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Impact of tv on american society
Television's influence on american culture
The impact of TV in America
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In the article “TV’s Callous Neglect of Working- Class America” written by Noel Murray explains the modern day TV shows un-relatable plots to Americans today. Murray describes how shows in the ‘50s through the ‘90s were relatable to Americans and how they lived their lives. The TV shows then were able to get such great reviews because the jobs the actors had in the shows were average money making jobs. The characters are meticulously when it came to how they used the money they earned. However, as the years have passed, the shows that are on today are not as relatable to Americans. The shows express the fantasy, perfect life that everyone strives to have, but in reality, it is not possible for every family. The programs on today do not convey the difficulties that average Americans face each day, causing the shows to become more and more relatable to average TV viewers. Murray is arguing in this article that the shows on today are not portraying the real situations that families are forced to deal with in life. Almost all shows on today are scripted. The actors in fake family TV shows try come together to be a real life family, but it does not portray a real family at all. For the most part, all the adults in the shows have jobs, …show more content…
TV shows like Survivor and The Amazing Race are just a few game shows that are different than the average sitcom on today. As soon as the people on these game shows begin to mention their beliefs and how they impact their lives, Murray describes the producers as being “afraid to push too far whenever the people in front of the cameras start mentioning God or values.” The producers are careful to not reveal too many of their beliefs, because it “would get in the way of the game.” Real life connections and beliefs should be present because TV viewers can relate. They have meaning, unlike fake, scripted shows that hid the reality of the real
Television has always been an industry whose profit has always been gained through ads. But in chapter 2 of Jason Mittell’s book, Television and American Culture, Mittell argues that the rise of the profit-driven advertising television model can be traced back through American television history, and that the rise of the profit-driven advertising model of television actually helped to mold American culture both from a historical standpoint and from a social standpoint.
...e the beginning of time, Television has been one the most influential pieces of media that the world has ever encountered. Bravo TV’s hit number one reality television show, The Real Housewives of Atlanta, deals with the everyday lives of modern-day “housewives”. When speaking of these women and their family life, the show shows its viewers that family life in modern times is dramatic, full of misrepresentations of how people are perceived, and how fame comes at the cost of family. The show stands strong with the critics and its faithful viewers around the world. Clearly, the show is not going astray anytime soon. Families who watch the show will eat up the drama and prays that their families never deal with those petty types of problems. The world will keep spinning in the television cycle, and drama will continue to invade the homes of millions of Americans.
Since its start, the television industry has been criticized for perpetuating myths and stereotypes about African-Americans through characterizations, story lines, and plots. The situation comedy has been the area that has seemed to draw the most criticism, analysis, and disapproval for stereotyping. From Sanford and Son and The Jefferson’s in the 1970s to The Cosby Show (1984) and The Fresh Prince of Bel-Air in the 1990s, sitcoms featuring black casts and characters have always been controversial. However, their significance upon our American culture cannot be disregarded. During the 1950s and 1960s, 97% of the families were Caucasian. In the first five years of the 1990s, nearly 14% of the television families were African-American (Bryant 2001). These statistics obviously show the substantial impact our American culture has had on African-American television families.
How much of television is comprised of real life? By examining one show within its context, one can find the answer. Reality is reflected in the themes; rhetorical strategies; and audience, importance, and popularity. By examining the situational comedy series: Drake and Josh, a popular teen show from 2004, it is possible to see how reality shapes television. Drake and Josh is centered around two brothers in San Diego, California: Drake and Josh. Drake is portrayed as the suave, charming, bad boy in a band. He gets all the girls, leaving Josh in the dust. Josh is a nerdy brainiac, who has an unhealthy infatuation with Oprah Winfrey. They also have a meteorologist father and a kooky mother. Plus, a younger sister who painfully pranks them in
For example, on the television sitcom ‘Good Times’ viewers observed a black family living in a Chicago housing project in poverty. Sitcoms of African Americans who did not live in poverty were uncommon until the 80’s. The Huxtables introduced me and everyone else to a new image of living as an African American. ‘‘The Cosby Show’’ enlightened me to a new sense of self-confidence and pride. Throughout its broadcasting years, the Huxtable family candidly crushed the stereotypical images of the African-American family.
In the article “TV’s Distorted Images” written by Tom Seibert talks about the powerful ways TV can affect the way people think. TV can ruin a person’s outlook on themselves, thinking, and acting. In “TV’s Distorted Images”, Seibert writes the changes in people’s lives and their self-awareness of how they live. Tom wrote his article in 1995 when TV was brought to Fiji with just one channel working. The young girls that he had talked to were all perfectly happy and healthy and lived life with the biggest smile until two high-rated TV shows became a part of their life. Once the girls started watching shows like Melrose Place and Beverly Hills 90210, they became self-conscious. The girls no longer enjoyed how they looked, believing they were overweight or not pretty.
The ‘Golden Age of Television’ is what many refer to as the period between the 1950s and 60s when the television began to establish itself as a prevalent medium in the United States. In 1947, the American Broadcasting Company (ABC), Columbia Broadcasting System (CBS), the National Broadcasting Company (NBC), and the Du Mont Network were the four main television networks that ran stations with regular programming taking place. (Television, 2003) While regular television programming was a new innovation, the television itself had been commercially available for over twenty years prior to the 50s. It was conceived by many worldly innovators and went through several testing stages before it was finally completed in the late twenties. The three main innovators were Niplow - who first developed a rotating disk with small holes arranged in a spiral pattern in 1884, Zworykin - who developed the Iconoscope which could scan pictures and break them into electronic signals (a primitive form of the Cathode Ray Tube) in 1923, and lastly Fansworth - who demonstrated for the first time that it was possible to transmit an electrical image in 1927. (Rollo, 2011) However, one of the many reasons why this medium was successful in the 50s was due to the fact that it became more accessible to the public. Television sets were more affordable to middle class citizens which created further interest in the new technology. Through an historical account of the medium, the spread of television across America throughout this particular decade will be examined.
Though not immune to criticism, Modern Family and Full House still claim glimpses of societal pressure when showing aspects of the “American family.”
Throughout the evolution of television shows, one thing that is evident in them is that the families follow some sort of sociological theory. By observing these shows, it is easy to perceive what the struggles and achievements these families may experience. Specific examples of television families that display a sociological theory is: Switched at Birth showing conflict theory, Full House presenting symbolic interactionalism, and finally, The 100 which showcases feminist theory. In all of these shows, the families involved each go through their own issues with themselves and each other as well as barriers that may get in the way of their success. Analyzing families through the sociological perspectives open up opportunity for people to better
Television and the housing boom are both products of post-war American prosperity. Both developments are linked not only temporally, but culturally as well. Their significance is often times interdependent. The introduction of network television programming into American homes began in the late 1940s, as did the housing, and post-War baby boom. Suburbs became the new melting pot as migration from ethnic working class neighborhoods created enclaves of whiteness. At the same time, families on television were reflecting this change in social hierarchy. Early television sitcom families were happy and safe, with a professional father, a loving, nurturing mother, and two or three well-adjusted children. And they were always white and money was never an issue. The suburban home was an oasis of domesticity, free from communism and atomic threat.
Popular culture is the artistic and creative expression in entertainment and style that appeals to society as whole. It includes music, film, sports, painting, sculpture, and even photography. It can be diffused in many ways, but one of the most powerful and effective ways to address society is through film and television. Broadcasting, radio and television are the primary means by which information and entertainment are delivered to the public in virtually every nation around the world, and they have become a crucial instrument of modern social and political organization. Most of today’s television programming genres are derived from earlier media such as stage, cinema and radio. In the area of comedy, sitcoms have proven the most durable and popular of American broadcasting genres. The sitcom’s success depends on the audience’s familiarity with the habitual characters and the situations
Do you know the guiltiest pleasure of the American public? Two simple words reveal all—reality TV. This new segment of the TV industry began with pioneering shows like MTV’s The Real World and CBS’s Survivor. Switch on primetime television nowadays, and you will become bombarded by and addicted to numerous shows all based on “real” life. There are the heartwarming tales of childbirth on TLC, melodramas of second-rate celebrities on Celebrity Mole, and a look into a completely dysfunctional family on The Osbornes. Yet, out of all these entertaining reality shows arises the newest low for popular culture, a program based on the idea of a rich man or woman in search of the perfect marriage partner. The Bachelor, and its spin-off The Bachelorette, exemplify capitalist ideology founded on the Marxist base-superstructure model and establish the role of an active American audience.
The invention of the television has had an impact on all aspects of American's lives. It has affected how we work, interact with others, and our foreign relations. One part of American society that it has especially affected is presidential elections. Television has impacted who is elected and why they were elected. Since the 1960's television has served as a link between the American public and presidential elections that allows the candidate to appear more human and accountable for their actions; consequently this has made television a positive influence on presidential elections. But it has also had a negative affect on elections, making presidential candidates seem like celebrities at times and making it easier to publicize mistakes made by candidates.
This essay will examine my thoughts and those of David Sterrit on the critically acclaimed television show The Honeymooners. First, I will talk about the Honeymooners and it’s setting in postwar America. Secondly, the social and cultural issues the series portrayed. Next, would be the psychological perspective and the aesthetics of the show. Finally, the essay would conclude with my thoughts on how the Honeymooners were impacted by these aspects, but also how the show managed to leave a legacy in television today.
For example, while soap operas tend to be exceedingly sensational and over the top, most comedies gloss over the terrible things that may befall a family. Gritty crime shows and other dramas try to portray families more accurately, but still must follow certain rules. For this reason, dramas still tend to be unrealistic. The recent rise of popular cable television programs highlight key content regulations that contribute heavily to inaccurate family portrayals and ultimately, the broadcast networks’ decline.