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The definition of love marvell
Love definition essay
Compare and contrast the passionate shepherd to his love
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The value I choose for this task is love. There are two definitions of love. Generally, love can be defined as to admire or like something very much. Love can be shown towards family, friends, religion, animals and inanimate objects. In this context, love has no boundary. People can love anything they want. The second definition is love is a feeling of affection towards different genders. Love is not a choice but it happens naturally. When people are in love, they always want to be together and when they are not, they will always think about being together because they will feel that without their partner, their life is incomplete. They will always depend on each other. When it comes to true love, it is all about commitment. When people are in love, they will know that their partner has their back no matter what the circumstance they are in. According to the ancient Greeks, love has many different names for its different forms. Some of them are passion, virtuous, affection, desire and general affection. However, no matter how love is defined, they all share a common characteristic which is commitment. In this task, I have chosen two poems entitled The Passionate Shepherd to His Love by Christopher Marlowe and The Nymph’s Reply to The Shepherd by Sir Walter Raleigh.
In the poem The Passionate Shepherd to His Love by Christopher Marlowe, it tells the readers about a young shepherd who confesses his feeling to the girl he admires most. At the beginning of the poem, the shepherd requests to the girl to come and live with him and be his love forever. He says that if she accepts his proposal, he promises to give her everything and makes her happy by doing fun activities together. He promises that they will enjoy the valleys, groves, hil...
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...hat the rejection is directly from her thought. She does not need anyone to tell her to think realistically and not be deceived by the shepherd’s promises. She thinks that the shepherd’s love is a way to trick people into a temporary pleasure world. Although the shepherd has confessed bravely about his feeling, she does not move with the shepherd’s daring action. However, at the end of the poem, she states that she can only be moved if the youth could last forever and joys will never expire. She can only change her mind if the shepherd’s promises are really true as if there is nothing to worry about if she accepts his love. In this case, it is clearly stated in Stanza 6 Line 21 ‘But could youth last, and love still breed’, Line 22 ‘Had joys no date, nor age no need’, Line 23 ‘Then these delights my mind might move’ and Line 24 ‘To live with thee, and be thy love’.
In romantic words, the poet expresses how much she does think of love. She state it clear that she will not trade love for peace in times of anguish.
A Comparison of 'The Passionate Shepherd to his Love' and 'The Nymph’s Reply to the Shepherd'
The concept of love has long been the preferred topic of conversation among prominent male poets. Towards the closing of the sixteenth century, however, the emerging of the female poet took place. With the introduction of Queen Elizabeth, an initial path was now cleared for future women poets to share their views on the acclaimed topic of love. Due to this clashing of ideas, the conflicting views of two exceedingly different sexes could manifest itself. Who better to discuss the topic of love then Elizabeth Barrett Browning, who expresses her ideas with intelligence comparable to the best male poets, and Emerson, world renowned for his poignant opinions? In accordance with the long history of conflict between males and females, both Emerson’s "Give All to Love" and Browning’s "Sonnet 43" convey the pleasure love brings, but while Emerson’s poem urges the retention of individualism in a relationship, Browning pleads for a complete surrender to love.
The Shepherd in Marlowe's poem used disguised sexual images in hope that the Nymph would be attracted to him. The Shepherd first offered the Nymph "...valleys, groves, hills, and fields, / woods, or steepy mountain yields" ( ). He hopes that the Nymph would interpret the images as places he would like to take her, but in actuality the Shepherd was describing to the Nymph the various parts and curves of her body which he would like to explore. The Nymph replies to his offer by stating "The flowers do fade, and wanton fields, / to wayward winter reckoning yields " ( ). Which means that things change and though the Shepherd has a sexually unrestrained body, that through time he will become headstrong and unwilling to continue the sexual pleasures.
Love is one of the main sources that move the world, and poetry is not an exception, this shows completely the feelings of someone. In “Litany” written by Billy Collins, “Love Poem” by John Frederick Nims, “Song” by John Donne, “Love” by Matthew Dickman and “Last Night” by Sharon Olds navigate around the same theme. Nevertheless, they differ in formats and figurative language that would be compared. For this reason, the rhetoric figures used in the poems will conduct us to understand the insights thought of the authors and the arguments they want to support.
Relationships between two people can have a strong bond and through poetry can have an everlasting life. The relationship can be between a mother and a child, a man and a woman, or of one person reaching out to their love. No matter what kind of relationship there is, the bond between the two people is shown through literary devices to enhance the romantic impression upon the reader. Through Dudley Randall’s “Ballad of Birmingham,” Ben Jonson’s “To Celia,” and William Shakespeare’s “Shall I Compare Thee to a Summer’s Day?” relationships are viewed as a powerful bond, an everlasting love, and even a romantic hymn.
"Laura’s love of the fruit is insatiable" (Mayberry 90). Lizzie is a more Victorian image of love "cautious, timid, and tedious" (Mayberry 43). In the Victorian days respectable women were expected to be good Christian women. Rossetti is a demonstration of these expectations. In reference to the awkward moral at the end of the poem Martine Brownley says.
Imagery used by the Shepherd proposes his love. Limit on time and how time effects love is how the Nymph rejects the Shepherd. The Shepherd is attempting to sell his love through pleasure and nature. Both poems express two views that are opposite of the other, and two different views of nature.
While the response, “Nymph’s Reply to the Shepherd”, carries a bleak and frank name, Marlowe’s title adds opinion and flavor by replacing the nymph’s name with “Love” and adding in the adjective “Passionate”. This theme holds itself throughout the poem with vivid imagery and bold, imaginative scenes. Most of this imagery focuses on either landscapes or material objects such as on line four where the shepherd describes the scenery as “Woods, or steepy mountain yields”. These qualities depict the shepherd’s ideals almost instantly. He is more concerned with joy in the moment, such as buying the expensive robe mentioned on line thirteen or the golden buckles on line sixteen, and less interested in the outcome of the situation.
Written only a year apart, Christopher Marlowe's "The Passionate Shepherd to His Love" (1599) and its seemingly contradictory retort, Sir Walter Raleigh's "The Nymph's Reply to the Shepherd" (1600), collectively set a fascinating scene. During a first read through of each of the poems, the plots seem fairly straightforward. However, one may be led to believe that Marlowe's poem was about nothing more than an eloquent confession of love and that Sir Walter Raleigh's reply was merely a rejection of that very confession. In reality, each poem contains much deeper meaning than is often interpreted during a first read through. The consistency of the "The Nymph's Reply to the Shepherd" being an exact opposite is mildly entertaining as every line of "The Passionate Shepherd to His Love" was individually countered and rejected. For example, "...we will sit upon the rocks," and "See[] the shepherds feed their flocks" being replied to with "Time drives the flocks from field to fold, when rivers rage and rocks grow cold." In the first line, Marlowe describes sitting on rocks watching flocks of sheep in the pasture below, while in the second Raleigh adds that the sheep have already been sent to their pens, no longer able to be seen, and the rocks intended for sitting will only grow cold. All of that being said, it can be seen upon closer examination of each of the poems that there is more meaning than just a rejection to a confession of love.
The love that the Shepherd has for her is not real love it is more of a lust type of feeling. He is living in the moment, a...
Christopher Marlowe and Sir Walter Raleigh both create speakers who disagree about the nature of romantic love. The titles of the twin poems, “The Passionate Shepherd to His Love,” by Marlowe, and “The Nymph’s Reply to the Shepherd,” by Raleigh, show that they are two sides of a rhetorical exchange. The poems’ structures are identical; each of the shepherd’s optimistic requests has a corresponding refusal from the nymph. Although the word choice and meters are similar in the two poems, the shepherd uses an optimistic tone while the nymph uses a pessimistic one. While both speakers are addressing the concept of love, their distinct uses of diction and imagery underscore how the shepherd’s optimism conflicts with the nymph’s skepticism.
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