One of the most intriguing and seemingly irrelevant scenes in the play The Way of the World by William Congreve occurs when Lady Wishfort deliberates upon the manner in which she should receive the imposter Sir Rowland. Lady Wishfort is discussing the imminent arrival of Sir Rowland and she says,
“Well, and how shall I receive him? In what figure shall I give his heart the first impression? There is a great deal in the first impression. Shall I sit? No, I won't sit, I'll walk,—ay, I'll walk from the door upon his entrance, and then turn full upon him. No, that will be too sudden. I'll lie,—ay, I'll lie down. I'll receive him in my little dressing-room; there's a couch—yes, yes, I'll give the first impression on a couch. I won't lie neither, but loll and lean upon one elbow, with one foot a little dangling off, jogging in a thoughtful way” (Act IV Scene I).
This passage on the surface seems extremely strange and peculiar but in a way the passage symbolizes three key identities seen in three of the main female characters in the play, Mrs. Millamant, Mrs. Fainall, and Lady Wishfort. These three women take on the three positions that Lady Wishfort addresses in the passage above, sitting, walking, and laying. These positions strongly correlate to the type of identities and roles that each of the aforementioned women occupy in the play. The identities of not only these women but in most if not all of the other characters in the play seem to have some element of disguise or dishonesty about them which generates the question of what truly is “identity” in the play. Lady Wishfort’s identity is one of the more intriguing ones to analyze because of the unique and different ways in which she is connected to the other characters in the pla...
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... is hidden by her temporary independent or “walking” identity developing into a marriage or “siting” identity. Finally, Mrs. Wishfort’s slight resistance to social expectations, or “laying” identity, is completely eclipsed by the focal point of the play, which is whether or not Lady Wishfort will assume to a marriage or “siting” identity through her marriage to Sir Rowland. All three of these women seem to exist in these identities, but these identities do not seem to reflect their true character. Instead they seem to define and create their identities to hide their true nature and character. Identity becomes a shell to be filled with one’s true self instead of identity being an expression of one’s true self and nature.
Works Cited
"The Way of the World." The Project Gutenberg. N.p., n.d. Web. 10 Feb. 2014. .
The power of women is different than that of men. Women display a subtle and indirect kind of power, but can be resilient enough to impact the outside world. In Trifles, Susan Glaspell delivers the idea that gender and authority are chauvinistic issues that confirm male characters as the power holders, while the female characters are less significant and often weak. This insignificance and weakness indicated in the play by the fact that the women had the evidence to solve a murder, but the men just ignored the women as if they had no value to the case at all. This weakness and inability of the female to contest the man’s view are apparent. According to Ben-Zvi, “Women who kill evoke fear because they challenge societal constructs of femininity-passivity, restraint, and nurture; thus the rush to isolate and label the female offender, to cauterize the act” (141). This play presents women against men, Ms. Wright against her husband, the two women against their spouses and the other men. The male characters are logical, arrogant, and stupid while the women are sympathetic, loyal, and drawn to empathize with Mrs. Wright and forgive her crime. The play questions the extent to which one should maintain loyalty to others. Mrs. Peters and Mrs. Hale try to withhold incriminating evidence against Mrs. Wright, and by challenging the reader to question whether
The Europeans changed the land of the home of the Indians, which they renamed New England. In Changes in the Land, Cronon explains all the different aspects in how the Europeans changed the land. Changing by the culture and organization of the Indians lives, the land itself, including the region’s plants and animals. Cronon states, “The shift from Indian to European dominance in New England entailed important changes well known to historians in the ways these peoples organized their lives, but it also involved fundamental reorganizations less well known to historians in the region’s plant and animal communities,” (Cronon, xv). New England went through human development, environmental and ecological change from the Europeans.
Every individual has two lives, the life we live, and the life we live after that. Nobody is perfect, but if one works hard enough, he or she can stay away from failure. The Natural is a novel written by Bernard Malamud. It is Malamud’s first novel that initially received mixed reactions but afterwards, it was regarded as an outstanding piece of literature. It is a story about Roy Hobbs who after making mistakes in his life, he returns the bribery money and is left with self-hatred for mistakes he has done. Hobbs was a baseball player who aspired to be famous, but because of his carnal and materialistic desire, his quest for heroism failed, as he was left with nothing. In the modern world, the quest for heroism is a difficult struggle, and this can be seen through the protagonist in The Natural.
“Brave New World,” is a novel written by Aldous Huxley where he explains that everything is based on a futuristic science which he claimed sprang forth from him because of his experience as “an ordered universe in a world of plan less incoherence” (River 4 1974). People seem to care more about temporal things rather than emotions. Technology also seems to be the most important aspect and everyone is affected by it in one way or another, whether if it is negative or positive. This does not necessarily mean that everyone is fully happy with technology because in a way they are all slaves to it. Another thing discussed in the novel is the lack of freedom. Due to a lot of technological development there exists this division in between people even before their birth that their fate has already been decided where subsist these casts such as Alphas, Betas, Gammas, Deltas e.t.c. They are pushed away from freedom of choice and forced to live in a bubble of their own.
Joseph, Bertram. Rev. of The Twelfth Night of Shakespeare’s Audience, by John W. Draper. Review of English Studies 3.10 (1952): 170-71. Print.
Aldous Huxley’s Brave New World is far more relevant today and has a higher possibility of actually transpiring in the near future compared to George Orwell’s 1984. Even though both of the two, which are totalitarian societies, are based on plausible premises, the utopia illustrated in Brave New World still has a opportunity to appear today, while the “Big Brother” controlled society presented in George Orwell’s 1984, being based off of totalitarian societies to some extent that existed at the time the book was written, is simply obsolete.
Throughout the ages, men and women have been at the heart of myths and legends, evolving into tragic heroes in large part due to the embellishment bestowed upon them over the ages. From Odysseus and Achilles to Brutus, Hamlet, and King Lear, epic poems have revolved around the tragic hero. Pat Tillman was a man of many aptitudes and virtues, never satisfied by the mediocre, striving for more adventure, more meaning, in his tragically short time on Earth, and personifying the phrase carpe diem. Even Pat Tillman had tragic flaws; his unwillingness to be typical, his undying loyalty to family and country, and his curiously concrete set of morals amalgamated to set in motion Tillman’s eventual death. These, whatever the outcome might have been, are not by any means, the archetypical tragic flaws. They are, as Jon Krakauer later described, “tragic virtues.” Where Men Win Glory is not solely a tribute to Pat Tillman. What makes it truly unique is its exhaustively comprehensive history preceding Tillman’s death, and equally essential, the events that transpired following his death, including the cover-ups, scandals, corruption, falsified documents, indignities, and lies that facilitated, also, in emphasizing the core themes, of which Tillman was the epitome. Tillman’s fidelity and devotion to the people whom he loved, the use of misinformation and cants surrounding his death, and others’ responses to what Tillman considered paramount in his life all played a key role in the tragedy of a man who won glory.
“Without Conscience" by Robert D. Hare is one aimed towards making the general public aware of the many psychopaths that inhabit the world we live in. Throughout the book Hare exposes the reader to a number of short stories; all with an emphasis on a characteristic of psychopaths. Hare makes the claim that close monitoring of psychopathy are vital if we ever hope to gain a hold over Psychopathy- A disorder that affects not only the individual but also society itself. He also indicates one of the reasons for this book is order to correctly treat these individuals we have to be able to correctly identify who meets the criteria. His ultimate goal with the text is to alleviate some of the confusion in the increase in criminal activity by determining how my of this is a result of Psychopathy.
In the 19th Century, women had different roles and treated differently compared to today’s women in American society. In the past, men expected women to carry out the duties of a homemaker, which consisted of cleaning and cooking. In earlier years, men did not allow women to have opinions or carry on a job outside of the household. As today’s societies, women leave the house to carry on jobs that allow them to speak their minds and carry on roles that men carried out in earlier years. In the 19th Century, men stereotyped women to be insignificant, not think with their minds about issues outside of the kitchen or home. In the play Trifles, written by Susan Glaspell, the writer portrays how women in earlier years have no rights and men treat women like dirt. Trifles is based on real life events of a murder that Susan Glaspell covered during her work as a newspaper reporter in Des Moines and the play is based off of Susan Glaspell’s earlier writing, “A Jury of Her Peers”. The play is about a wife of a farmer that appears to be cold and filled with silence. After many years of the husband treating the wife terrible, the farmer’s wife snaps and murders her husband. In addition, the play portrays how men and women may stick together in same sex roles in certain situations. The men in the play are busy looking for evidence of proof to show Mrs. Wright murdered her husband. As for the women in the play, they stick together by hiding evidence to prove Mrs. Wright murdered her husband. Although men felt they were smarter than women in the earlier days, the play describes how women are expected of too much in their roles, which could cause a woman to emotionally snap, but leads to women banding together to prove that women can be...
In his book “Between the World and Me”, Ta-Nehisi Coates explores what it means to be a black body living in the white world of the United States. Fashioned as a letter to his son, the book recounts Coates’ own experiences as a black man as well as his observations of the present and past treatment of the black body in the United States. Weaving together history, present, and personal, Coates ruminates about how to live in a black body in the United States. It is the wisdom that Coates finds within his own quest of self-discovery that Coates imparts to his son.
In the 1960’s women roles were changing they were getting more involved in the American society. While working as a journalist Susan Glaspell reported a case of a murder which influenced her to write the play Trifles. In the play, Trifles the women are being presented as weak and powerless, a murder has been committed by Minnie Wright. There are a total of five characters in the play, three of them are men and the other two are females. The males are the county attorney, sheriff, and a neighbor farmer. The women are Mrs. Peter and Mrs. Hale. The men are searching for clues to convict Minnie of the crime, while the women find the most important pieces to the crime. In the play “Trifles” by Susan Glaspell, the author demonstrates feminist stereotypes, representations of genders during the era when women had less power.
Aldous Huxley’s Brave New World illustrates a perfect society: “community, identity, stability” (Huxley 7). This superb environment, however, is only achieved through the dehumanization of each individual. The world is run by world-controllers, a powerful oligarchy, whom have successfully brainwashed, or conditioned, children for the sole purpose of controlling their minds (Biderman 549). In result, individuals have lost their ability to think and act for themselves. Children are stripped of human rights, even before conditioning, by being a product of governmental test tube reproduction. They are artificially produced and only made with the consent of the world-controllers. Not only are they produced by the government, but they are produced in scores of embryos that are all identical for a sole purpose. Their lives are then controlled by the government to ensure happiness and success. Each citizen has their own little job in the social system and during afterhours, is told to be adventurous, dangerous, and promiscuous. It all sounds like a magical fairy-land, until suicide becomes the only option to escape dehumanization.
Utopia as a text is a clear reflection and representation of More’s passion for ideas and art. Through the character of Raphael, More projects and presents his ideas, concepts and beliefs of politics and society. More’s Utopia aims to create a statement on the operations and effectiveness of the society of England. This text is a general reflection of More’s idea of a perfectly balanced and harmonious society. His ideas and concepts of society somewhat contrast to the rest of 16th century England and indicate a mind that was far ahead of its time. A number of issues and themes are raised throughout the text to which More provides varying views and opinions. These are transmitted and projected through the perspectives of the fictional Raphael, More and Giles.
1) One of the biggest conflicts witnessed so far in the first 90 pages of Brave New World by Aldous Huxley is the internal one within the main protagonist, Bernard Marx. Throughout the book, Bernard encounters a violent conflict within himself. He was born different from everyone else, and he finds himself many times questioning the system, he feels that there is much more to be/accomplish in life than just having sex and playing ‘obstacle golf’. Bernard is conflicted if he should share how he feels with the rest of the world and reveal his thoughts, or if he should just keep his mouth shut because all he really wants is to fit in. He just wants to be accepted among his caste members as an equal, even though he is not on the same par as them physically. Should he follow what he believes is right, or what everyone else believes is and what he has been conditioned to believe is right. Another conflict we see in the book is when Lenina is conflicted whether she should stay with Henry, a man she has been seeing for four months, or see other men for a change. To us, this seems strange, as when you find someone you like, you generally stay with him or her, but in the World State being with someone for too long is frowned upon, after all, “everyone belongs to everyone”, the hypnopaedic phrase drilled into people’s heads at an early age. She doesn’t know it, but maybe deep down she may have some feelings for Henry but doesn’t know how to act on them as feelings of love and attachment to one person is something unheard of. Should she follow her heart, or follow the norm of society.
. All these false identities and disguises come to in the end. Isabella has her brother saved and in turn will marry the Duke. Angelo must marry Mariana and in turn his life is saved. The positions each person takes whether they are their “true or false” identify allows them to see their action and pay for them whether good or bad, virtuous or evil. The Duke helps them function while at the same time manipulating what is happening around them. This is what makes the plot complexly woven, and in the end unravels the resolutions of what the Duke has done.