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The black cat edgar allan poe symbolism
The black cat edgar allan poe symbolism
The Black Cat analysis Essay
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A Villain Nonetheless
A great hero is often classified as such due to their outstanding ability to defeat opposition against all odds. The opposition may be a physical barrier, such as a barren desert they must cross; an emotional struggle, such as a mental illness or suffocating grief; or an antagonist who seeks to foil the hero’s plans at every stage. An antagonist, or villain, can add much depth and intrigue to a story, particularly through the reasoning behind their actions. Many villains are full of dark secrets and ulterior motives. The more formidable the enemy that a writer creates, the more heroic the protagonist becomes. The concept of heroes and villains is not always so clear cut, though. Sometimes a hero must use unjust means to accomplish their goals, or the villain may just be a misguided, tortured soul who deserves pity. In the case of Edgar Allan Poe’s The Black Cat, the protagonist, the story’s narrator, slowly forms into the villain of the tale. Poe’s story is unconventional in that it only contains the villain and his victims, lacking any substantial heroic figure. The reader is left with no one to root for and no surety that justice will prevail. The Black Cat is a dark story with a villain menacing enough to rival even the greatest of antagonists.
Jeff Jensen explains that, “getting to the point where we can’t accept pure good or pure evil has been a 50-year evolution” (30). He writes that movies such as Bonnie and Clyde (1967), The Godfather (1972), and One Flew Over the Cuckoo’s Nest (1975) paved the way for this new concept of villains as heroes, where the leaders, law, and justice system are corrupt and full of greed. This style of using an unlikely hero is present in Showtime’s hit series, named after...
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... scholars and readers may suggest are vital to a villainous character. It is fair to ponder whether a villain can even exist without the presence of a hero. The few passionate souls that can sympathize or empathize with alcoholics may see our narrator as ill and even victimized rather than innately evil. Yet, a man that experiences his soul leaving his body to be replaced by a “more than fiendish malevolence” and the “fury of a demon” could be nothing but a miscreant. A person that can gouge out the eye of a beloved pet and feel little enough remorse to later kill the animal, and a person that could be so blinded by rage that he could kill his wife and only wonder where to hide the body is surely wicked. Only once a person sets aside the orthodox parameters of a villain as an antagonist opposing the hero can they see how neatly Poe’s narrator fits into the role.
Poe carefully details the most brutal scenes of his stories, a quality shared by many of his works. Within “The Black Cat,” three situations stand to illustrate Poe’s message: when the narrator stabs out Pluto’s eye, when the narrator hangs Pluto, and when the narrator murders his wife. Before the first violent act described in the story, the narrator is known to be a drunkard who abused his wife. No matter how despicable this may be, he is still a somewhat ordinary man. Nothing majorly sets him apart from any another, relating him to the common man. However, his affinity towards alcohol, led to “the fury of a demon” (2) that came over him as he “grasped the poor beast by the throat” (2) and proceeded to “cut one of its eyes from the socket.” (2) Poe’s gruesome description of the narrator as a destructive demon, one who was awakened by alcohol, connects his behavior to the common working-class man. Alcohol is a legal drug that can be obtained by many, and when consumed in excess leads to the uncontrollable madness that ensued. The descriptions of the act plants fear into the hearts of the readers, especially those who have consumed alcohol, of ever becoming such a
Poe’s frightening stories acts as helpful inspiration for entertainment in the present, and for many years to come. The timeless relevance of his work, and its merciless scrutiny of the human condition, solidifies its place in history and its position of high admiration. In conclusion, the extraordinary-fleeting-tragic life of Edgar Allan Poe will forever remain on record as the tale of an orphan, a gentleman, a soldier, and one of the most prominent literary figures in American history.
Edgar Allen Poe is known for his dark yet comedic approach toward the his theme of his stories. Likewise, Poe’s themes have gathered many fans due to his impression of reasoning in his stories. The author uses thinking and reasoning to portray the theme. Poe’s unique diction comprehends with the theme of the story. Poe has a brilliant way of taking gothic tales of mystery, and terror, and mixing them with variations of a romantic tale by shifting emphasis from, surface suspense and plot pattern to his symbolic play in language and various meanings of words.
Poe’s “The Tell-Tale Heart” depicts the human mind through the struggle of distinguishing reality and imaginary. Poe utilizes the narrator/agonist to demonstrate how the suffering of one’s perceived acuteness of senses, in relation to anxiety, leads to an unwanted culmination. The narrator labels his own nervous behavior as “disease” that has “sharpened [his] senses” (691). Poe’s use of “disease,” indicates disorder and destruction, and also foreshadows the spread and consumption of the narrator’s fear. The confidence that results from the narrator’s justified senses proves to draw him further from his own morality. By example, he states, Moreover, his senses stem from his overarching obsession and hatred for the old man’s eye. This is demonstrated by his continued distinct characteristics he places on the eye—“eye of a vulture,” “pale blue eye,” “Evil Eye,” and “damned spot” (691-693). The collection of descriptions throughout his efforts to kill the old man shows the torment he suffers from his psychosis. The narrator’s statement, “it haunted me day and night,” displays his motivation for killing the old man. However, the significance of the narrator actually committing the murderous act demonstrates the definitive loss of his rationality and morality. Poe displays, that the dark side of the mind is a result of this los...
In the case of Poe’s narrator, he showed symptom of paranoia He believed that his old room mate’s eye was evil.” One of his eyes resemble...
Edgar Allan Poe is one of the most recognized prose poets, short story authors, and literary composers of all time. His works contain trending themes such as love, time, death and the concept of “oneness.” Poe often expressed these themes according to events that he had experienced, and some of his themes intertwined with others. Take for instance, his love for beauty and perfection played a major role in his concept of oneness, or state of absolute fulfillment. However in his short story, The Tell-Tale Heart, Poe effectively explores the power of guilt, and leads his readers through a cynical plot to murder while enduring the struggle to silence a beating conscience by treading the lines of genius versus insanity, moral reasoning versus indifferent resolution, and meticulousness versus obsession.
Confusion, fear, wonderment, shock and horror—just a few words of many to describe the emotions Edgar Allen Poe’s tales are known to elicit. Critics say that Poe was well ahead of his time in his ability to examine the human psyche and create characters that really make the reader think, if not recoil in horror. One particular theme Poe quite often repeats is that of madness and insanity. He is known for his wonderfully twisted tales involving such characters as an unstable brother with a mysterious ailment (The Fall of the House of Usher,) a methodical murderer (The Tell-Tale Heart,) and an enraged, revenge seeking, homicidal maniac (The Cask of Amontillado.) Through analysis and citations of the tales listed above, in conjunction with the opinions of literary critics, the reader will clearly see the oft repeated theme of madness and insanity hard at work.
The short story is generally a study in human terror. Furthermore, the author explains Poe use of a particular style and technique, to not only create the mood of mystery, but to cause the reader to feel sympathy for the narrator. Poe makes a connection between the storyteller and reader with knowledge and literary craftsmanship.
Gargano, James W. “’The Black Cat’: Perverseness Reconsidered.” Twentieth Century Interpretations of Poe’s Tales. Ed. William L. Howarth. Englewood Cliffs, NJ: Prentice Hall, 1971. 87-94. Print.
In "The House of Poe", Richard Wilbur elucidates his criticisms of Poe 's work. He firstly comments on a critic 's purpose, then how Poe 's stories are all allegories. He then addresses the possible opposition to his argument, and then begins his discussion of the common themes in Poe 's writing and provides examples from his stories. This dissertation will analyze Wilbur 's criticism by cross referencing Poe 's work and how it exemplifies Wilbur 's assessment. There is a great deal of evidence to support Wilbur 's theories, but a close examination of each one will determine how legitimate his argument really is.
Does the narrator show weakness through this mental illness or is it a sophistical mind of a genius? This is the question that must be answered here. Throughout this discussion we will prove that the narrator is a man of a conscience mind and committed the crime of murder. Along with that we will expose Poe’s true significance of writing this short story, and how people were getting away with crime by justifying that they were insane.
The story opens with the narrator explaining his sanity after murdering his companion. By immediately presenting the reader with the textbook definition of an unreliable narrator, Poe attempts to distort his audience’s perceptions from the beginning. This point is further emphasized by his focus on the perceived nexus of madness; the eye. Poe, through the narrator, compares the old man’s eye to the eye of a vulture. Because vultures are birds that prey on the weak and depend on their eyesight to hunt, it is easy to deduct that Poe’s intention is to connect the narrator’s guilt and his interpretation of events in his life. By equating the eye to the old man’s ability to see more than what others see, Poe allows the narrator to explore the idea that this eye can see his weakness; the evil that lies in the narrator’s heart and that which makes him unacceptable. Knowing that he is damaged makes the narrato...
The story is told through the subjective viewpoint of the narrator who begins by telling the reader he is writing this narrative to unburden his soul because he will die tomorrow. The events that brought him to this place in time have “…terrified, tortured and destroyed him” (Poe). This sets a suspenseful tone for the story. He blames the Fiend Intemperance for the alteration of his personality. He went from a very docile, tenderhearted man who loved his pets and wife to a violent man who inflicted this ill temperament on the very things he loves. The final break from the man that he once was, is the “…spirit of PERVERSENESS” (Poe 514). He describes this as doing something wrong because you know it is wrong. Evil consumes his every thought and he soon develops a hatred for everything. “Speaking through his narrators," Poe illustrates perversit...
Poe starts off the short story by giving us insight into the unnamed narrator’s twisted mind. The narrator explains his desire and plans to kill the old
For a time, the main characters in a story, poem, or narrative were easily classified as either being a hero or a villain. A hero would be easy to identify by the traits he'd possess, such as bravery, honesty, selflessness, trustworthiness, courage, leadership, and more. The villain would be easy to identify as well, possessing traits such as maliciousness, deceitfulness, immorality, dark, wishing harm upon others, and more. But what if the character lacked the natural heroic qualities but wasn't a villain either? What if the person displayed personality flaws that would traditionally be associated with a villain, but has heroic intentions? These questions were finally answered with the emergence of the anti-hero in literature.