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Introduce a film archetype theory
Archetypes essay
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Archetypes are a recurring pattern, symbol, or situation that connects to basic human experiences. These symbols/patterns are portrayed in the film Lord of the Rings: The Two Towers directed by Peter Jackson. Recurring archetypes represent characteristic traits and symbols of Gollum/Smeagol which may connect to the viewers on a personal level. “....Yes, precious, false! They will cheat you, hurt you, lie…”, states Gollum (Peter Jackson, Lord of the Rings: The Two Towers). Gollum characterizes the lost soul and good vs. evil in the film Lord of the Rings: The Two Towers; both these traits/symbols will connect to basic human experiences that the viewers may have experienced in their day. The lost soul represents Gollum sensitive, tortured, …show more content…
Evil haunts Gollum/Smeagol in the film Lord of the Rings: The Two Towers and tries to convince him to betray his loyalty to Frodo and steal the ring (precious) for his own good. In the movie Smeagol goes off to the side where his twin Gollum appears. Gollum is persuading Smeagol to take the ring, but Smeagol does not agree with him. Gollum conveys, “...We wants it we needs it. Must have the precious. They stole it from us sneaky little hobbitses. Wicked, tricksy, false!...” Smeagol replies, “....No. Not master!....” (Jackson, LOTR: The Two Towers) Good vs. Evil is a symbolic archetype that is used to portray both sides of …show more content…
The lost soul represents Gollum’s sensitive, tortured, secretive, and vulnerable traits. Gollum’s state can be related to someone who may have an addiction to drugs or alcohol. Good vs. Evil haunts Gollum/Smeagol in the film Lord of the Rings: The Two Towers and tries to convince him to betray his loyalty to the fellowship and steal the ring (precious) for his own good. Everyone has been tempted to do something bad knowing it is wrong in their lifetime. Recurring archetypes represent characteristic traits and symbols of Gollum/Smeagol which may connect to the viewers on a personal level. Archetypes can be both good and bad and are used to help create the identity of the
The different archetypes are the shadow, the mandala, the great mother, the transformation, the hero, the spiritual father, and the trickster. All archetypes were drawn from a part of what makes us human and hidden in our subconscious. Many of the characters in the film often play more than one character. An example of this would be Ben Kenobi seems to play the archetype of Luke’s father, then he also plays the archetype as an old, wise man.
The popular film from 1977 known as Star Wars Episode IV: A New Hope written and directed by George Lucas, there are many uses of archetypes, which include use of the colors blue and green in light sabers, and the color gold in the character, Luke Skywalker’s, clothing at the end of the movie. The use of these colors throughout the movie help to show the heroic cycle of Luke Skywalker by bringing out the changes he goes through from his purity, to his rebirth, and then finally when Luke gains wisdom from his journey.
An archetype, as defined by Literary Terms, is an idea, symbol, pattern, or character type that appears repeatedly in stories from cultures worldwide, symbolizing something universal in the human experience. There are three types of archetypes: symbolic, character, and situational. In her memoir, The Glass Castle, Jeannette Walls employs each archetype to capture her difficult life growing up due to her father's alcoholism and inability to hold a job. These archetypes also play a crucial role in developing the novel's theme of perseverance. The central theme of the novel is perseverance, as Jeannette and her siblings worked hard and never gave up, managing to build a better life for themselves.
archetype is very typical example of a person or a thing. Carlson’s most important characteristic
An archetype is a universal symbol. It is also a term from the criticism that accepts Jung’s idea of recurring patterns of situation, character, or symbol existing universally and instinctively in the collective unconscious of man. Archetypes come in three categories: images (symbols), characters, and situations. Feelings are provoked about a certain subject by archetypes. The use of the images of water, sunsets, and circles set the scene of the movie. Characters, including the temptress, the devil figure, and the trickster, contribute to the movie’s conflicts that the hero must overcome in order to reach his dream. However, to reach his dream, the hero must also go through many situations such as, the fall, dealing with the unhealable wound, and the task. By using archetypes in the movie, the viewer can obtain more than just the plot and better understand the true theme of the movie: to never give up on dreams.
"Three Rings for the Eleven-kings under the sky, Seven for the Dwarf-lords in their halls of stone, Nine for Mortal Men doomed to die, One for the Dark Lord on his Dark throne, In the Land of Mordor where the Shadows lie. One Ring to rule them all, One ring to find them, One ring to bring them all and in the darkness bind them, In the Land of Mordor where the Shadows lie(Tolkien)." Master of storytelling J.R.R. Tolkien continues the lives of the fictitious creatures that he introduced in The Hobbit, in his modern classic The Fellowship of the Ring. He artfully illustrates the truths of the evil that plague the hearts of man. He tells a story of greed, destruction and how mortal men are enslaved by their delusions of grander and how they feast upon the misery of others to elevate their own pitiful egos, that prove to be their worst vices.
Good vs. Evil is portrayed in The Hobbit through many different events and characters throughout the novel. Showing us that what we may think, may not always be want it really is. Bilbo had no doubt in his mind they would fail on their mission. Yet with all odds against them they won, good defeated evil, just like in the Bible God watches out for his children and protects them from evil, but they have to make the right choices, and work for his respect and honor.
Quite often in life we wish for things bigger than ourselves. Seeming to get wrapped up in our own minds we do not pay attention to reality. As reality comes full force we are not sure how to take it, so we let it take us. In the writing “Where are you going, where have you been?” we see Oates craft archetypes and allegories into the work through detail and word choice in order to help the reader understand the shocking outdistancing of day dreams and the overshadowing sockdolager called reality. These archetypes and allegories provide a way for the reader to join Connie in the story, but also to see the danger of what Connie doesn’t see.
Good and evil in Tolkien's work are, to put it simply, that which is natural and that which is unnatural, respectively. That is, what is left alone to follow the cycles of nature is good. Any time that the cycles of nature are disrupted (such as the felling of a forest or the enslavement of a free people), there is evil. There are constant references to this in Tolkien's stories, as when Bilbo Baggins' neighbors remark on his mysterious vigor and extreme old age, "It isn't natural, and trouble will come of it" (21). Or when Sam Gamgee says of the Gandalf the wizard, "Don't let him turn me into anything unnat...
He often displays nihilistic thoughts, thinking of himself as a murderer, thief and liar. There is some basis in fact for this; however, he shows very little to no guilt or remorse for his actions. His entire being revolves around the One Ring. He has constant obsessive thought about it when it is not in his possession, but shows no compulsions, however he would do anything for the ring if it meant he could get it back, or protect it. He is incredibly manipulative towards the Hobbit Frodo, and is hostile towards him due to his status as the ring bearer. He shows paranoid thought, believing that Sauron, or the Eye, is always watching, and that Sam, or the fat hobbit as he calls him, knows. Gollum has difficulty fully controlling his actions and thoughts, which is made worse due to his elongated contact with the ring. However, many of these issues are common in ring bearers, as they are shown in both Frodo and Gandalf when they come into contact with the ring. As for believing that Sauron is always watching, it is somewhat true in his case. Sauron has the ability to see the ring bearer and their location at any point that they put the ring on their finger. Also, Sam does indeed know about his nefarious intentions with
Now facing the most difficult portion of this expedition, Frodo and his loyal counterpart Sam have finally arrived to Mordor, the resting place of the evil Sauron. As Frodo and Sam get stuck in an overabundance of orcs, they improvise and find some orc armor to disguise themselves in high hopes they would not get noticed by the orcs on their way to war. They get scrunched into the group, but now that they are fitting in with the rest of them they need to find a way out without getting noticed. The two start fighting and wiggle their way out of the group and head on their way to Mount Doom. Almost to the top of the mountain Frodo begins to get weaker and weaker but he knows he needs to get rid of the ring or else it will get into the wrong hands and all bad will break loose. Frodo shows coping with difficult times by the strength of the ring, the ring motivates him to complete his duty. Then Gollum comes along thinking he will get ahold of the ring and become powerful once again. Frodo gets tempted by the ring, and slips it on his finger becoming invisible, hoping that he can escape Gollum and his attraction to the ring.In such a difficult time Frodo manages to overcome the strength of the ring and push Gollum and the ring into the lava of Mount
An archetype in literature is defined as a typical example of a certain type of person. A character in a poem or play can be placed into many different archetype categories. Archetypes help a reader to gain a better understanding of who a character in the work is on the inside. This deeper insight into the character allows the reader to follow the flow of the story easier and more effectively. There are many different archetypes that can help advance the story.
Throughout Tolkien’s writing, he uses not only objects as symbols, but characters as well. In The Hobbit, Gandalf symbolizes as inspiration to Bilbo. During the expedition, Gandalf had been constantly pushing Bilbo to do things greater than others expectations, instead of always staying inside his little hobbit hole. From the start of the journey, Gandalf had pushed Bilbo to join Thorin and the dwarves on their expedition to the Lonely Mountain, to defeat Smaug the dragon and claim all the treasures that lie inside. An additional symbol in The Hobbit is
Without archetypes, characters would be harder for the audience to relate to and understand. They help people from all over the world comprehend foreign characters. Through The Odyssey and The Alchemist, the audience is exposed to a diverse group of characters with a variety of traits that contribute to their personalities and the way they are perceived. The Bildungsroman, vengeful villain, damsel in distress, sage, and flawed hero then become recognizable in other pieces of literature and in films. Therefore expanding the audience’s experiences and ability to understand diverse compositions and apply what they know to real life
Some examples of archetypes are, the wounded child, the victim, the villain, the rebel, the savior, finding redemption, death, and the happy ending. Now that there is an understanding of what an archetype is, we can look at four different archetypes in The Bell Jar. The first archetype in The Bell Jar, is the character of Doreen, who would be seen as the bad girl. She is very easy, not very smart but very pretty, she relates well to the character of Helen of Troy who embodied all of the things she had before. The second example is the character of Esther, she can be seen as the victim and as the heroine.