Useful Arts In The Nineteenth Century

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Prior to the creation of the Western term “technology” in the twentieth century, another phrase exclusive from gendered ideological influence was used to describe this domain of objects. Useful arts, which was wiped out through the discourse of technology, was commonly used within the nineteenth century. The language and ideas that molded useful arts gave it the representation of solely being the category of physical objects. It did not encompass the abstract gender terminology that was put onto technology, making it more than just the product of craftsmanship. Since the end of the nineteenth century, technological advancements within society have been socially constructed and have created imbalanced gendered identities within the home and …show more content…

Initially, in a verbal effort to establish their legitimacy, social groups ranging from industrialist boosters, leading scientists, engineering advocates, and public intellectuals to women’s rights advocates, African American educators, and anthropologists mobilized terms such as useful knowledge or arts, inventive genius, applied science, and the machine rather than technology to claim their right and place in the society (Oldenziel, 2000). These other classifications described the technological processes in society without socially excluding the work of women, children, and people of color. Specifically, the term useful arts described the work of women because it still included the domain of the “hands and body” within its definition unlike technology which only gave credit to the assumed and predominant work of the mind. Useful art was still constructed around the skills and methods of practical subjects such as manufacture and craftsmanship, two types of labors that were generally done by …show more content…

The term technology was coined as a response to the possibility of women becoming equivalent in the domain of work that involved technological processes. The semantic shift from useful arts to technology took form during the early decades of the twentieth century. By appropriating the idiom of science, industry, engineering, and anthropology these loosely defined associations augmented a new male authority at the end of the century (Oldenziel, 2000). Thus, for an object to be a component of technology it no longer could be described just as an object of physical manufacture. It had to be mechanically operated, or “machine-bound” and created by only those who withheld the knowledge, skills, and expertise to discuss its creation. In supposition, men were the ones who dominated mechanically driven jobs in technological

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