Vision Of Daniel

1426 Words3 Pages

SUMMARY OF USED TEXT In “The Visions of Daniel and Their Historical Specificity,” Goswell argues that the visions found in Daniel 2 and Daniel 7 do not relate to four concrete kingdoms, but based upon the visions, the apocalyptic character of Dan 7 and its lack of an objective basis, and the difference in genre for chapters 8-12, the visions serve as an outline to human history as a whole and illustrate the kingdoms that will rise and fall over time. First, the article argues that neither Dan 2 nor Dan 7 contain a simple depiction of a succession of kingdoms. As Daniel interprets King Nebuchadnezzar’s dream in Dan 2, four pieces of a statue representing kingdoms are provided, with each kingdom being more inferior to the one before it. …show more content…

Goswell is quite strong on his knowledge of the literary genre of the text, and applies that information seamlessly to enhance the reader’s understanding of the text, especially Daniel 7. The author directly relates the imagery of the four winds and the great sea to other ANE works that feature that same imagery (such as the Enuma Elish, works of Baal-Yaam, Anzu myth), implying that Daniel may have either been inspired by those works when interpreting his vision, or that Daniel used those works as a starting point to make a connection with his audience. Goswell continues analyzing the literary genre by stating the nature of apocalyptic literatue. Being quick to state that apocalyptic literature by nature is non-specific in terms of historicity, the author links the passages in Daniel to this genre due to their intentional ambiguity on the subject of the “four …show more content…

All in all, I thought that Goswell succeeded in proving his thesis, and did not contradict it in any way or form. I learned quite a large amount of information I had not previously known, as well as a new perspective on the two primary visions present in the text. I do wish that Goswell had better represented the historical context aspect of hermenutical interpretation, as I feel that proper supplication of such context would’ve greatly increased not only the strength of Goswell’s argument, but also my learning experience as the reader. I also wish that the author had included more of a theological exegesis in his article. I feel that there was much more untapped theology in the text than what he had pulled. However, I was most fascinated by his use of literary context, and I feel like this is where I gained the most knowledge from his exegesis. I had previously known nearly nothing about types of biblical literature, and was quite intruiged not only by the apocalyptic genre as a whole, but also how biblical literature applied to the literary styles of the

Open Document