit. (Kamien, 2015, p. 126). He spent the rest of his life involved in many aspects of music: teaching, composing, and conducting. It is important to reflect on the composer’s history to gain insight into their perspective. Kamien (2015) describes Vivaldi as a virtuoso violinist which is why he mainly featured violins in his works (p.127).
I have been to many different concerts throughout my life but this year I experienced two exceptionally unique ___ that I had never seen before. The first one was a spectacular chamber recital that took place at the Chicago Symphony Orchestra performed by pianist Yefim Bronfman and violist-violinist Pinchas Zukerman. The program included Schubert's Violin Sonatina No. 2 in A Minor, Beethoven's Violin Sonata No. 7 in C Minor, and Brahms’ Viola Sonata No. 1 in F Minor. The second was a performance by the notable quartet “Anonymous 4” presented by the Universality of Chicago at the Rockefeller Memorial Chapel. The program included a series of medieval French motets from the 13th Century French polyphony, taken from the Montpellier Codex. The two performances were extremely different in nature and but at the same time very similar in what they were trying to achieve. For instance, while the first concert consisted entirely of an instrumental performance, the other was exclusively vocal. However, both were able to bring to life great examples of iconic artists from our past. I left both c...
...xcited to have this experience. Part of the drama of the concert at first is felt when the musicians come in and sit down and begin tuning up their instruments. I would not be able to comment on the performance of the orchestra. During the performance, I seen the audience were moving with the music, but I felt like that everyone seems knows more music than what I learned throughout this semester. After I went home and did some of the research on these music I finally understand why these people like to attend the orchestra concerto, it was because that every piece of music has a history behind it. The Los Angeles audience seemed to me to be people who know music and who will listen to something new in a respectful way. All the same, when the more familiar sounds of the last piece were heard, I could feel a little sense of relaxation and fun coming into the room.
Eastern Washington University Department of Music presented a program of Opera works by Giacomo Puccini, Aron Copland, W.A. Mozart, John Dowland, Franz Shubert, Maurice Ravel, and Robert Schumann on Friday, March 7, 6:30 p.m., in the Music Building, Recital Hall. These Opera works were sung by Senior Recitalist, Alexandra Rannow.
The concert that I attended last Friday was an interesting one where I got to have some new experiences and learn about classical music.
Antonio Vivaldi is a famous Italian baroque composer, known by most Suzuki violin students who study his concertos or by audiences everywhere who have heard and love his composition of the Four Seasons. Having grown up as students of the Suzuki Violin Method, we recognize this composer and have experience performing his pieces. In addition to his many concertos written for solo violin, Vivaldi composed many concertos intended to be performed by two solo violins, accompanied by a small orchestra. Because we are both violinists, we chose to analyze the second movement of Vivaldi’s Concerto for Two Violins in A minor, RV 522, included in his L’Estro Armonico works.
On Sunday afternoon November 21, 1999, at 2:00 p.m.at 419th Concert Worldwide, 330th in New York, 218th in Carnegie Hall I attended a MidAmerica production that presented the New England Symphonic Ensemble. This concert contained several different compositions by large groups of musicians, including an orchestra band, and chorus. This concert was divided into three different parts. First there was the Vivaldi which was divided into 12 sections. Virginia-Gene Rittenhouse was the music director, Raymond Sprague was the conductor, Judith Von Housers Voice was the soprano, Mary Nessinger voice was the Mezzo soprano, and Elizabeth Hastings was the portative. There was a reprise in the first section Gloria which opened up the symphony.
I enjoyed this concert. It was my first real experience with jazz music. To be honest, I didn’t know what to expect, but I left satisfied that I attended. However, there was one thing I did not enjoy. The narrator between songs was not very effective and actually took away somewhat from the concert. He failed numerous times at trying to be humorous and rambled on. My favorite piece was 88 Basie Street. It gave me that easy and relaxed feeling. This piece started softer, and then seemed to pick up with more energy. With my lack of knowledge of Jazz music, I certainly enjoyed this piece the best. I learned how exciting and fun listening to jazz being played live can actually be. I found it very interesting. Like I said earlier, the only thing I would change to make the concert more effective would be to have the narrator speak less.
One performance that stood out to me during the concert was a song called Sinfonia #3 by J. C. Bach (Wind Ensemble Concert program). The reason I enjoyed this song was because it was performed by nine saxophone players. I would say
In conclusion, the concert was really interesting and I enjoyed myself. In my opinion the two pieces that I really like in this concert, are Sounden Horn and Polonaise from Engine Onegin, the shift between the melodic lines and the element of beauty is what made me like it. In the future I would recommend it to my friends and I will not mind to go with them at all. This kind of music is the best to me by far.
Claude Debussy’s La Mer is a very beautiful piece of music. I thought the concert was wonderfully done. The music sent chills down my spine and I was really able to just sit there and listen. One thing I would have changed is having the live streaming video of the orchestra members displayed on screen behind the orchestra. I found it a little distracting because I would find myself watching the musician without listening to the music. I would have liked the concert more if it had been earlier in the day also. Concert music is so peaceful in my opinion, at least usually in the first movement, that I sometimes become drowsy. I think I could have had a better experience if the concert had been at an earlier time because I was already feeling tired when it started. After hearing the music, it only added to my drowsiness. I have only been to a few classical music concerts but I would have to say this one was my favorite by far. The other two I attended when I was younger so that could also be influencing my opinion because I didn’t appreciate how amazing this music really is. We had great...
The pianist and concert conductor, Christian Zacharias opened the Los Angeles Philharmonic Classical Music concert with a fascinating performance that left the audience in party mood and in happy f...
The Four Seasons composed by Vivaldi was one of the earliest examples of program music and was also the most famous of all his concertos. Vivaldi wanted to depict the various seasons in the four concerti in Italian. When you listen to the Four Season, you feel as though he has created a whole another atmosphere with its own feelings. He seems to have used only the four major instruments that are usually present in an orchestra, which are the violin, viola, cello and bass, to depict this atmosphere effortlessly.