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Recommended: Essays on vampires
Vampires are like toxic people. Since vampires only want to take control and claim ownership their victims. According to Psychology Today, “Their modus operandi includes gaining total control of a situation, and that means of you, too. They will demand your undivided attention and attempt to convince you that you need to join their camp. To their way of thinking they know better than you. They’re right; you’re wrong. And you need to do what they say. This kind of toxic person will think nothing of invading your space and may try to isolate you from others you are close to.” (Brenner) Once vampires have control over their victims like slaves, they want their victim served and worked for them. Like toxic people, they “often make you want to fix them and …show more content…
What they really want is your ongoing sympathy and support, and they will create one drama after another in order to get it. “Fixing” and “saving” them never works, especially since you probably care more about what happens to them than they do.” (Brenner) Vampires do not care about their victims, or interested in what is important to them. All vampires care is how to fulfill their sexual desired. “Toxic people make you choose them over someone else, or something they want over something you want. Often, this turns into a “divide and conquer” dynamic in which the only choice is them, even to the point of requiring you to cut off other meaningful relationships to satisfy them.” (Brenner). Vampires are the same as toxic people because they are manipulative. “Their modus operandi is to get people to do what they want them to do. It’s all about them. They use other people to accomplish whatever their goal happens to be. Forget what you want; this is not about equality in a relationship—far from it.” (Brenner) If victims spend too much time with the vampires, eventually they will become one of them
In a world with ghosts, monsters, demons, and ghouls, there is one being that resonates in everyone’s mind. The idea of these creatures can be found in almost every culture on the planet in one form or another. They prey on the weak and they feast on the blood of their victims. They are compared to a fox for being quick and cunning, but also rather seductive in their nature. With their unholy existence one can only describe them as almost demonic. So what is this horrid creature? Well it is none other than the vampire, a creature as old as time itself. Throughout history there have been many different variations of the vampire, each with their own unique abilities. But one cannot help but mention
Carmilla is an example of a woman who loves her food far too much. Carmilla is consumed entirely by her food, even sleeping in a coffin of blood: “The limbs were perfectly flexible, the flesh elastic; and the leaden coffin floated with blood, in which to a depth of seven inches, the body lay immersed” (Le Fanu 102). There exists a unique relationship between the vampire and their victims. Food becomes defined in terms of victimhood, distinctly separated from humanity’s general consumption of meat. The need for human victims makes hunting synonymous with courtship, as intense emotional connections are established between the vampiress and her food. As seen in the intense relationship developed between Laura and Carmilla, the vampire is “prone to be fascinated with an engrossing vehemence, resembling the passion of love, by particular persons” (105). For Carmilla, cruelty and love are inseparable (33). The taking of the victims’ blood for sustenance is a highly sexualized exchange of fluids from one body to another. The act of consumption is transformed into an illicit carnal exchange between the hunter and the hunted.
While Cullen chose the path of compassion and became a doctor (Meyers, 2005; pp. 339), the Count planned to invade the British empire (Stoker, 1897/2001; pp. 328). Healing or invading, both can get lonely with time. Cullen, as a physician had decided to turn a human into vampires only if he could save them from death. All the humans that Cullen changed, he called them as his family. They were part of his coven and moved with him wherever he went (Meyer, 2005). On the other hand, count Dracula took by force and against the will of his victims. He possessed the power to hypnotize and control his victims, as he controlled Mina when he forced her to drink his blood (Stoker, 1897/2001). He lives with three beautiful female vampires in his castle, but their relationship to the Count is not clarified in the book. In chapter 3, when they are scolded by the Count for attacking Harker, they taunt him that he does not love, Dracula responds that “Yes, I too can love; you yourselves can tell it from the past” (Stoker 1897/2001; pp. 39). Although they exist in the castle and are fed by the count as noted in Jonathan’s diary entry, Dracula has no apparent interest in them. Similarly, after he changes Lucy Westenra to a vampire he stops visiting her. He feels no need to connect or form relationships with the humans he changes. As immortals, both Cullen and Count Dracula are destined to
“You’re impossibly fast and strong. Your skin is pale whit and ice cold. Your eyes change color and sometimes you speak like -- like you’re from a different time. You never eat or drink anything. You don’t go out in the sunlight…” (Bella, from the movie Twilight) At that point in the movie Twilight, Bella is putting pieces together that Edward Cullen is a vampire, but can vampires actually be real in real life? All that is really needed to be considered a vampire is by the want and urge to drink human blood. This paper will inform you on just how vampires can be real to a certain extent.
Dracula is a mythical creature designed to wreak havoc on the lives of mortals through the terror and intimidation of death by bite. Vampires are undead beings that kill humans for their blood to survive. Human blood is the vampire’s sustenance, and only way of staying alive. Throughout time, humans have come up with ways to repel vampires, such as lighting jack-o-lanterns on All Hallows Eve, placing garlic around the neck, a stake through the heart, sunlight, etc. Both beings have a survival instinct, whether it be hunger or safety, both are strong emotions. In the novel Dracula by Bram Stoker, the characters Lucy, John, and Van Helsing strive for survival, therefore killing Dracula.
The sexual overtones of many vampire stories, including recent ones, in which the vampire bite serves as a stand-in or metaphor for penetration, undergo a radical
The vampire had been depicted as the epitome of offensive and seductive behavior in their early representations. It has suffered an enduring image of something inhuman and monstrous that feeds and thrives at the expense of others. As David Punter and Glennis Byron have asserted, “Confounding all categories, the vampire is the ultimate embodiment of transgression” (The Gothic 268). The transgressive behavior of the vampire was first observed with Stoker’s Dracula. Although this figure is attractive to us in many ways, with his intelligence and immortality, the Count is primaril...
...r a group of vampires. In Twilight the main vampires belong to a “family” or coven, also they have an over ruling group of Vampires called the Volturi. The True Blood vampires have system similar to our government; the leaders created laws that all vampires must abide to or be severely punished. The new generation of vampires live in groups. This could be that they cannot not measure up to Dracula‘s power.
From Transylvania to Hollywood, vampires have transformed from unfamiliar, mysterious personalities to one of the most dominant monsters in the horror genre today. Vampires are one of the oldest and most noted creatures in mythology, with many variations of them around the world. Although the most famous version is Bram Stoker’s Dracula, many variants have come before and after telling of the same legend with their own added ideas and modifications to relate to their cultures. Today, there is a multitude of literary and film works that convey and resurface peoples’ fear of vampires. As gothic works like Dracula, by Bram Stoker and Scooby-Doo! and the Legend of the Vampire directed by Scott Jeralds share certain traits reflective of the genre; These factors include setting, actions of each vampire, the initial reactions to news of them, and how their presence affects the people who live within the region the vampires inhabit.
In Twilight, Edward Cullen presents the question; “ But what if I’m not the hero? What if I’m the bad guy?” The role of vampires is very controversial. Back in the day they were evil, soulless monsters and people genuinely feared them. However, in the present day it seems that we have grown to love them and even hope to one day be them. There are a plethora of vampire stories and many of them have become immense hits. With so many vampire stories, it is not uncommon that readers are able to identify a vast amount of similarities. Although similar in aspects, there are still many differences between the classic and modern day vampires. Two highly popular stories, in which we can easily identify similarities and differences, are Bram Stoker’s Dracula and Stephenie Meyer’s Twilight.
Storey Amanda, Strieter Carrie et. Al, (2005), Richard Trenton Chase “Dracula Killer”, “The Vampire of Sacramento”, Department of Psychology, Radford University. (1-6)
Vampires have been a successful and popular form of superstition and entertainment for centuries. The vampire legend began in Eastern Europe, although many forms have existed in several cultures all over the world. Bram Stoker’s Dracula was the first
Simply searching through articles, databases, and other resources, vampires are depicted as malicious and monstrous creatures. First off, the vampire is famous for its dark and mysterious image affiliated with fear and death. In many ways, “the vampire can be seen through its most basic characterization as the bringer of death”(Stevens par. 3) and evokes a “marginal world of darkness, secrecy, vulnerability, excess, and horror” (Stevens par. 6). Obviously, the vampire has adopted a dark, fearful, and mysterious image. Next, vampires are famous for their unique characteristics. Dictionary.com defines the vampire as “a preternatural being, commonly believed to be a reanimated corpse, that is said to suck the blood of sleeping persons at night”(dictionary.com). Vampires are also known for their distinct weakness suck as “various tailsmans and herbs”(Funk and Wagnalls New World Encyclopedia) but the only way to kill a vampire is “only by cremation or if a stake is driven through their hearts”(Funk and Wagnalls New World Encyclopedia). Another distinct and commonly known characteristic of the vampire is their fear of the light as it could potentially kill them. Emotionally, the vampires are almost viewed as sex symbols as they “indulge in their desires ...
The author’s op-ed piece was published in 2009, the very peak of the vampire contagion, where one could find these creatures wherever they looked. This pandemonium that arose from vampires is what drove del Toro and Hogan to pen “Why Vampires Never Die.” Furthermore, the purpose behind this essay is to give an abridged description of the past of vampires for the people who had become fanatics of the creatures. Also, this essay showed how vampires have persisted in pop culture. They suggest that vampires have been remade by diverse cultures at different times, and this change echoes that society's angst and concerns. The novelist’s imply that Stroker’s Dracula may mirror an exaggerated human on a prim...