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Literary analysis on the yellow wallpaper
The symbolism in the yellow wallpaper
Role of women in yellow wallpaper
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Interpretation of “The Yellow Wallpaper”
Domineering and neglectful spouse causes his wife to lose her sanity. This is a story about how a woman’s arrogant husband drives her to insanity by forcing her to spend so much time alone. After spending months in her bedroom looking at yellow wallpaper which she despises, her imagination begins taking over her mind. She believes a woman is trapped inside of it. By the end of the story she actually thinks she is the woman who had been trapped in the wallpaper and has finally escaped from it. In Gilman’s “The Yellow Wallpaper”, the narrator seems trapped both mentally and physically.
Her husband, John, keeping her away from others because of her nervous condition is one cause of her feeling trapped
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“The faint figure behind seemed to shake the pattern, just as if she wanted to get out”, (195). This quote implies to the reader the narrator is feeling trapped mentally. To escape her mental anguish, her imagination has taken over and she is beginning to think there is something trying to get out of the wallpaper. “At night in any kind of light, in twilight, candlelight, lamplight, and worst of all by moonlight, it becomes bars! The outside pattern, I mean, and the women behind it is as plain as she can be”, (197). The reader may infer the narrator is feeling more frantic t by the (!) mark she uses in the sentence. And she is becoming more agitated about being alone in her room and the part of the quote, “it becomes bars”, implies she feels like a prisoner. In addition, the quote’s second sentence is more evidence of her illness getting worse; since she now sees a person trapped in the yellow wallpaper who she identifies with. This further confirms supports the facts she is feeling more trapped emotionally and needs to escape from her mental …show more content…
Because her husband, John, does not take her illness seriously and neglects to get her out of the house, her mind cannot take it and she loses her sanity. It should be clear to the reader, since she thinks she and the imaginary woman has worked together to pull the wallpaper down that she believes the women in the yellow wallpaper and she are both trapped and are both working together to escape. (200) Likewise, when she tells John, “I got out at last”, and, “in spite of you and jane! And I pulled off most of the paper, so you can’t put me back”, By her saying this to John tells you she thinks she is free, because she has torn down the yellow wallpaper. She is no longer saying anything about a woman being in the wallpaper, because in her mind, she is now the
It is clear that in their marriage, her husband makes her decisions on her behalf and she is expected to simply follow blindly. Their relationship parallels the roles that men and women play in marriage when the story was written. The narrator’s feelings of powerlessness and submissive attitudes toward her husband are revealing of the negative effects of gender roles. John’s decision to treat the narrator with rest cure leads to the narrator experiencing an intense feeling of isolation, and this isolation caused her mental decline. Her descent into madness is at its peak when she grows tears the wallpaper and is convinced that “[she’s] got out at last, in spite of [John] and Jennie… and [they] can’t put her back!”
Charlotte Perkins Gilman’s short story, “The Yellow Wall-Paper”, is a first-person narrative written in the style of a journal. It takes place during the nineteenth century and depicts the narrator’s time in a temporary home her husband has taken her to in hopes of providing a place to rest and recover from her “nervous depression”. Throughout the story, the narrator’s “nervous condition” worsens. She begins to obsess over the yellow wallpaper in her room to the point of insanity. She imagines a woman trapped within the patterns of the paper and spends her time watching and trying to free her. Gilman uses various literary elements throughout this piece, such as irony and symbolism, to portray it’s central themes of restrictive social norms
As man developed more complex social systems, society placed more emphasis of childbearing. Over time, motherhood was raised to the status of “saintly”. This was certainly true in western cultures during the late 19th/early 20th century. Charlotte Perkins Gilman did not agree with the image of motherhood that society proposed to its members at the time. “Arguably ‘The Yellow Wallpaper’ reveals women’s frustration in a culture that seemingly glorifies motherhood while it actually relegates women to nursery-prisons” (Bauer 65). Among the many other social commentaries contained within this story, is the symbolic use of the nursery as a prison for the main character.
“The Yellow Wallpaper” written by Charlotte Perkins Gilman, depicts a woman (herself) that is somewhat trapped within a room covered with yellow wall paper or trapped within the times? Is she trapped by the wall paper that symbolizes her illness or by her husband? Gilman was the protagonist of this story. She tells the story as she relates it to her own life dealing with depression and a marriage that proved to be prison within itself. Is the yellow wall paper contributing to her illness or is this something her husband uses to control her? “John is a physician and perhaps that is one of the reasons that I do not get well faster. But John, her husband who is a physician doesn’t feel that she is sick “ if a physician of high standings and one’s own husband, assures friends and relatives that there is really nothing the matter with one but temporary nervous depression-a slight hysterical tendency- what is one to do?” (pg. 648) You see he does not think I am sick.” John uses the fact that he is a physician to convince his wife that she
MacPike, Loralee. "Environment as Psychopathological Symbolism in 'The Yellow Wallpaper.’” Twentieth-Century Literary Criticism, edited by Thomas J. Schoenberg, vol. 201, Gale, 2008. Literature Resource Center, go.galegroup.com.gmclibrary.idm.oclc.org/ps/i.do?p=LitRC&sw=w&u=mill30389&v=2.1&it=r&id=GALE%7CH1420082948&asid=562f132388d74c4bd92439b5842a2fe7. Accessed 25 Oct. 2017.
Charlotte Perkins Gilman’s short story, "The Yellow Wallpaper," is the disheartening tale of a woman suffering from postpartum depression. Set during the late 1890s, the story shows the mental and emotional results of the typical "rest cure" prescribed during that era and the narrator’s reaction to this course of treatment. It would appear that Gilman was writing about her own anguish as she herself underwent such a treatment with Dr. Silas Weir Mitchell in 1887, just two years after the birth of her daughter Katherine. The rest cure that the narrator in "The Yellow Wallpaper" describes is very close to what Gilman herself experienced; therefore, the story can be read as reflecting the feelings of women like herself who suffered through such treatments. Because of her experience with the rest cure, it can even be said that Gilman based the narrator in "The Yellow Wallpaper" loosely on herself. But I believe that expressing her negative feelings about the popular rest cure is only half of the message that Gilman wanted to send. Within the subtext of this story lies the theme of oppression: the oppression of the rights of women especially inside of marriage. Gilman was using the woman/women behind the wallpaper to express her personal views on this issue.
“The Yellow Wallpaper:” a Symbol for Women As the narrator presents a dangerous and startling view into the world of depression, Charlotte Perkins Gilman introduces a completely revitalized way of storytelling using the classic elements of fiction. Gilman’s “The Yellow Wallpaper” combines a multitude of story elements that cannot be replicated. Her vast use of adjectives and horrifying descriptions of the wallpaper bring together a story that is both frightening and intensely well told. Using the story’s few characters and remote setting, Charlotte Perkins Gilman presents the wallpaper as both a representation of the narrator and the story’s theme, as well as a symbol for her descent into the abyss of insanity. As the story opens, the suspiciously unnamed narrator and her husband, John, temporarily move into a new home (226).
The short story titled, “The Yellow Wallpaper” is given its name for no other reason than the disturbing yellow wallpaper that the narrator comes to hate so much; it also plays as a significant symbol in the story. The wallpaper itself can represent many various ideas and circumstances, and among them, the sense of feeling trapped, the impulse of creativity gone awry, and what was supposed to be a simple distraction transfigures into an unhealthy obsession. By examining the continuous references to the yellow wallpaper itself, one can begin to notice how their frequency develops the plot throughout the course of the story. As well as giving the reader an understanding as to why the wallpaper is a more adequate and appropriate symbol to represent the lady’s confinement and the deterioration of her mental and emotional health. In Charlotte Perkins Gilman’s “The Yellow Wallpaper”, the color of the wallpaper symbolizes the internal and external conflicts of the narrator that reflect the expectations and treatment of the narrator, as well as represent the sense of being controlled in addition to the feeling of being trapped.
"The Yellow Wallpaper," by Charlotte Perkins Gilman, depicts a woman in isolation, struggling to cope with mental illness, which has been diagnosed by her husband, a physician. Going beyond this surface level, the reader sees the narrator as a developing feminist, struggling with the societal values of the time. As a woman writer in the late nineteenth century, Gilman herself felt the adverse effects of the male-centric society, and consequently, placed many allusions to her own personal struggles as a feminist in her writing. Throughout the story, the narrator undergoes a psychological journey that correlates with the advancement of her mental condition. The restrictions which society places on her as a woman have a worsening effect on her until illness progresses into hysteria. The narrator makes comments and observations that demonstrate her will to overcome the oppression of the male dominant society. The conflict between her views and those of the society can be seen in the way she interacts physically, mentally, and emotionally with the three most prominent aspects of her life: her husband, John, the yellow wallpaper in her room, and her illness, "temporary nervous depression." In the end, her illness becomes a method of coping with the injustices forced upon her as a woman. As the reader delves into the narrative, a progression can be seen from the normality the narrator displays early in the passage, to the insanity she demonstrates near the conclusion.
"The Yellow Wallpaper" by Charlotte Perkins Gilman is a self-told story about a woman who approaches insanity. The story examines the change in the protagonist's character over three months of her seclusion in a room with yellow wallpaper and examines how she deals with her "disease." Since the story is written from a feminist perspective, it becomes evident that the story focuses on the effect of the society's structure on women and how society's values destruct women's individuality. In "Yellow Wallpaper," heroine's attempt to free her own individuality leads to mental breakdown.
On my first reading of Charlotte Perkins Gilman's "The Yellow Wallpaper", I found the short story extremely well done and the author, successful at getting her idea across. Gilman's use of imagery and symbolism only adds to the reality of the nameless main character's sheltered life and slow progression into insanity or some might say, out of insanity.
Although both protagonists in the stories go through a psychological disorder that turns their lives upside down, they find ways to feel content once again. In Charlotte Gilman's "The Yellow Wallpaper," a nervous wife, an overprotective husband, and a large, damp room covered in musty wallpaper all play important roles in driving the wife insane. Gilman's masterful use of not only the setting, both time and place, but also of first person point of view, allows the reader to process the woman's growing insanity. The narrator develops a very intimate relationship with the yellow wallpaper throughout the story, as it is her constant companion. Her initial reaction to it is a feeling of hatred; she dislikes the color and despises the pattern, but does not attribute anything peculiar to it. Two weeks into their stay she begins to project a sort of personality onto the paper, so she studies the pattern more closely, noticing for the first time “a strange, provoking, formless sort of figure that seems to skulk about behind that silly and conspicuous front design” (Gilman). At this point, her madness is vague, but becoming more defined, because although the figure that she sees behind the pattern has no solid shape, she dwells on it and
Finally, the yellow wallpaper presents perspectives of how men control females. As stated previously, In the story, John uses his power as a doctor to control his wife. He encaged his wife in a summer home, placing her in a room filled with barricades and many faults. As a human she is deprived of her rights and her ability to form house duties is taken away so she can rest as he calls it. Without a doubt, she fell into insanity because of the situation she was placed in. When she ripped the paper off the wall, it was a sign of freedom from her husband, and the bars that held her captive for weeks. Certainly she has a vivid imagination and being placed in bondage and unable to write which in turn lead her to mental health problems.
The narrator, already suffering from a "nervous condition," is forced to stay in her bedroom for most of the story. Her husband does not let her do anything that may take the least bit of energy because she needs to concentrate her energy on getting well. Her mental condition quickly deteriorates from the original "nervous condition" to complete insanity due to this isolation. As the narrator begins to see figures behind the wallpaper, the reader realizes that the wallpaper is a manifestation of her condition.
The way Gilman describes the wallpaper tells of what the narrator's mind is thinking, 'and when you follow the lame uncertain curves for a little distance they suddenly commit suicide.';(Gillman 206) She doesn't think this on the conscious level but more on the unconscious level. When the narrator writes, '(The designs) destroy themselves in unheard of contradictions.';(Gillman 206) She is speaking of her state of mind subconsciously, the narrator is on the brink of losing her mind at this point. Gillman writes, 'There is a recurrent spot where the pattern lolls like a broken neck and two bulbous eyes stare at you upside down. '(Gillman 207) She was explaining how the wallpaper is like a 'watchdog'; or a guard of some type, watching her every move, naturally making her nervous.