Throughout time, women in movies and other similar texts are shown to be generally focused on men. This might make sense if every movie ever made was set in a time where women had absolutely no rights, but of course, this is not the case. Older and more modern depictions of women in the media, both show women whose lives revolve around men. Even movies that market their female characters as strong and powerful are still shown to be dependent on the male leads. Also, since women in movies have more of a focus on men, female platonic relationships suffer in the same films. There are very few exceptions to this unfortunate truth. One of the most noticeable and famous parts of the 1936 play, The Women, is the fact there are no male actors in …show more content…
They are constantly taking digs at each other, starting in the very first scene Sylvia comments several times about how poor Peggy’s husband is and how Nancy makes no money as an author. In the same scene, Sylvia and Edith gossip about Mary’s husband cheating her. Sylvia is the perfect example of how some of the women in this play are so caught up in trying to prove that their husband is better that they will completely ignore the feelings of women they claim is their friend. Sylvia goes on to recommend the manicurist, who is spreading the rumors about Mary’s husband, to Mary instead of telling her or trying to keep it from her, both of which would have most likely been nicer things to do. Sylvia’s desire to make sure Mary finds out how terrible her husband is, shows how twisted women can become when men become the focus of their …show more content…
The same cannot be said for Natasha Romanoff in Avengers: Age of Ultron (2015), who is the most important female character in the movie and one of very few women in the movie at all. While the main plot of this movie is about defeating the artificial intelligence Ultron that is trying to kill all humans, Romanoff’s plot line is completely focused on Dr. Bruce Banner. During scenes between the Black Widow and the doctor, she usually positioned and lighted in a way that suggests seduction. This takes away from the fact that the Black Widow is a very skilled assassin and spy and reduces her to only her female attributes. After most of the fight scenes in the movie, the Black Widow is shown flirting with Banner when she should be with the rest of the Avengers, planning their next move. In one particular scene, she expresses her desire to run away with Banner and shows that she is perfectly willing to ignore her moral duty as an Avenger to save the world, just so she can be with a man. This implies that she cares more about a guy than she does about every human life on Earth. Although, at the end of the movie, she does choose fighting over escaping with Banner when he offers. However after the battle is over, it is shown that Romanoff most likely made this decision under the impression that they could still run away together after defeating Ultron. She
The film “Think like a Man” directed by Tim Story, centres around four best friends whose lives are shaken up when the women they are pursuing buy the book “Act like a Lady, Think like a Man”, written by Steve Harvey, and start taking his advice to heart. When the men find out about the book, they conspire to use its information in order to turn the tables against the women (Rotten Tomatoes , 2012). While watching this film, I noticed that it continuously emphasised gender inequality, in relationships and in an economic sense, as a discourse of human nature. Throughout the film, the viewer is exposed to scenes where, for a woman, stating that you have a successful career and earn six figures is a turn off as opposed to the fact that if it were a man, it would be considered a good thing. Other scenes are of how men and women differ in how they perceive relationships to be. For example, when the main female character believes she is starting a relationship with a man, the man actually sees it as a one night stand. In this essay, it is important to understand that human nature is a set of assumptions about motives, in an emotional and mental capacity, and psychic mechanisms which are considered as universal traits and characteristics possessed by all individuals living in human societies, whether they are civilized or primitive, modern or ancient (Wrong, 1963). In other words, by human nature, I refer to traits and characteristics expressed by individuals which are purely natural to humanity in any given context (Turnbull, 1973). How this became human nature, gender inequality, can be explained through examining how gender differences and stereotyping was formed, through biological phenomenon, as well as external, cultural, factors. ...
Each gender has its little tells and associations, the movie Victor Victoria depicts gender cues very accurately and well. Victor Victoria is a movie about a woman, who wants to have a successful singing career, but in order to do so she must pretend to be a man pretending to be a woman. This movie takes place in the 1930’s in Paris, France during the winter time. One gender cue I noticed was how women and men wore their coats differently. Men tended to wear their coats over their shoulders without putting their arms in the sleeves and women, wore their coats a help their coats together with their hand placed close to their chest, indicating they feel cold. Another gender cues I noticed was when Carole "Toddy" Todd, played by Robert Preston,
Women in Film as Portrayed in the Movie, Double Indemnity. Introduction American commercial cinema currently fuels many aspects of society. In the twenty-first century, it has become available, active force in the perception of gender relations in the United States. In the earlier part of this century filmmakers, as well as the public, did not necessarily view the female “media image” as an infrastructure of sex inequality.
Society has set certain standards that women are supposed to follow. The most common image of women is that they are very passive and try to avoid conflict in any situation. More and more in society women are breaking down the social barriers that confine them to their specific roles. The movies The Graduate and The Last Picture Show reveal to viewers a side to females that is very nontraditional. These two movies help to show how women are rebelling against sexual social norms, and they are taking a more active and aggressive role when dealing with heterosexual relationships.
The Representation of Women in Some Like It Hot and Alien 3 This essay will be about how women are and have been represented in films in the past and how they are represented nowadays. I will be looking at the roles and representations of women in 'Some Like It Hot and Alien 3. Some Like It Hot was made in 1958. Marilyn Monroe starts in the comedy as Sugar Cane, a very feminine musician.
Movies are a new edition in today’s culture. They are a new form of art medium that has arrived in the late 1900s and were a new way to express ideas and viewpoints of the time. A good example of this is the movie The Manchurian Candidate. The movie had a simple plot a man is kidnapped after the Korean war and is hypnotized to work for the communists and take down the U.S. This movie showed the American public’s fear of communism at the time. If a movie like this can easily portray the fears of the American people at the time then it can easily portray stereotypes of gender. There have been thousands of movies where the male protagonist is a rough tough dude but there is one movie that has that stereotype is broken. That movie is none other than Napoleon Dynamite.
The American black comedy The Wolf of Wall Street directed by Martin Scorsese was released December 25, 2013 and stars the likes of Leonardo DiCaprio, Jonah Hill and Margot Robbie. While on face value The Wolf of Wall Street looks like a film about excessive cocaine binges, long evenings filled with men with cigarettes, large portions of alcoholic consumption, having many sexual escapades with various women and even dwarf tossing from time to time, the film is deeply rooted in perception gender within the genre of The Wolf of Wall Street. The word ‘genre’ is rooted into a similar category as
Mainstream movies are about men’s lives, and the few movies about women’s lives, at their core, still also revolve around men (Newsom, 2011). These female leads often have male love interests, looking to get married or get pregnant. Strong independent female leads are still exist for the male view, as they are hypersexualized, or the “fighting fuck toy,” (Newsom, 2011). This depiction has created a culture where women are insecure and waiting for a knight on a horse to come rescue and provide for her as well as the acceptance of women
Led by Laura Mulvey, feminist film critics have discussed the difficulty presented to female spectators by the controlling male gaze and narrative generally found in mainstream film, creating for female spectators a position that forces them into limited choices: "bisexual" identification with active male characters; identification with the passive, often victimized, female characters; or on occasion, identification with a "masculinized" active female character, who is generally punished for her unhealthy behavior. Before discussing recent improvements, it is important to note that a group of Classic Hollywood films regularly offered female spectators positive, female characters who were active in controlling narrative, gazing and desiring: the screwball comedy.
Women were represented in different ways throughout the movie Metropolis, but the underlying theme was women were seen as purely sexual. Maria was seen as the nurturer in the film, but also as a sexual object. She was the one who preached for peace and harmony down in the catacombs to the workers. Maria was also the nurturing maternal figure that was seen walking into the garden with all of the poor children. The vamp, on the other hand, was portrayed blatantly as a sexual object. This whole movie was seen through the eyes of the male perspective, which usually portrays women as sexual objects, and robs them of any identity. Lang shows Frederson as having fear of femininity which involves women's emotion and nurturing.
Women’s roles in movies have changed dramatically throughout the years. As a result of the changing societal norms, women have experienced more transition in their roles than any other class. During the period of classical Hollywood cinema, both society and the film industry preached that women should be dependent on men and remain in home in order to guarantee stability in the community and the family. Women did not have predominated roles in movies such as being the heroin. The 1940’s film Gilda wasn’t an exception. In Gilda, the female character mainly had two different stereotypes. The female character was first stereotyped as a sex object and the second stereotyped as a scorned woman who has to be punished.
This view has almost spun 180 degrees since the feminist movement rocked society. Critics rethought the role of women in society and in marriage (Murphy and Abbotson 6), and concluded that the women in the play are much more complex and powerful than earlier interpretations had given them credit for. Not only are the women a recreation for the men in the play, they can be seen as heavily influential on the lives of the men with whom they come into contact. Willy’s entire pathetic life could have been turned around if only Linda had encouraged him to follow Ben to Alaska rather than insisting the couple cling to the seemingly safe life they had begun to build. The secretaries, who at first glance seem to exist merely to perform such menial tasks as typing, actually are able to block Biff's and Willy's entrance to the offices of the powerful men who could advance their careers. (Stanton 131)
Women have made progress in the film industry in terms of the type of role they play in action films, although they are still portrayed as sex objects. The beginning of “a new type of female character” (Hirschman, 1993, pg. 41-47) in the world of action films began in 1976 with Sigourney Weaver, who played the leading role in the blockbuster film ‘Aliens’ as Lt. Ellen Ripley. She was the captain of her own spaceship, plus she was the one who gave out all the orders. Until then, men had always been the ones giving the orders; to see a woman in that type of role was outlandish. This was an astonishing change for the American industry of film. Sometime later, in 1984, Linda Hamilton starred in ‘The Terminator’, a film where she was not the leading character, but a strong female character as Sarah Connor. She had a combination of masculine and feminine qualities as “an androgynous superwoman, resourceful, competent and courageous, while at the same time caring, sensitive and intuitive” (Hirschman, 1993, pg. 41-47). These changes made in action films for female’s roles stirred up a lot of excitement in the “Western society” (Starlet, 2007). The demand for strong female characters in action films grew to a new high when Angelina Jolie starred in ‘Tomb Raider’ in 2001 and then in the sequel, ‘Tomb Raider II: The Cradle of Life’ in 2003 as Lara Croft. Her strong female character was not only masculine, but was also portrayed as a sex object. Most often, strong women in these types of films tend to fight without even gaining a mark. At the end of each fight, her hair and makeup would always be perfect. The female characters in these action films, whether their role was as the lead character or a supporting character, had similar aspects. I...
Feminism is a movement that supports women equality within society. In relation to film, feminism is what pushes the equal representation of females in mainstream films. Laura Mulvey is a feminist theorist that is famous for touching on this particular issue of how men and women are represented in movies. Through her studies, she discovered that many films were portraying men and women very differently from reality. She came up with a theory that best described why there is such as huge misrepresentation of the social status quos of male and female characters. She believed that mainstream film is used to maintain the status quo and prevent the realization of gender equality. This is why films are continuously following the old tradition that males are dominant and females are submissive. This is the ideology that is always present when we watch a movie. This is evident in the films from the past but also currently. It is as if the film industry is still catering to the male viewers of each generation in the same way. Laura Mulvey points out that women are constantly being seen as sexual objects, whether it is the outfits they wear or do not wear or the way they behave, or secondary characters with no symbolic cause. She states that, “in traditional exhibitionist role women are simultaneously looked at and displayed, with their appearance coded for strong visual and erotic impact so that they can be said to connote it-be-looked-at-ness.”(Mulvey pg. 715). Thus, women are nevertheless displayed as nothing more than passive objects for the viewing pleasure of the audience. Mulvey also points out through her research that in every mainstream movie, there is ...
Feminist theory was derived from the social movement of feminism where political women fight for the right of females in general and argue in depth about the unequality we face today. In the aspect of cinema, feminists notice the fictitious representations of females and also, machismo. In 1974, a book written by Molly Haskell "From Reverence to Rape: The treatment of Women in Movies" argues about how women almost always play only passive roles while men are always awarded with active, heroic roles. Moreover, how women are portrayed in movies are very important as it plays a big role to the audience on how to look at a woman and how to treat her in real life due to the illusionism that cinema offers. These images of women created in the cinema shapes what an ideal woman is. This can be further explained through an article 'Visual Pleasure and Narrative Cinema' written by a feminist named Laura Mulvey in 1975. She uses psychoanalysis theories by Sigmund Freud to analyze 'Scopophilia' which is the desire to see. This explains how the audience is hooked to the screen when a sexy woman is present. In a bigger picture, where Scopophilia derives from, 'Voyeurism' is also known as feeling visual pleasure when looking at another. Narcissism on the other hand means identifying one's self with the role played. It is not hard to notice that in classical cinema, men often play the active role while the women are always the object of desire for the male leads, displayed as a sexual object and frequently the damsels in distress. Therefore, the obvious imbalance of power in classical cinema shows how men are accountable to moving the narratives along. Subconsciously, narcissism occurs in the audience as they ...