Toni Morrison presents Pecola as the most complex case of destructive idealization of white culture and successive denial and destruction of black identity. Throughout the novel Pecola faces various incidents that ultimately lead to her ‘abjection’. Julia Kristeva defines “abjection” as “a state in which the abject is opposed to her” (Walker, 2011: 2 of 5). Furthermore, Pecola adores the Mary Jane candy, with the white face and its “blye eyes looking at her out of a world of clean comfort.” The novel further states that “to eat the candy is shomehow to eat the eyes. Eat Mary Janes. Love Mary Jane. Be Mary Jane” (Morrison, 2007: 65 of 221). This is a harsh inversion of the consumprion motif that occurs in that her Black self has been devoured by these White images of beauty. She is even further abjected when the community that failed to see its part in what happened when she exchanges her mind for the blue eyes she “though would make her loved” (Smith, 2012: 3 of 8). …show more content…
Thus it can be said that she is stranded in no man’s land, having been induced to reject her own culture and being rejected by that which she longs for membership. Pecola Breedlove cannot articulate herself healthily since she has no community to anchor it. Both of these black female characters suffer from some degree of displacement, not only being poor and black in a white-dominated society, but more importantly, the displacement bu their own culture and its images of whiteness. The Bluest Eye is a cathartic novel in terms of how it adresses the opposing ideals of white culture and how these ideals are internalized by thise who are marginalized and
Throughout the novel, Pecola is easily manipulated into believing what society tells her, and soon becomes fixated in achieving “beauty”. Due to certain events, Pecola comes to believe that beauty is the panacea to her life’s problems and the key to happiness, demonstrating how manipulating the Master Narrative can be. One of the more subtle events that affect Pecola’s mindset is when she goes to purchase a Mary Jane candy bar. When Pecola goes up to Mr. Yacobowski with her money, he barely acknowledges her: “At some fixed point in time and space he senses that he need not waste the effort of a glance. He does not see her, because for him there is nothing to see” (48). To Mr. Yacobowski, Pecola is so far from the socially acceptable standards: she is a black, poor, and ugly child. Mr. Yacobowski’s blunt ignorance is similar to many other people’s reactions when Pecola is around. Pecola doesn’t know how to think for herself yet, and from this encounter she is forced to see herself, in the eyes of Mr....
Toni Morrison's The Bluest Eye. Toni Morrison’s novel The Bluest Eye provides social commentary on a lesser known portion of black society in America. The protagonist Pecola is a young black girl who desperately wants to feel beautiful and gain the “bluest eyes” as the title references.
In 1983, Toni Morrison published the only short story she would ever create. The controversial story conveys an important idea of what race is and if it really matter in the scheme of life. This story takes place during the time period of the Civil Rights Movement. The idea of civil rights was encouraged by the government but not enforced by the states, leaving many black Americans suffering every day. In Morrison’s short story Recitatif, Morrison manipulates the story’s diction to describe the two women’s races interchangeably resulting in the confusion of the reader. Because Morrison never establishes the “black character” or the “white character”, the reader is left guessing the race of the two main characters throughout the whole story. Morrison also uses the character’s actions and dialogue during the friend’s meetings to prove the theme of equality between races.
Most of literature written by American minority authors is pedagogic, not toward the dominant culture, but for the minority cultures of which they are members. These authors realize that the dominant culture has misrepresented minority history, and it is the minority writers' burden to undertake the challenge of setting the record straight to strengthen and heal their own cultures. Unfortunately, many minorities are ambivalent because they vacillate between assimilation (thereby losing their separateness and cultural uniqueness) and segregation from the dominant culture. To decide whether to assimilate, it is essential for minorities to understand themselves as individuals and as a race. Mainstream United States history has dealt with the past of the dominant culture forgetting about equally important minority history. We cannot convey true American history without including and understanding minority cultures in the United States, but minority history has to first be written. National amnesia of minority history cannot be tolerated. Toni Morrison is a minority writer has risen to the challenge of preventing national amnesia through educating African-Americans by remembering their past and rewriting their history. In her trilogy, Beloved, Jazz and Paradise, and in her other works, Morrison has succeeded in creating literature for African-Americans that enables them to remember their history from slavery to the present.
Toni Morrison proves that being a different race can influence people’s attitude and ideas towards different skin colors. “Recitatif” starts out inside of a shelter where our main characters, Twyla and Roberta, feel isolated and excluded. Twyla states that the other children at St. Bonny’s do not play with Roberta and her because they are not “real orphans, with beautiful dead parents in the sky” (Morrison, 239). The two girls bond in the beginning of the story due to the fact that their parents are not dead, they cannot take care of the girls anymore. Our only clue about the girls being opposite races in the beginning is when Twyla refers to them looking like “salt and pepper”
Mobley, Marilyn Sanders. “ Toni Morrison.” The Oxford Companion to African American Literature. Eds. William L. Andrews, Frances Smith, and Trudier Harris. New York: Oxford UP, 1997.508-510.
In the novel “The Bluest Eyes”, by Toni Morrison, Racial self-loathing and hatred is a major theme through the text, and is even evident in the title. Instead of making the plot center around events over racism, the book shows a deeper portrayal of racism, emphasizing on the way racial self-hatred and loathing plagues the black characters. The novel shows an extended depiction of the ways in which internalized white beauty standards distort the lives of the black characters. The author shows this by having African Americans who have lighter features, Maureen Peal, Geraldine and Soaphead Church, and characters with darker features, Pecola and her Parents Cholly, and Pauline Breedlove. Through them we are able to see racial self-loathing, there
Throughout Toni Morrison’s controversial debut The Bluest Eye, several characters are entangled in the extremes of human cruelty and desire. A once innocent Pecola arguably receives the most appalling treatment, as not only is she exposed to unrelenting racism and severe domestic abuse, she is also raped and impregnated by her own father, Cholly. By all accounts, Cholly is detestable and unworthy of any kind of sympathy. However, over the course of the novel, as Cholly’s character and life are slowly brought into the light and out of the self-hatred veil, the reader comes to partially understand why Cholly did what he did and what really drives him. By painting this severely flawed yet completely human picture of Cholly, Morrison draws comparison with how Pecola was treated by both of her undesirable parents.
Toni Morrison's novel, The Bluest Eye contributes to the study of the American novel by bringing to light an unflattering side of American history. The story of a young black girl named Pecola, growing up in Lorain, Ohio in 1941 clearly illustrates the fact that the "American Dream" was not available to everyone. The world that Pecola inhabits adores blonde haired blue eyed girls and boys. Black children are invisible in this world, not special, less than nothing. The idea that the color of your skin somehow made you lesser was cultivated by both whites and blacks. White skin meant beauty and privilege and that idea was not questioned at this time in history. The idea that the color of your skin somehow made you less of a person contaminated black people's lives in many different ways. The taunts of schoolboys directed at Pecola clearly illustrate this fact; "It was their contempt for their own blackness that gave the first insult its teeth" (65). This self hatred also possessed an undercurrent of anger and injustice that eventually led to the civil rights movement.
A reader might easily conclude that the most prominent social issue presented in The Bluest Eye is that of racism, but more important issues lie beneath the surface. Pecola experiences damage from her abusive and negligent parents. The reader is told that even Pecola's mother thought she was ugly from the time of birth. Pecola's negativity may have initially been caused by her family's failure to provide her with identity, love, security, and socialization, ail which are essential for any child's development (Samuels 13). Pecola's parents are able only to give her a childhood of limited possibilities. She struggles to find herself in infertile soil, leading to the analysis of a life of sterility (13). Like the marigolds planted that year, Pecola never grew.
The objective of this thesis is to highlight the discrimination and subjugation that the black woman in American has experienced; and how Toni Morrison through black aesthetics and literary tradition provides a platform for
Claudia tries to resist loving white girls that her sister, Frieda, and friend, Pecola, admires for their beautiful features blonde hair and blue eyes. Claudia does not believe that Frieda and Pecola should admire girls who do not look like them physically. Unable to convince Frieda and Pecola that white girls are not the only standard of beauty, Claudia begins to have intense feelings of resentment and anger toward the white beauty standard:
The novel The Bluest Eye describes how society was in the 1940’s in America. The novel shows how behind the national image of wealthy white families were the hard workers who faced real world issues. Toni Morrison exposes these problems through the horrific stories through the characters she wrote about. Since the start of the novel, she shows how lives of hard-working African-Americans were much different than the innocent and “clean” ideology.
Toni Morrison, the author of The Bluest Eye, centers her novel around two things: beauty and wealth in their relation to race and a brutal rape of a young girl by her father. Morrison explores and exposes these themes in relation to the underlying factors of black society: racism and sexism. Every character has a problem to deal with and it involves racism and/or sexism. Whether the characters are the victim or the aggressor, they can do nothing about their problem or condition, especially when concerning gender and race. Morrison's characters are clearly at the mercy of preconceived notions maintained by society. Because of these preconceived notions, the racism found in The Bluest Eye is not whites against blacks. Morrison writes about the racism of lighter colored blacks against darker colored blacks and rich blacks against poor blacks. Along with racism within the black community, sexism is exemplified both against women and against men. As Morrison investigates the racism and sexism of the community of Lorain, Ohio, she gives the reader more perspective as to why certain characters do or say certain things.
“The Bluest Eye” by Toni Morrison, is a story about the life of a young black girl, Pecola Breedlove, who is growing up during post World War I. She prays for the bluest eyes, which will “make her beautiful” and in turn make her accepted by her family and peers. The major issue in the book, the idea of ugliness, was the belief that “blackness” was not valuable or beautiful. This view, handed down to them at birth, was a cultural hindrance to the black race.