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Edgar allan poe themes
Connections between poe's life and the cask of amontillado
Connections between poe's life and the cask of amontillado
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In the stories the “Tell-Tale Heart”, “The Cask of the Amontillado”, and “The Fall of the House of Usher” there is an underlying theme of obsession that ultimately leads to the main characters’ downfall. Using different plots, the author Edgar Allen Poe writes three stories that all end with destruction because of the infatuation the characters demonstrate. In the “Tell-Tale Heart” the obsession of the narrator is evident from the beginning. The narrator himself tells the audience, that he cared for the old man and that the old man never wronged him. The only problem the narrator had with the old man was his eye. The eye starts to haunt the narrator and soon enough that is all he can think about and it cannot escape his thoughts. His obsession …show more content…
Unlike the “Tell-Tale Heart” however, both main characters have an obsession that lead to their doom. The character Montresor is making all his decisions in order to feed his hunger for vengeance. He lets the idea of getting revenge on Fortunato get the best of him and is willing to do anything including murder in order to fulfill this need. “At length I would be avenged…I must not only punish, but punish with impunity.” (1109) From this quote alone the audience gathers that Montresor is crazed with the idea of revenge. His obsession for this revenge turns him into a murderer and even though he is never caught, it leads to his downfall. Once the murder is over, Montresor becomes obsessed with the satisfaction he feels from the revenge. The audience can conclude this because he still goes down to his vault to relive the experience and because he retells the story again. Montresor in the end becomes very obsessive in nature. The addiction and thirst for wine brings the character Fortunato to his death. Fortunato’s dependence on wine turned out to be a fatal flaw that worked in Montresor’s favor. If Fortunato had the ability to turn down the offer of wine it would have saved his life. Even while feeling sick in the vaults, the wine is what drove him to continue to follow Montresor. After drinking, Fortunato was not capable of thinking clearly. Even when Montresor started to burry him alive Fortunato was …show more content…
After rereading the story the audience is able to pick up that there is an obsession or longing for companionship. The siblings have lived by themselves for many years and not surprisingly felt lonely in that big house. They began to rely on each other for company. Their need for companionship becomes so strong that they feel incomplete without the other by their side. This becomes a problem when Madeline “dies”. Instead of just giving up and dying Madeline tortures herself for eight days to escape in order to embrace her brother one more time. Roderick feels that he needs his sister in order to continue on living. Without her he goes insane and in the end he dies with his sister just so they can be together. Their need to be together leads to their
Montresor is a man who feels pride in himself and in his family, so when Fortunato—an acquaintance of Montresor— “venture[s] upon insult,” Montresor “vow[s] revenge” against him (1). Montresor hastily decides that he must kill Fortunato, even though his use of the word “venture” implies that Fortunato had not yet insulted him, but nearly did. Montresor’s impulsive need for revenge causes him to formulate a plan to murder his acquaintance. He keeps Fortunato intoxicated by “presenting him…[with] wine,” he “fetter[s] him to the granite,” and he “plaster[s] up… [a wall of] new masonry” to trap Fortunato in the catacombs (39, 71, 89). All of these acts are signs that the need for revenge has made Fortunato insane. A person who has any sense of morals would not commit crimes such as Montresor’s. His impetuous decision to exact revenge caused him to lose his
In the first lines of “The Tell-Tale Heart”, the reader can tell that narrator is crazy, however the narrator claims the he is not crazy and is very much sane, because how could a crazy person come up with such a good plan. “How, then, am I mad? Hearken! And observer how healthily – how calmly I can tell you the whole story,” (Poe 74). The reader can see from this quote that narrator is claiming that he is not insane because he can tell anyone what happened without having a mental breakdown or any other problems that people associate with crazy people. This is the begging of the unreliability of the narrator. Here the reader is merely questioning the amount of details. The narrator then goes on to explain how he didn’t hate the old man but he hated his eye.
Edgar Allan Poe, a famous American writer and a poet, had written several short stories such as “William Wilson,” “The Fall of the House and Usher,” “The Cask of Amontillado,” and poems such as “The Bells” and “The Raven,” which was one of the most famous poems ever written in English. There is always something different about Poe’s writing. Most of the classical murders make a person ask “who’s done it?” but his writings such as “The Cask of Amontillado” makes one ask the why question “why did he [Montresor] do it?” (Baraban). Every “detail in his [Poe’s] works that appear” has a purpose behind it (Baraban) and he “rarely depended on much dialogue in constructing his stories (Benton). In “The Cask of Amontillado,” Poe uses setting, foreshadowing,
The irony in, “The Tell Tale Heart” is more obscure. The narrator is an insane and a man who has agitation, yet tries to persuade the reader that he is not just sane, but rather logical. He proves this by calmly explaining why the violent act happens, but only resulting in contrary to what is being influence to the readers. One of the act that takes place, was “every night, about midnight, [the narrator] turns the latch of [the old man’s] door and opened it ....It took [him] an hour to place my whole head within the opening so far that [he] could see [the old man] as he lay upon his bed”. (1) It is abnormal enough for someone to speak repetitively, the narrator broke this boundary, in putting his somewhat mad plan into action. Another ironic moment was the need to confess his murder at the end of the story, due to guilt that is feeding on him alive. Though he is free of the judgmental eye, he is to be imprison for his
In the article, “The Question of Poe’s Narrators” James W. Gargano discusses the criticize in “The Tell-Tale Heart” by Edgar Allen Poe and tries to help the readers understand why Poe writes the way he does and identifies some of the quotes in his work. According, to Gargano, other authors view’s Poe’s work as “cheap or embarrassing Gothic Style” (177). The author is saying that Poe’s work makes the reader look at themselves not only the work. The author explores three main points. Some author thinks that Poe’s life is reflected in a lot of his work, uses dramatic language to show his style in work, and explains how Poe’s work manipulates his readers to understand.
Like many of Poe's other works, the Tell-Tale Heart is a dark story. This particular one focuses on the events leading the death of an old man, and the events afterwards. That's the basics of it, but there are many deep meanings hidden in the three page short story. Poe uses techniques such as first person narrative, irony and style to pull off a believable sense of paranoia.
In "The Tell-Tale Heart", the storyteller tells of his torment. He is tormented by an old man's Evil Eye. The storyteller had no ill will against the old man himself, even saying that he loved him, but the old man's pale blue, filmy eye made his blood run cold. And when the storyteller couldn't take anymore of the Evil Eye looking at him, he said, "I made up my mind to take the life of the old man, and thus rid myself of the eye for ever." This is the start of the storyteller’s madness, and as the reader listens to what he says, the madness within the storyteller becomes very apparent.
Confusion, fear, wonderment, shock and horror—just a few words of many to describe the emotions Edgar Allen Poe’s tales are known to elicit. Critics say that Poe was well ahead of his time in his ability to examine the human psyche and create characters that really make the reader think, if not recoil in horror. One particular theme Poe quite often repeats is that of madness and insanity. He is known for his wonderfully twisted tales involving such characters as an unstable brother with a mysterious ailment (The Fall of the House of Usher,) a methodical murderer (The Tell-Tale Heart,) and an enraged, revenge seeking, homicidal maniac (The Cask of Amontillado.) Through analysis and citations of the tales listed above, in conjunction with the opinions of literary critics, the reader will clearly see the oft repeated theme of madness and insanity hard at work.
"The Tell-Tale Heart" is one of the most successful fables ever written. It took off its most fantastic details regarding the murdered man 's vulture like eye, and the long drawn out detail concerning the murderer 's slow entrance into his victim 's room, the story stays at an unforgettable recording of the guilty conscience of the man 's voice.
The protagonists Montresor wants to get back at Fortunato for deeply insulting him and Montresor vows for revenge. During the fall carnival, he sees his opportunity and is quick to pounce on this and put his plan into place. “With Fortunato intoxicated and falling and stumbling all over the place Montresor knows that the time is now” (Russell 211). Montresor knows Fortunato’s weakness for wine and Montresor tells him he found Amontillado a very rare wine and it is in his vault. Montresor knows how far Fortunato will go for wine as rare as Amontillado and that is what eventually leads to his tormented and revengeful death.
Psychopaths know how to get just what they want. Mr. Wells says, ‘I can get literally anything from them, which is incredibly useful’ when talking about his condition (Griffiths). Montresor uses this same method to lure Fortunato. Montresor knows what he must say to get Fortunato to get him to follow him into the cellar so that he can carry out the murder. “My dear Fortunato! I am indeed glad that I have met you. I was just thinking of you. For I have been tasting my new wine. I have bought a full cask of a fine wine which they tell me is Amontillado. But….” (Poe 69). Montresor is aware that Fortunato thinks of himself as a wine connoisseur, “but he had one great weakness: he liked to drink good wine, and indeed he drank much of it. So he knew a lot about fine wines, and proudly believed that he was a trained judge of them” (Poe 70). He also knows that Fortunato will insist to see the wine once he finds out that Montresor might be considering someone else to go and inspect the wine. “Amontillado! Quite impossible. I know. It does not seem possible. As I could not find you I was just going to talk to Luchresi. If anyone understands wines it is Luchresi. He will tell me….” (Poe 69). Fortunato also is under the influence of alcohol when Montresor is talking to him. With Fortunato in this condition it only makes him easier to manipulate. “He spoke to me more warmly than was usual, for already he had
Montresor in "The Cask of Amontillado" is similar to the narrator in "The Tell-Tale Heart" in that his obsession with consuming the soul of Fortunato influences his every action. However, it is with Fortunato himself that he is obsessed. He feeds off of Fortunato's pain, unlike the narrator in "The Tell-Tale Heart" who's obsession is with destroying a menacing inanimate object. Montresor's entire conspiracy is focused around making Fortunato suffer, and for him to know just who is causing this suffering. This is why he goes to such lengths to put together this intricate strategy. It could have been so much easier to kill Fortunato in some easier, quicker way. Instead, he dedicates himself to torturing Fortunato. He creates a plan that leads Fortunato into the depths of the catacombs beneath his home, and kills him in an excruciating manner.
Through the first person narrator, Edgar Allan Poe's "The Tell-Tale Heart" illustrates how man's imagination is capable of being so vivid that it profoundly affects people's lives. The manifestation of the narrator's imagination unconsciously plants seeds in his mind, and those seeds grow into an unmanageable situation for which there is no room for reason and which culminates in murder. The narrator takes care of an old man with whom the relationship is unclear, although the narrator's comment of "For his gold I had no desire" (Poe 34) lends itself to the fact that the old man may be a family member whose death would monetarily benefit the narrator. Moreover, the narrator also intimates a caring relationship when he says, "I loved the old man. He had never wronged me. He had never given me insult" (34). The narrator's obsession with the old man's eye culminates in his own undoing as he is engulfed with internal conflict and his own transformation from confidence to guilt.
Unlike “The Tell Tale Heart” were the narrator loved the old man just hated his eye, the narrator of “The Cask of Amontillado” hated Fortunato but did things that make it look like he loved him. Montresor approaches Fortunato with claiming to have acquired something that could pass for Amontillado. Here Montresor may seem like he is being nice but he really just using Fortunato’s love for wine against him. As they went through the catacombs Montresor gave Fortunato enough wine so that he would be drunk and would be oblivious of what was happening as they went deeper and deeper into the catacombs. Fortunato never expected this to be the plan but just as a simple act of kindness from Montresor. As mentioned in the introduction of this paper the narrator of this story wanted revenge. Why does the Montresor want revenge? Well it is mention in the story on page three “THE thousand injuries of Fortunato I had borne as I best could; but when he ventured upon insult, I vowed revenge” but never gives us a full reason just that Fortunato insulted the Montresor in some
The characters in The Tell-Tale Heart are complex, interesting, and elaborate. Although much is not known about them, they each have minor details that make them stand out. Whether it be the old man’s eye, or the narrators growing insanity.