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The Full Summary Of Traditions And Culture In Things Fall Apart
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The concept of what it means to be a “man” or a “woman” and their division of labor in Africa has historically been a subject of extensive analysis in an environment characterized by widespread male prejudice. These analysis has been fed into discussions on the validity of whether male power is enough to maintain the duties that is needed in a structured economy. Masculinity is found under specific traditions about the roles and responsibilities of male member in an African household. Things Fall Apart by Chinua Achebe, Weep not, Child by Ngugi wa Thion’o, and Houseboy by Ferdinand Oyono are three novels that shows the African values on masculinity that underlie in gender identities, and the influences of cultural, racial, and colonial fundamentals on it.
Starting off very early, Okonkwo’s idea of what it is to be a man and his self-worth strongly connected. Unlike his lazy father Unoka, Okonkwo was a heroic and stoic wrestler, funder and defender of his household, possessor of lands, and the companion to more than one woman, going as far as taking another man’s wife. Though he sometimes showed affection for his loved ones, he did not show mild emotion after a machismo slashing of his adopted son’s Ikemefuna’s head. If it was not a display of great violence like beating women and children, or fighting against other cultures, then it was too feminine for Okonkwo to classify with. “Okonkwo ruled his household with a heavy hand. His wives, especially the youngest, lived in perpetual fear of his fiery temper… (Chapter 2, pg. 12) Through his examples of what a man should do, have, and be like he considered his biological son, Nwoye as having the weakness of a
Okonkwo is one of the most powerful men in the Ibo tribe. In his tribe, he is both feared and honored. This is evident by this quote, "Okonkwo was well known throughout the nine villages and even beyond... [He] brought honor to his tribe by throwing Amalinze the Cat..."(3) This suggests that in Okonkwo's society, power is attained by making a name for yourself in any way possible, even if that means fighting and wrestling to get your fame. Although honor is a good thing, when people have to fight to gain it, it becomes an object of less adoration. Okonkwo's "prosperity was visible in his household... his own hut stood behind the only gate in the red walls. Each of his three wives had her own hut... long stacks of yams stood out prosperously in [the barn]... [Okonkwo] offers prayers on the behalf of himself, his three wives, and eight children." (14) Okonkwo has also worked and tended to his crops in a very zealous fashion, and drives everyone around him to work as hard as he does. Because of this, he earns his place as one of Umuofia's most powerful men. In many cultures, a big family is a source of pride. Although Okonkwo is not always pleased by his children and wives, it also brings him a source of pride to have three wives and eight children. Large families mean that the head of the family is able to support all of them. Okonkwo's devotion to his crops and family gives to him the respect that any father and husband deserves, and in his culture, being able to fight and kill as well gives him even more influence and power.
The novel Things Fall Apart by Chinua Achebe is a story that opens the reader's mind to an entirely different way of living in a Nigerian village. Achebe was born in Nigeria in 1930, perhaps this is why he writes a whole book on a Nigerian village and introduces to us the ways of life for the Nigerian people. From the first page of the book to the last, Achebe allows the reader to enter the mind of the main character Okonkwo. Okonkwo is the leader of his village and is very respected for his many achievements. Although Okonkwo means well for his village, the novel invites the reader to see him has a flawed character who eventually suffers from the consequences of bad "masculine" decisions he makes throughout the book.
Okonkwo is on two ends of a stick. Sometimes he can be shown to be a caring, sympathetic character, but others he is shown as a ruthless person that is very unsympathetic person. Okonkwo is a man of action that would rather solve things with his fists rather than talking it out. He is a great wrestler hailing from the Umuofia clan that has thrown Amalinze the Cat. Okonkwo is also a very good farmer, where he has been able to grow two barns worth of yams. He is someone that doesn’t know how to control themselves when they get angry as he will then resort to violence. Okonkwo’s family relationships make him a sympathetic character because of his caregiving nature and hospitality and he is shown to be an unsympathetic character because of his
When the Price family arrived, they were shocked on how the Congolese men treated their own wives, as if they weren’t important even though the women did all the work. “ Though as far as I could see the wives and daughter did just about all the work“(229). This shows that African women have a difficult time during their lives, whereas the men don’t do as physically or mentally as hard as what the women have to do in the Congo. This is different compared to our culture because men had to do more a more arduous and more physically demanding jobs, while the women don’t do jobs that are as demanding as those of the work the men
At the beginning of the novel Okonkwo was a fairly wealthy and well-respected member of the Igbo society, but it had not always been that way for him. Okonkwo?s father, Unoka, had been a lazy man who would rather play his flute than take care of his crops. Unoka was said to be a charming man, and was able to borrow large amounts of money from his friends, but was never able to pay it back. As a result, Okonkwo has grown up very poor and ashamed of his lazy father. At one point in the book, Okonkwo remembers hearing one of his playmates calling his father an ?agbala,? which was the word for woman, but all described a man who had taken not titles (13). Okonkwo never forgets this, and actually develops a deep-seated fear that people will think that he is weak like his father. As I mentioned, Okonkwo became very well known, and his wealth and prestige rested solely on his own personal achievements. Okonkwo had received no inheritance from his poor father, no land and no money. As a young man, Okonkwo had been very successful wrestler, and as he grew older he became a well-known warrior. He was said to have brought home five human heads, which was a great achievement even for men who were much older that he was. At the beginning of the story, Okonkwo had obtained two titles, and had the respect of every man from all nine villages of Umuofia. Symbols of his wealth and prestige were his family and his compound. As I mentioned earlier, Okonwo had received no inheritance, and at the time of this story Okonkwo is still fairly young, and the fact that he had three wives, several children, and a very productive piece of land showed that Okonkwo was a very diligent worker. ?Okonkwo ruled his household with a heavy hand. His wives, especially...
In these few chapters that we read, we have already learned a lot about Okonkwo, his life, and how he shows sympathy to some, but to others he is heartless. Okonkwo is other wise known as an unsympathetic person. Okonkwo is a clan leader of umuofia who holds many titles and is well known among his people. Okonkwo's daily life consists of tending to the three yam farms he has produced and to make numerous offerings to numerous gods and to help himself and his family. Okonkwo's personality is hard driven, since his father did not provide for him and his family Okonkwo had to start man hood early and this led him to be very successful in his adulthood, Okonkwo is an unsympathetic character who only shows sympathy rarely because he believes it's a sign of weakness Okonkwo's family relationships make him a sympathetic character because when his children show signs of manliness or do their jobs right he shows sympathy towards them. He is an unsympathetic character because whenever he get a little mad he has to take his anger out on something and that is usually vented by beating his wife's.
The prior history of Nigeria before the 1900’s is critical in exploring the effects of colonialism. During the pre-colonial era, Nigeria was mainly divided into three tribes: Igbo, Yoruba, and Hausa Fulani. A female’s role differed according to kinship structure of the tribe and the status of the woman in the economy. Neither new nor peculiar, women have long been regarded as the “subordinate” class in Nigerian culture. Nigerian women were able to achieve high statuses by lineage or marrying into ruling class families. Under customary laws, a woman’s purpose was to be fertile and able to bear children. Tribes expected their women to marry into Igbo, Yoruba, and Hausa Fulani patri-lineage and bear sons to guarantee the future of the tribe. A wife’s position improved as she gave birth to more children and gain approval from elder members. Women who could not were scorned just as Mama wa...
From birth Okonkwo had wanted his son, Nwoye, to be a great warrior like him. His son instead rebelled and wanted to be nothing like Okonkwo. Okonkwo would not change so that his son would idolize him, as he had wanted since his son's birth. He chose not to acknowledge his son's existence instead. This would weigh heavily on anyone's conscience, yet Okonkwo does not let his relationship with his son affect him in the least bit.
Gender roles are based on several different things throughout the Igbo tribe. As inculcated throughout society and formed by the tribe, sex implies the distinction between
Two words, “man up”, have impacted thousands of lives forming the standard ideal for men all over the world. In Things Fall Apart, by Chinua Achebe, Okonkwo leads his life in fear of looking like his father, appearing weak. Just as Okonkwo changed his actions, George Orwell, the author of “Shooting an Elephant”, was influenced by those surrounding him and was afraid to look foolish. Submission of individuality has been going on since the beginning of humanity to now from all races and cultures. While all countries, cultures, and generations create a different image of the ideal man, they all experience a loss of individuality to meet society’s expectations of masculinity.
Okonkwo is portrayed as a respected individual in many ways. He was a well known person through out the 9 villages and beyond. His successes were based wholly on his personal achievements. For example, he was a warrior and wrestler who gained respect through his athletics. Manliness was a characteristic that was greatly valued by the people of the village. Since Okonkwo was a wrestler and a warrior this showed that he was a fierce fear-free individual. And because he hadn't lost one fight or any battles this was more reason for the people of the village to love him. He was also respected because of his wealth. Okonkwo had three wives and m...
Although the reader feels remorseful for Okonkwo’s tragic childhood life. It is another reason to sympathize with a man who believes he is powerful and respected by many when in reality, he is feared by his own family and that is another reason that leads Okonkwo to his downfall. He started positive, motivated but down the line, Okonkwo treats his wife and children very harshly. When the author mentioned, “Okonkwo ruled his household with a heavy hand. His wives, especially the youngest, lived in perpetual fear of his fiery temper, and so did his little children” (pg.13).
In Umofia, manliness is associated with strength and womanliness with weakness (Okhamafe 127). There is no such thing as a strong woman, and all men should disdain weakness. In Umofia, “all men are males, but not all males are men” (Okhamafe 126). Only the strong men who hold titles deserve to be called “men”. The Igbo word “agbala” is an alternate work for “woman” and for a man who had no title. Women in Igbo society are expected to act a certain way. Okonkwo scolds his daughter, Ezinma, when she does not “sit like a woman” (Achebe 44). He will not let Ezinma bring his chair to the wrestling match because it is a “boy’s job” (Achebe 44). Eve...
Okonkwo embodies all the ideal and heroic traits of the Igbo culture. He is strong, authoritative, hardworking, and successful. The opening sentence states that “Okonkwo was well known throughout the nine villages and even beyond” (3). Okonkwo is great and famous because of his “solid personal achievements” (3). Okonkwo first achieved fame and recognition when he became the village’s wrestling champion. At eighteen years of age, he had “brought honor to his village” by defeating the seven-year champion. By winning the wrestling match, Okonkwo demonstrates to his village his great strength and skill as a warrior. After that his fame spread “like a bush-fire in the harmattan” (3). Okonkwo governs his household with authority. He “ruled his household with a heavy hand” (13). His wives and children lived “in perpetual fear of his fiery temper” (13). Okonkwo is a hard task-master. He works on his farm “from cock-crow until the chickens went to roost” and compelled his family to do the same (13). He does not tolerate laziness in his sons. He punishes his son, Nwoye, with “constant nagging and beating” (14). Okonkwo is the sole and unquestionable authority figure in his household.
Okonkwo sees his father’s gentleness as a feminine trait. He works hard to be as masculine as possible so that he will be the opposite of his father and overcome the shame his father brought to his family. Okonkwo deals with this struggle throughout the entire book, hiding the intense fear of weakness behind a masculine façade (Nnoromele 149). In order to appear masculine, he is often violent. In his desire to be judged by his own worth and not by the worth of his effeminate father, Okonkwo participates in the killing of a boy he sees as a son, even though his friends and other respected tribe members advise him against it. (Hoegberg 71). Even after the killing of Ikamefuna, Okonkwo hides his feelings of sadness because the emotions are feminine to him. He goes so far as to ask himself, “when did you become a shivering old woman” (Achebe 65), while he is inwardly grieving. The dramatic irony of the secret fears that Okonkwo has will open the reader’s eyes to how important gender identity is to him. This theme is also presented among Okonkwo’s children. He sees his oldest son, Nwoye, as feminine because he does not like to work as hard as his father (Stratton 29). When Nwoye eventually joins the Christian church, Okonkwo sees him as even more feminine. On the other hand, Okonkwo’s