Tim Burton Big Fish Stylistic Analysis

From Charlie and the Chocolate Factory, Edward Scissorhands, to Big Fish, master storyteller Tim Burton accomplished the act of significantly connecting with the modern day audience. Burton obtains fantastical elements of magic to cast his audience under a spell from the ongoing theme of contrasting reality and fantasy. Tim Burton uses camera angles, non- diegetic sound, and lighting as gates for the audience to enter the eyes of Tim Burton's view on life.

To inaugurate, Tim Burton creates a sense of dominance within his characters presented to the audience through the use of camera angles. Burton approaches this act through low and high angles in his film Big Fish. For example, during a conversation between characters Edward Bloom and Karl the Giant, high and low angles are established between them. A low angle is positioned on Edward showing that he appears small and weak. The low angle creates the feeling as though he is pathetic and one can look down upon him. Karl is pictured using a high angle providing an outlook of appearing larger and more powerful than he already is. These angles provide information resulting to conclude that, in this statement, Karl is superior from Edward. This allows the audience to witness Tim Burton's pattern of superiority within his characters.

Charlie and the Chocolate Factory, Big Fish, and Edward Scissorhands are all flooded with the magical elements of camera angles, lighting, and non-diegetic sound to create various moods, allowing the audience to enter life in the eyes of Tim Burton. The films would not be able to achieve the desired effect on the audience without Burton’s delivery of these powerful techniques. Burton’s mastery in the art of storytelling through film definitely rewards him the the title, “Burton the Wonder Wizard of