Horizon is the line that separates the surface and the sky in appearance; the horizon is also known as a person’s experience, how they perceive the world around them. In Zora Neale Hurston's “Their eyes were watching god,” Hurston uses the word horizon several times in the book in third person, and in first person by the main character Janie. In “Their eyes were watching god,” Janie a girl grows into adulthood through three marriages and experiences its ups and downs. The symbol of the horizon in “Their eyes were watching god,” represents the dreams of men and realities of women, it symbolizes Janie’s growth in her life. In the beginning of the book starts with an expression including the word horizon, the author places this word to explain that …show more content…
For some they come in with the tide. For others they sail forever on the horizon, never out of sight, never landing until the Watcher turns his eyes away in resignation, his dreams mocked to death by Time. That is the life of men.
The horizon owns the ship with everyone's wish on board, that ship on the horizon can sail forever and never be reached, the wish and dream is killed by time, “this is the life of men.” The author uses the horizon as a symbol, it also foreshadows how Janie’s life is long and exhausting journey but fulfilling when she reaches her wish. Her wish is being loved and having a place in the world, after her first two marriages she seemed to be chasing a ship that she would never reach because it being far off in the horizon. But after marriage with Tea Cake and experiencing his death she mentions the horizon. Now, dat’s how everything wuz, Pheoby, jus’ lak Ah told yuh. So Ah’m back home agin and Ah’m satisfied tuh be heah. Ah done been tuh de horizon and back and now Ah kin set heah in mah house and live by comparisons. Dis house ain’t so absent of things lak it used tuh be befo’ Tea Cake come along. It’s full uh thoughts, ’specially dat
Hurston invokes the symbol of horizon recurrently throughout the novel, to portray Janie’s dreams, aspirations, and her growth as a strong independent woman while attaining her horizon. The symbol, horizon, is used in both the beginning and ending of the story to represent the desire and fulfillment of Janie’s dreams. In the novel's opening sentence, the narrator introduces Janie's motivation to pursue her dreams, “Ships at a distance have every man's wish on board. For some they come in with the tide. For others they sail forever on the horizon, never out of sight, never landing until the Watcher turns his eyes away in resignation, his dreams mocked to death by Time” (Hurst 1). The horizon in this passage represents a dream that is not easily attainable, as
It’s no wonder that “[t]he hurricane scene in Zora Neale Hurston’s novel, Their Eyes Were Watching God, is a famous one and [that] other writers have used it in an effort to signify on Hurston” (Mills, “Hurston”). The final, climactic portion of this scene acts as the central metaphor of the novel and illustrates the pivotal interactions that Janie, the protagonist, has with her Nanny and each of her three husbands. In each relationship, Janie tries to “’go tuh God, and…find out about livin’ fuh [herself]’” (192). She does this by approaching each surrogate parental figure as one would go to God, the Father; she offers her faith and obedience to them and receives their definitions of love and protection in return. When they threaten to annihilate and hush her with these definitions, however, she uses her voice and fights to save her dream and her life. Hurston shows how Janie’s parental figures transform into metaphorical hurricanes, how a literal hurricane transforms into a metaphorical representation of Janie’s parental figures, and how Janie survives all five hurricanes.
People are constantly searching for their voices. A voice gives someone independence and the ability to make her own decision. The First Amendment ensures that all United States citizens possess the freedom of speech; however, not all people are given the ability or opportunity to exercise that right. When a person has no voice they rely on others to make their decisions. Throughout Zora Neale Hurston’s Their Eyes Are Watching God, Janie constantly struggles to find her voice. Her marriage to Logan Killicks, Joe Starks, and Tea Cake help her discover and utilize her voice in different ways. During Janie’s first marriage to Logan she has no voice, Joe silences Janie’s tiniest whisper and controls her similar to a slave; in contrast to Logan and Joe, Tea Cake encourages Janie to use her voice and make her own decisions. Janie cannot express her voice until she discovers happiness and independence through her final marriage.
...He is still anchored to his past and transmits the message that one makes their own choices and should be satisfied with their lives. Moreover, the story shows that one should not be extremely rigid and refuse to change their beliefs and that people should be willing to adapt to new customs in order to prevent isolation. Lastly, reader is able to understand that sacrifice is an important part of life and that nothing can be achieved without it. Boats are often used as symbols to represent a journey through life, and like a captain of a boat which is setting sail, the narrator feels that his journey is only just beginning and realizes that everyone is in charge of their own life. Despite the wind that can sometimes blow feverishly and the waves that may slow the journey, the boat should not change its course and is ultimately responsible for completing its voyage.
Janie sets out on a quest to make sense of inner questions. She does not sit back and
In Zora Neale Hurston’s novel Their Eyes Were Watching God, the character of Janie Crawford experiences severe ideological conflicts with her grandmother, and the effects of these conflicts are far-reaching indeed. Hurston’s novel of manners, noted for its exploration of the black female experience, fully shows how a conflict with one’s elders can alter one’s self image. In the case of Janie and Nanny, it is Janie’s perception of men that is altered, as well as her perception of self. The conflict between the two women is largely generational in nature, and appears heart-breakingly inevitable.
"Janie saw her life like a great tree in leaf with the things suffered, things enjoyed, things done and undone. Dawn and doom was in the branches" (8). When Janie was a teenager, she used to sit under the pear tree and dream about being a tree in bloom. She longs for something more. When she is 16, she kisses Johnny Taylor to see if this is what she looks for. Nanny sees her kiss him, and says that Janie is now a woman. In Their Eyes Were Watching God, Janie, the main character, is involved in three very different relationships. Zora Neale Hurston, the author, explains how Janie learns some valuable lessons about marriage, integrity, and love and happiness from her relationships with Logan Killicks, Joe Starks, and Tea Cake.
In the novel Their Eyes Were Watching God by Zora Neale Hurston, Janie Crawford, the protagonist, constantly faces the inner conflicts she has against herself. Throughout a lot of her life, Janie is controlled, whether it be by her Nanny or by her husbands, Logan Killicks and Joe Starks. Her outspoken attitude is quickly silenced and soon she becomes nothing more than a trophy, only meant to help her second husband, Joe Starks, achieve power. With time, she no longer attempts to stand up to Joe and make her own decisions. Janie changes a lot from the young girl laying underneath a cotton tree at the beginning of her story. Not only is she not herself, she finds herself aging and unhappy with her life. Joe’s death become the turning point it takes to lead to the resolution of her story which illustrates that others cannot determine who you are, it takes finding your own voice and gaining independence to become yourself and find those who accept you.
Zora Hurston was an African American proto-feminist author who lived during a time when both African Americans and women were not treated equally. Hurston channeled her thirst for women’s dependence from men into her book Their Eyes Were Watching God. One of the many underlying themes in her book is feminism. Zora Hurston, the author of the book, uses Janie to represent aspects of feminism in her book as well as each relationship Janie had to represent her moving closer towards her independence.
In Their Eyes Were Watching God, Hurston uses the horizon to symbol the future and Janies limitless possibilities. The horizon is a far off line in the distance where the earth meets the sky. It makes sense why Hurston would use the horizon to symbolize the future and limitless possibilities because, much like the future, it is out of reach and one never knows what it might behold. One can see how Hurston uses the horizon to represent the future when Joe Starks promises Janie a better life with him, she thinks “he did not represent the sun-up and pollen and blooming trees, but he spoke for far out horizon. He spoke for change and chance” (Hurston 29). In this quotation Janie is comparing the horizon to change and chance.
...izes the chance for happiness. Janie is comfortable knowing that she can live for herself, for she has become the subject of her own life. Janie is a complete woman because her inner and outer self unites; she transforms her social role into an organic role. Being comfortable in one's own skin and self, because of and not in spite of, is the true source of joy.
Janie and the Pear Tree in Their Eyes Were Watching God by Zora Neale Hurston
The human voyage into life is basically feeble, vulnerable, uncontrollable. Since the crew on a dangerous sea without hope are depicted as "the babes of the sea", it can be inferred that we are likely to be ignorant strangers in the universe. In addition to the danger we face, we have to also overcome the new challenges of the waves in the daily life. These waves are "most wrongfully and barbarously abrupt and tall", requiring "a new leap, and a leap." Therefore, the incessant troubles arising from human conditions often bring about unpredictable crises as "shipwrecks are apropos of nothing." The tiny "open boat", which characters desperately cling to, signifies the weak, helpless, and vulnerable conditions of human life since it is deprived of other protection due to the shipwreck. The "open boat" also accentuates the "open suggestion of hopelessness" amid the wild waves of life. The crew of the boat perceive their precarious fate as "preposterous" and "absurd" so much so that they can feel the "tragic" aspect and "coldness of the water." At this point, the question of why they are forced to be "dragged away" and to "nibble the sacred cheese of life" raises a meaningful issue over life itself. This pessimistic view of life reflects the helpless human condition as well as the limitation of human life.
Stoppard uses the boat as a metaphor for life. He shows that even though humans have the free will to walk around the boat during a journey, the destination is always the same. The boat is also a metaphor for the confinement that Ros and Guil exhibit throughout the work. Stoppard uses this question to show how free will, or in Ros and Guil’s case, lack thereof, is absurd because life itself eventually leads to nothing. Stoppard answers this question through his use of elements of existentialism and demonstration the incomprehensibility of the world.
"...the horizon lifted like a curtain; time expanded and space contracted" In James Hilton's Lost Horizon, the reader is promptly enticed to trek along with Hugh Conway and the three other kidnapped passengers, Charles Mallinson, Miss Brinklow, and Henry Barnard. Hilton commences his novel by utilizing the literary technique of a frame. At a dinner meeting, friends share their insights into life, and eventually, from a neurologist, and friend of Conway, evolves the story of Conway's exotic adventures.