The idea of self-harm resonates through Toni Morrison’s novel Sula. Morrison utilizes marginalized characters and the concept of a pariah serve as essential components in promoting and intensifying the overtone of self-affliction that runs through the novel. This is best exemplified through Sula’s and Shadrack’s character, both of whom are outcasts of society and dismissed by the residents of the Bottom. Being pariahs generate conditions from which they can then exhibit the empowerment of self affliction (so are all the pariahs in this book ultimately self-created?), which make all the pariahs in the book ultimately self-created. Sula’s self affliction functions as the ultimate form of self-empowerment, which proves that her aberrant behavior separating her from the rest of normal society are …show more content…
Morrison demonstrates this in several examples, one being when she cuts the tip of her finger in defense of being bullied. As kids on the way home from school, Sula and Nel run into four white Irish boys. The boys find entertainment in harassing black schoolchildren and decide to target Sula and Nel. In response, Sula pulls out a knife and slashes a piece of her finger. She then tells them, "If I can do that to myself, what you suppose I'll do to you?" (Morrison 55). Sula’s decision to slash herself is a demonstration of raw power, one that is far greater and cruder than simply attempting to harm the Irish boys in defense. Yet, Sula’s actions are not the “normal” defensive reaction one would expect. Infact, the boys are shocked as they “stared open-mouthed at the wound” (55). Consequently, Sula’s distance from normalcy characterizes her self infliction as abnormal and isolated: “she [Nel] was looking at Sula's face, which seemed miles and miles
In the book Sula by Toni Morrison, Morrison’s ambiguous link between good, evil, and guilt, she is able to show that these terms are relative to each other and often occur mutually. In her comparison of good and evil, Sula states that "Being good to somebody is just like being mean to somebody. Risky. You don't get nothing for it" (145). Good and evil are being compared as if they are equal and that is how the book is structured. For instance, Eva's burning of Plum is a complex conjunction of motherly love and practicality and cannot be described as simply being a good act or a bad one. The killing of Chicken Little is a similarly ambiguous situation from which Sula and Nel's feelings are unclear. Lastly Sula, upon her death bed, questions what it means to be good and suggests that it what may be considered bad could in reality be good. Both in the syncopated style of Morrison's writing and the morally ambiguous portrayal of characters, cause the reader to question morals and think about them on a larger scale.
Given the title of the novel, Sula Peace is a complex and thought provoking character in Toni Morrison’s, Sula. Her thoughts and actions often contradict, leaving the reader unable to decipher whether Sula should be praised or demonized. As a child, Sula grows up in a chaotic household that is run by strong-willed women. Because of this constant commotion, Sula loves quiet and neat settings, which is shown through her behavior at Nel’s home. In the novel it says, “She had no center, no speck around which to grow” (Morrison 119). This quote points out how much her home life as a child affects her behavior as an adult. Her mother, Hannah, has almost no sense of right and wrong. Her promiscuous behavior is observed by Sula and sets the foundation
In her review of Toni Morrison's novel, Sula, Sara Blackburn complains that the setting and characters "seem somehow frozen, stylized"(1). While Blackburn talks favorably about Morrison's past novels (The Bluest Eye in particular), she is of the opinion that Sula is less successful because the characters are confined to one location and one mode of thought.
Toni Morrison’s novel Sula is rich with paradox and contradiction from the name of a community on top of a hill called "Bottom" to a family full of discord named "Peace." There are no clear distinctions in the novel, and this is most apparent in the meaning of the relationship between the two main characters, Sula and Nel. Although they are characterized differently, they also have many similarities. Literary critics have interpreted the girls in several different ways: as lesbians (Smith 8), as the two halves of a single person (Coleman 145), and as representations of the dichotomy between good and evil (Bergenholtz 4 of 9). The ambiguity of these two characters allows for infinite speculation, but regardless of how the reader interprets the relationship their bond is undeniable. The most striking example of their connection occurs right before the accidental death of Chicken Little. In the passage preceding his death, Nel and Sula conduct an almost ceremonial commitment to one another that is sealed permanently when "the water darkened and closed quickly over the place where Chicken Little sank" (Morrison 61):
In the novel Sula, there were other important characters besides Sula. The character in this book I would like to focus on most is Eva Peace. Eva is a woman who has a disability but remains strong, and this will be the focus of this paper since it wasn’t focused on so much in the book.
In the story, “Recitatif,” Toni Morrison uses vague signs and traits to create Roberta and Twyla’s racial identity to show how the characters relationship is shaped by their racial difference. Morrison wants the reader’s to face their racial preconceptions and stereotypical assumptions. Racial identity in “Recitatif,” is most clear through the author’s use of traits that are linked to vague stereotypes, views on racial tension, intelligence, or ones physical appearance. Toni Morrison provides specific social and historical descriptions of the two girls to make readers question the way that stereotypes affect our understanding of a character. The uncertainties about racial identity of the characters causes the reader to become pre-occupied with assigning a race to a specific character based merely upon the associations and stereotypes that the reader creates based on the clues given by Morrison throughout the story. Morrison accomplishes this through the relationship between Twyla and Roberta, the role of Maggie, and questioning race and racial stereotypes of the characters. Throughout the story, Roberta and Twyla meet throughout five distinct moments that shapes their friendship by racial differences.
“Sula,” however, was in Ohio during the first half of the twentieth century, nearly 100 years after “Jane Eyre”. It is the story of a young woman who was raised by her mother and grandmother whom both did not have a good reputation in the town they lived in. Sula later leaves the town for a period of 10 years, has many affairs and lives a wild life. When Sula returns to the town, many people look upon her as evil because of how she lives her life. Sula’s story is contrasted with that of her best friend Nel, who was raised by a family with more social morals and later chose to settle in a life as a wife and mother. “Sula” deals with several different themes like race, family, gender and social conventions.
Conformity and defying social norms were a common theme this week. In Toni Morrison’s book Sula, Sula Peace actively opposes gender roles. She does this by doing what she would like to do without the burden of her town’s expectations. Sula enjoyed sex and disregarded all of the opinions of the townspeople around committing adultery. Eli commented that it was even more unacceptable in that time period, but Sula’s main priority is being authentic. Even though she urged men to cheat she was still a risk taker and lived spontaneously, which was even more forbidden for a black woman and like Lauren said, the men were also to blame, not just Sula. Not many people in the Bottom share that trait because they are afraid of social isolation. For example, Nel didn’t stray far from the status quo due to her upbringing. Nel’s mother taught her to be proper and follow the set of rules given to her. Her mother often reminded her to “pull her nose” (28) so Nel could have a more appealing nose. On the other hand, Sula lived in an unconventional household with a constant flow of different people coming and going out of the house. Since she was not exposed to a father figure, she was not tainted by patriarchal expectations of the genders. She didn’t witness
The relationship between Nel and Sula begins during their adolescent years. Though they are complete opposites, they seem to work well with each other, depending on one another for comfort and support. The two spend almost all of their time together, learning from one another and growing as a result. They take solace in the presence of one another, finding comfort in what the other finds bothersome and using the lifestyle of the one another to compensate for their shortcomings. When Sula first visits Nel's home, "Nel, who regarded the oppressive neatness of her home with dread, felt comf...
In an interview, Morrison is asked about her feelings on O.J. Simpson. This brings up the issue of “black irrationality”. She chuckles and responds “The story of the case is a marketable story. And that story is made up of black irrationality, and black cunning, and black stupidity, and the black predator” (Haines). She then continues with this memorable quote, “We've always been considered to be irrational, emotional, lunatic people.” In Beloved, Sethe portrays the epitome of “bla...
Sula by Toni Morrison is a very complex novel with many underlying themes. Some of the themes that exist are good and evil, friendship and love, survival and community, and death. In Marie Nigro's article, "In Search of Self: Frustration and Denial in Toni Morrison's Sula" Nigro deals with the themes of survival and community. According to Nigro, "Sula celebrates many lives: It is the story of the friendship of two African-American women; it is the story of growing up black and female; but most of all, it is the story of a community" (1). Sula contains so many important themes that it is hard to say which one is the most important. I agree with Marie Nigro when she says that Sula is a story about community. I believe that community and how the community of Bottom survives is an important theme of the story. But I do not believe that it is a central theme of the story. When I think back on the novel Sula in twenty years, I will remember the relationship and friendship between Nel and Sula. I will not remember the dynamics of the community.
In Toni Morrison’s novel Sula, the theme of the story is good versus evil. It’s embodied into the story in various forms to question what defines right and wrong. Good versus evil is presented in forms that are understood on the surface and beneath the surface which gives it multiple meanings. The relationship between Sula and Nel is the main expression of this theme, however, there are also many other contributors such as color schemes, gender and race differences, and life and death. This theme sheds light on the significance and interpretation of issues of everyday reality which includes controversies related to identity struggles, super natural forces, the impact and relevance of upbringing on development, family structure, and racism. Morrison demonstrates the importance of good versus evil with her writing in the way that she overlaps them and interprets them as products of one another. The friendship of Sula and Nel creates a presence of good and evil within their relationship to each other and their community.
Horney’s theory focuses on neurosis and the ideal self of the individual. Her theory plays an important role in the development of an individuals personality and can be applied to the film Precious directed by Lee Daniels. The film is based on an African-American teenager girl who lives in Harlem with her abusive and ruthless mother as well as the mothers revolting boyfriend. The role of the mother plays a significant role in Precious’ personality development and will be discussed further in the essay with regard to Horney and the following aspects of; social and cultural conditions, basic anxiety and basic evil, neurotic needs, coping strategies and the ideal self vs the despised self.
Racism and sexism are both themes that are developed throughout the novel Sula, by Toni Morrison. The book is based around the black community of "The Bottom," which itself was established on a racist act. Later the characters in this town become racist as well. This internalized racism that develops may well be a survival tactic developed by the people over years, which still exists even at the end of the novel. The two main characters of this novel are Nel Wright and Sula Peace. They are both female characters and are often disadvantaged due to their gender. Nel and Sula are depicted as complete opposites that come together to almost complete one another through their once balanced friendship. Nel is shown to be a good character because she plays a socially acceptable role as a woman, submissive wife and mother, while Sula conforms to no social stereotypes and lets almost nothing hold her back, thus she is viewed as evil by the people in her community. Both women are judged by how well they fit into the preconceived social conventions and stereotypes that exist in "the Bottom."
... The reader is expected to go above and beyond simply reading a book. Everything an author does is purposeful and intentional, it is up to the reader to recognize these things and get the most out of the book they can. Although Morrison employs many other narrative techniques within Sula being able to recognize the narrator, the cruxes and the themes the reader can gain a better understanding and appreciation for the narrative they are reading and the argument (in this case) that Morrison is making for women experiences.