Examples Of Imperialism In Star Trek

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Undercurrents of Imperialism and Colonialism in Star Trek

Star Trek mirrored the Cold War/Vietnam paranoia of the late sixties—in command of the Enterprise, the Federation had an uneasy peace with its adversaries, the Klingons and Romulans (there were many episodes that came down to Kirk vs. the Klingons). In one episode Kirk and his Klingon counterpart each tried to influence an emerging culture to see things their way—remember Vietnam, Chile, and El Salvador? In another, Kirk and Spock were sent to spy on the Romulans so they could steal their cloak (stealth?) technology. And there was Kirk: yellow shirt torn across his chest, with blood on his forehead or across his cheekbone. There would be a weapon in his hand—something primitive, …show more content…

“You really should cooperate with us,” Picard has been heard to say, “It is our highest law not to interfere with other cultures, but we may not be back this way for many years, maybe not in our lifetimes.” Uh-huh, very magnanimous of you, Picard. If not today, then next year, or next century, everyone will fall into the Federation’s sphere of influence. And what about all the aliens under Federation control? Hundreds of shapes, sizes, and colors (almost all humanoids) who aren’t slaves but are still part of the Federation. And then there was that inter-racial kiss between Kirk and Uhura (a kiss that was forced on them by aliens with telekinetic powers). Also consider how Star Trek has tried to be non-sexist—women officers who are mostly Star Trek phone operators in mini-skirts (“Captain, your wife is on line two”) and nurses (“Yes, doctor. No, doctor. Right away, …show more content…

Deep Space Nine takes place on a Federation outpost and is commanded by a man (Ben Sisco) whose leadership style is much like Kirk’s—confrontational. Voyager, on the other hand, is about a Star Fleet vessel stranded on the far side of the galaxy, which must find its way home (at top speed, a 70-year journey). More importantly, perhaps, Voyager is commanded by a woman—one Captain Janeway who, interestingly enough, doesn’t fall into the same cultural trap as her Star Trek predecessors because she seems to welcome diversity and respect alien cultures. Of course, whether this is a result of her and her crew’s being a lifetime’s journey away from their empire, or that she is a woman, or just the fact that the creators of Star Trek have come to understand the cultural elitism of their show, I couldn’t say (I hope it’s the latter). And while it is possible that the only reason the new captain is a woman is that the creators have caved in to the politically (and morally?) correct gender politics of our society, the “Janeway style” is certainly a welcome departure from, and possibly a tacit acknowledgment of, the elitist style of earlier Trek

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