In the over 150 years since its publication, much critical attention has been paid to Henry David Thoreau’s most popular work, Walden. Having been so heavily critiqued, much recent critical work on Thoreau “gives greater attention to Thoreau’s unpublished work after Walden” (Meehan 300). Despite the superabundance of writing on this book, certain parts of it have been left relatively ignored. The chapter “House-Warming,” situated at the dawn of winter, has been treated thus. It might be that the reason for this lack of focus on this chapter is its transitory nature, as its primary purpose seems is to serve as a link between the autumn and the winter. As any writer will profess, such a transition in the narrative is indispensable. This transition is not only one that relates to the narrative, but also to Thoreau’s philosophy regarding the essentials of life. As Walden is often called an experiment by both critics and its author, “House-Warming” is especially worthy of attention as it shows us Thoreau not only performing experiments, but it also represents a turning point in the experiment that is Walden. “House-Warming” then exists both to showcase a philosophical adaptation on Thoreau’s part and a narrative transition, and also to preclude the magnification of his interest in scientific observation and experimentation over the course of the closing chapters.
Before diving into “House-Warming,” a very brief note should be taken on the use of language regarding Walden and this particular chapter. Other critics have noted of Walden that though “the bulk of its pages were written during his sojourn by the pond (1845-7), it was not ready for publication until seven years later, and ultimately included a distillation from his journals ...
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...ine between comfort and necessity blurred. The winter has another effect on Thoreau than forcing him indoors. Thoreau is famous for his propensity toward field observation and impromptu experimentation, and “House-Warming” gives Thoreau the opportunity to dive into this behavior (Ray 101). As Walden Pond freezes over and invites intricate observation, the spirit of the amateur scientist is awakened in Thoreau and he continues this behavior later in the book. Walden is unusual, highly complicated and tightly woven, and any attempt at “understanding the whole of this book is a hopeless task” (Heitman 15). “House-Warming,” as is now clear, is a crucial strand helping to weave all of Walden together. Perhaps in attempting to appreciate the place of this single strand, readers can stand back to a more complete understanding of the complex, tangled tapestry that is Walden.
Thoreau, Henry David. "Walden." The Heath Anthology of American Literature. Ed. Paul Lauter. Boston: Houghton Mifflin Company, 1998. 2107-2141.
Harton, Ron. "Henry Thoreau as a Model for Nature Writing." 9 August 2009. The Thoreau Reader. Online Document. 17 March 2014. .
This excerpt from "Walden" by Henry D. Thoreau uses the literary element of word choice to express the importance of living simply and taking life slow. He uses bold and eloquent words to evoke a sense of peace and relaxation. He stresses the importance of living a life without unnecessary anxiety, for it causes nothing but stress. To understand and appreciate what is truly wonderful in life, we must forgo our rushing mindsets
Both books explore remarkable journeys of self discovery. Thoreau accounts two years of leaving society and moving to a small cabin on Walden’s Pond with very little material possessions and a plan to subsidise his diet with supplies from a nearby town.
His desire to escape from what he entered imbibed in him an acute sense of the dangers posed by the dispassionate being that nature is. Meanwhile, Thoreau voluntarily went to Walden Pond to determine whether he is capable of earning his “living by the labor of [his] hand only” (“Economy”, par. 1). He was trying to prove his ideas on self-reliance to be correct and applicable in the real world. Thus, he had an incentive to focus on the positive aspects of being alone with the surrounding
With beautiful mornings, stunning scenery, and revelry in the simple and exotic banalities of life, Walden is an experience in living. Thoreau's purpose for writing Walden is clearly stated: "As I have said, I do not propose to write an ode to dejection, but to brag as lustily as chanticleer in the morning, standing on his roost, if only to wake my neighbors up" (Thoreau 168). Its purpose is to help us to realize what we are missing in our everyday existence, and rise to our potential. Walden provides an ideal for true and simple living that can be juxtaposed against Willy's artificial and common city life. This contrasting pedagogy is immediately apparent in the settings of the books. Both stories occur in New England, yet in drastically different localities. Walden Pond is a sheltered, wooded chunk of paradise where a philosopher can do his business. Willy's Brooklyn, with its growing population, seems to tighten a choke hold on him as his dreams evaporate. When Willy started raising his family, their spacious home and garden was on the edge of a city full of opportunities, yet as his crisis approached he found that his city was crushing him. The gradual change is a reflection of Willy's choices and their effects.
Henry David Thoreau was bon on July 12, 1817 in Concord, Massachusetts, on his grandmother’s farm. Thoreau was of French-Huguenot and Scottish-Quaker decent. Thoreau was interested in writing at an early age. At the age of ten he wrote his first essay “The seasons”. He attended Concord Academy until 1833 when he was accepted to Harvard University but with his pending financial situation he was forced to attend Cambridge in August of 1833. In September of 1833 with the help of his family he was able to attend Harvard University. He graduated college in August of 1837.
Thoreau, Henry David. Walden, or Life in the Woods. The Pennsylvania State University, 2006. PDF file.
I awoke before the first rays of sunlight had passed through the dew-covered trees to the west today. It had rained the evening before, and the smell of wet leaves and grass was still lingering in the air.
Henry David Thoreau pens his book Walden during a revolutionary period of time known as American Romanticism. The literary movement of American Romanticism began roughly between the years of 1830 and 1860. It is believed to be a chapter of time in which those who had been dissatisfied by the Age of Reason were revolting through works of literature. All elements of Romanticism are in sharp, abrupt contrast to those types of ideas such as empirical observation and rationality. An online article describes American Romanticism in the following manner, “They celebrated imagination/intuition versus reason/calculation, spontaneity versus control, subjectivity and metaphysical musing versus objective fact, revolutionary energy versus tradition, individualism versus social conformity, democracy versus monarchy, and so on” (Strickland). In 1845 during that period of time, Thoreau decides to spend two years of his life in an experiment with Mother Nature in a cabin at Walden Pond. He tells exquisite tales of life in natural surroundings in his book, Walden, through a most primitive organic style. Walden is a key work of American Romanticism because of its embedded ideas of solitude, individualism, pantheism and intuition.
Henry Thoreau uses specific rhetorical strategies in Walden to emanate his attitude towards life. With the use of many strategies Thoreau shows that life should be centered around Nature. People live their lives not ever taking a second glance of what Nature does and has done for humanity and Thoreau is trying to prove his point. Humanity owes Nature everything for without it humans would be nothing.
Throughout Thoreau's “Walden”, he lays out many suggestions that some may take as significant or just senseless. Thoreau brings forth many concepts such as necessity, news, and labor which would benefit modern society. Yet, his views on isolation and moderation are unattainable in a technology-driven society. Even though the ideas that could benefit society may not be totally agreeable, the main reasoning for them are valid. Those ideas of isolation and moderation are clearly not possible in a world where people crave to be social and live to obtain any and everything they want.
Henry David Thoreau (1817-1862) was an American philosopher, author, poet, abolitionist, and naturalist. He was famous for his essay, “Civil Disobedience”, and his book, Walden. He believed in individual conscience and nonviolent acts of political resistance to protest unfair laws. Moreover, he valued the importance of observing nature, being individual, and living in a simple life by his own values. His writings later influenced the thoughts of Mahatma Gandhi and Martin Luther King, Jr. In “Civil Disobedience” and Walden, he advocated individual nonviolent resistance to the unjust state and reflected his simple living in the nature.
Why do so few Americans not see all of the problems in society? Do they simply not care or are they not able to see them? With Thoreau's statement, "To be awake is to be alive", he implies that Americans have their eyes closed to these issues. They do not choose to overlook these issues but they simply pass them by because their eyes are shut. Some people are not able to grasp the concept in Thoreau's statement and find it to be foreign or subversive because it threatens the way the see the world.
When thinking about the transcendental period and/or about individuals reaching out and submerging themselves in nature, Henry David Thoreau and his book, Walden, are the first things that come to mind. Unknown to many, there are plenty of people who have braved the environment and called it their home during the past twenty years, for example: Chris McCandless and Richard Proenneke. Before diving into who the “modern Thoreaus” are, one must venture back and explore the footprint created by Henry Thoreau.