Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Love in midsummer night s dream
Love in midsummer night s dream
Theme of love in Shakespeare's plays
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Love in midsummer night s dream
Finding a true love is something most people search for their entire lives. Best said by Nicholas Sparks, “How far should a person go in the name of true love?” This reoccurring theme can be seen throughout William Shakespeare’s A Midsummer Night’s Dream, a comedy about the triumphs of young foolish lovers and the forces that act against them. Two main characters, Hermia and Lysander, face many obstacles in their journey of love. Overall, Shakespeare uses the quote; “Could ever hear by tale or history, the course of true love never did run smooth” (I, i, 136-137), to foreshadow the entities Hermia and Lysander have to fight in order to be together.
In the opening of the play, Hermia and Lysander face the objection of Egeus. Since he is the father of Hermia, Egeus believes he has the sole right to choose whom his daughter will marry, and this man is Demetrius: “Stand forth Demetrius, my noble lord; this man hath my consent to marry her” (I, i, 25). In the eyes of Egeus, the love Lysander offers Hermia is merely a play on her innocent mind and heart because he has stolen her heart away from Demetrius. Without the approval of her father, the love is ultimately unworthy and unacceptable. Hermia’s disobedience to her father leads him to seek advice from Theseus, so he can gain his “claim to power over her in Athenian law” (Slights 3). Since Egeus argues the law with his request, Theseus’s ruling on the matter is for Hermia to marry Demetrius or be put to death by the Athenian law. In order to escape the wrath of her father and the Athenian law, the two lovers plan to elope to the woods: “There, gentle Hermia, may I marry thee; and to that place the sharp Athenian law cannot pursue us” (I, i, 165-167).
The character Helena plays the s...
... middle of paper ...
...e the next morning, their recollections of the previous night are just realistic dreams. Lysander is once again free to marry Helena.
“If true lovers have ever cross’d, it stands as an edict in destiny. Then let us teach our trial patience” (I, i, 156-158). Shakespeare uses this quote in A Midsummer Night’s Dream as a tool to show that when two people truly love each other, no trial or misconception will ever keep them from being together.
Works Cited
Shakespeare, William. A Midsummer Night's Dream. Clayton, DE: Prestwick House, 2003. Print. Side by Sides.
Slights, Camille Wells. "The Changes and Chances of Mortal Life in A Midsummer Night’s Dream."Shakespeare’s Comic Commonwealths. Toronto: U of Toronto P, 1993. 103-124. Rpt. inShakespearean Criticism. Ed. Lawrence J. Trudeau. Vol. 152. Detroit: Gale, 2014. Literature Resource Center. Web. 12 Mar. 2014.
In the first part of the play Egeus has asked the Duke of Athens, Theseus, to rule in favor of his parental rights to have his daughter Hermia marry the suitor he has chosen, Demetrius, or for her to be punished. Lysander, who is desperately in love with Hermia, pleads with Egeus and Theseus for the maiden’s hand, but Theseus’, who obviously believes that women do not have a choice in the matter of their own marriage, sides with Egeus, and tells Hermia she must either consent to marrying Demetrius, be killed, or enter a nunnery. In order to escape from the tragic dilemma facing Hermia, Lysander devises a plan for him and his love to meet the next evening and run-off to Lysander’s aunt’s home and be wed, and Hermia agrees to the plan. It is at this point in the story that the plot becomes intriguing, as the reader becomes somewhat emotionally “attached’’ to the young lovers and sympathetic of their plight. However, when the couple enters the forest, en route to Lysander’s aunt’s, it is other mischievous characters that take the story into a whole new realm of humorous entertainment...
Shakespeare, William. A Midsummer Night's Dream. Qtd. Literature: Reading Fiction, Poetry, and Drama. By Robert DiYanni. 6th ed. Boston: McGraw-Hill, 2007. 1392-453.
Love is a powerful emotion, capable of turning reasonable people into fools. Out of love, ridiculous emotions arise, like jealousy and desperation. Love can shield us from the truth, narrowing a perspective to solely what the lover wants to see. Though beautiful and inspiring when requited, a love unreturned can be devastating and maddening. In his play, A Midsummer Night’s Dream, William Shakespeare comically explores the flaws and suffering of lovers. Four young Athenians: Demetrius, Lysander, Hermia, and Helena, are confronted by love’s challenge, one that becomes increasingly difficult with the interference of the fairy world. Through specific word choice and word order, a struggle between lovers is revealed throughout the play. In A Midsummer Night’s Dream, Shakespeare uses descriptive diction to emphasize the impact love has on reality and one’s own rationality, and how society’s desperate pursuit to find love can turn even strong individuals into fools.
In "A Midsummer Night's Dream," William Shakespeare explains the difficulties of the nature of love. Both false love and true love prevail in the end, leading the reader to come to the conclusion that all types of love can triumph. Hermia and Lysander represent the existence of a "true love", while Helena and Demertrius represent the opposite extreme. Shakespeare presents the idea that love is unpredictable and can cause great confusion. Love is something that cannot be explained, it can only be experienced. Shakespeare challenges us to develop our own idea of what love truly is.
Shakespeare creates a situation in which two pairs of young lovers, Lysander and Hermia, are forced to elope from the oppressive authority of their Elders, here we see Lysander asking Hermia to flee to the woods, “there gentle Hermia may I marry thee; and to that place the sharp Athenian law cannot pursue us” Freedom is not permitted in Athens, therefore the two lovers plan to escape into the woods. Hermia has two options given from her oppressive father, ‘either to die the death, or to abjure for ever in society of men’. She disobeys his commands. Shakespeare uses images to reflect Athens, and to magnify and to solidify Lysander and Hermia’s love for each other, which is strong and cannot be broken, without the use of magic. ‘Withering on a virgin thorn, grows, lives, and dies in single blessedness’.
In act 1, Scene 1, we are introduced to the paternal love of Egeus and Hermia. Egeus, being Hermia’s father has all right over who she marries and so he chooses Demetrius as Hermia’s to-be husband however she doesn’t truly love Demetrius and has her heart set in Lysander. This led to troubled times for her as if she didn’t marry Demetrius she had two options: execution or becoming a nun.
First, Shakespeare uses the motif of the seasons early on in the play to solidify the connection between love gone awry and chaos. The initial romantic conflict is established when Egeus brings his daughter, Hermia, to Theseus to try and force her into marrying Demetrius, the man of his choice. Hermia has no interest in Demetrius because she is madly in love with Lysander. Unfortunately for her, Theseus sides with Egeus and threatens to enforce Athenian law if she does not obey him. Obviously, this situation is awful for Hermia; she is being kept from her true love. Her options are dismal: she has the choice of disobeying Egeus, betraying Lysander, or living a lonely life as a nun. Either way, she loses. The situation seems completely hopeless. Shakespeare illustrates this hopelessness by connecting Hermia’s grim future with the winter. When Theseus describes Hermia’s potential future, he calls her a “withering” rose and a “barren sister,” destined to a life of “chanting faint hymns to the cold fruitless moon” (Shakespeare 1.1.75). Essentially, Hermia will be trapped in an endless winter. This unnatural seasonal change will become a reality if she becomes a nun and remains celibate. For a young woman who is passionately in love with a young man...
Schanzer, Ernest. "_A Midsummer-Night's Dream." 26-31 in Kenneth Muir, ed. Shakespeare: The Comedies: A Collection of Critical Essays. Englewood Cliffs: Prentice-Hall, 1965.
Both in Shakespeare’s times and in modern day, “the course of true love never did run smooth”(28) is an idea that proves itself again and again. Works Cited A Midsummer Night's Dream The Fault in Our Stars
In the struggles of Hermia and Lysander to find a place where they can freely express their true love, it is evident that the course of something as scarce as true love always comes with obstacles. Lysander says: “How now, my love? Why is your cheek so pale? / How chance the roses there do fade so fast?” (1.1.130-131), showing that he and Hermia make a faithful couple truly showing their adoration for each other. However, Hermia’s father Egeus refuses to allow to these two lovers marry. This is the conflict Hermia faces: to disobey her father (and the Athenian law), or to mind her father’s will and allow this “edict in destiny” to lose course. “O hell, to choose love by another’s eyes!” (1.1.142), Hermia decides. Hermia chooses to follow the path her true love brings rather than to do what her father insists. In this example, complications manifest in the troubles with true love. In addition, even Titania and Oberon have difficulties
In this play, A Midsummer Night’s Dream, true love plays a huge role in the play.
This is because Hermia loves and wants to wed Lysander but her father Egeus, wishes for her to wed Demetrius, and Hermia will not. obey her father, he has gone to Theseus for back-up. This is an obstacle because Hermia and Demetrius are not allowed to wed and therefore cannot be together unless they elope. Theseus bans them from being married as he follows Egeus’ wishes. ‘To you your father should be a god’ (Acts one, line 47).
Shakespeare, William. A Midsummer Night’s Dream. Ed. Barbara A. Mowat and Paul Werstine. New York: Washington Square Press, 2004.
Granville Barker's Prefaces to Shakespeare: A Midsummer Nights Dream: The Winter's Tale: The Tempest. Granville Barker. Heinemann, 1994.
Shakespeare, William. A Midsummer Night's Dream. The Norton Shakespeare: Greenblatt, Stephen, editor. New York: W W Norton & Company, 1997.