“The Passing of Grandison” debunks the stereotypical image of a slave in the 19th Century. The author Charles Chesnutt uses his personal background and ability to pass himself as a white man to tell a very compelling story. Grandison was more than an uneducated farm hand doing his masters bidding. “The Passing of Grandison” provides evidence that while the society of the time thought of slaves as nothing more than property to be bought and abused, slaves could be much more than what was on the surface. In Chesnutt’s “The Passing of Grandison” Grandison is a plantation slave in the early 19th Century who through his actions eventaully escapes and aquires his own freedom as well as that of several family members. Most people have been in a situation where they wish they could outsmart or outwit another. Whether it is a peer or a higher-up, many wish they had the ability or courage to get the better of others. Is it possible for a subordinate to really fool their superior and eventually gain what they really wanted in the end? This is accomplished through the actions of an trickster figure. A trickster is a character in literature who attempts to outwit and outmaneuver his or her adversaries. The trickster uses whatever means necessary to reach whatever goals they might desire. , Trudier Harris states, “tricksters achieve their objectives through indirection and mask-wearing, through playing upon the gullibility of their opponents” (Harris, 1). In “The Passing of Grandison”, Chesnutt uses a trickster figure to achieve that one-ups-man ship and plot twists while providing social commentary to present part of his own belief system as it relates to the treatment of slaves in the 19th century. Two characters in “The Passing of Grandis...
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...The Passing of Grandison. Boston: Houghton Mifflin, 1899.
Delmar, Jay. "The Mask as Them and Structure: Charles W. Chesnutt's The Sherriff's Children and the Passing of Grandison." American Literature (1979): 364-375.
Dunbar, Paul Lawrence. Norton Anthology of American Literature. USA: W.W Norton and Company, 2003.
Harris, Trudier. "The Trickster in African American Literature." Freedom's Story Teacher Serve (n.d.). 05 03 2014. <>.
Mitchell, Margaret. Gone with the Wing. New York: The Macmillan Company, 1936.
Montgomery, Georgene Bess. "Testing and Tricking: Elegba in Charles Chesnutt's The Goophererd Grapevine and the Passing of Grandison." Studies in the Literary Imagination (2010): 5-14.
Schlosser, S.E. Brer Rabbit and the Tar Baby. Guilford: Globe Pequot Press, 2012.
The author was born in Washington D.C. on May 1, 1901. Later, he received a bachelor’s degree from Williams College where he studied traditional literature and explored music like Jazz and the Blues; then had gotten his masters at Harvard. The author is a professor of African American English at Harvard University. The author’s writing
Prentice Hall Anthology of African American Literature. Upper Saddle River, NJ: Prentice Hall, 2000. 163-67. Print.
Schultz, Elizabeth. "African and Afro-American Roots in Contemporary Afro-American Literature: The Difficult Search for Family Origins." Studies in American Fiction 8.2 (1980): 126-145.
Gates, Henry Louis, and Nellie Y. McKay. The Norton Anthology of African American Literature. New York: W.W. Norton &, 2004. Print.
... trickery. When his term with Mr. Edward Covey ends on 25 December 1833, Douglass is appalled by the slaveholders forcing the slaves to drink wine and whiskey, since it was “a disgrace not to get drunk on Christmas” (44) and, when the Christmas holidays end, the slaves, who the slaveholder “cheats… with a dose of vicious dissipation, artfully labelled… liberty,” (45) is willing to go back to work, choosing to rather be “slaves to man as to rum.” While the slaveholders capitalizes on the slave’s ignorance, Douglass appeals to pathos, revealing the disgrace and detestation of the course of action for the “cunning slaveholders” (45); Douglass later forms his own form of trickery to combat with the slaveholders. When Douglass meets Henry and John Harris, Douglass utilizes their intelligence to form “a strong desire to learn how to read” (48), benefitting all three men.
The argument of slavery portrayed as a “slow poison” can be seen throughout the three narratives that are the basis for this paper. The “slow poison” being that slavery is a slow poison that effects not only blacks and whites but everyone around and subjected to slavery. The most obvious people that are effected by slavery are the slaves but there are many examples of whites and their families being effected by slavery also. The Epps family from Twelve Years a Slave is a good example of how slavery can tear apart a family. Mr. and Mrs. Epps were happily married until their marriage became challenged by Mr. Epp’s liking to a slave girl named Patsey. Mrs. Epps became jealous over their relationship and over time their marriage became broken and Mr. Epps became an alcoholic to deal with his marriage and his near constant whipping of his slaves. Mrs. Epp’s jealousy and hatred for Patsey c...
James, Johson Weldon. Comp. Henry Louis. Gates and Nellie Y. McKay. The Norton Anthology of African American Literature. New York: W.W. Norton &, 2004. 832. Print.
Gates, Henry Louis Jr. and Nellie Y. McKay. The Norton Anthology of African American Literature. New York: W.W. Norton & Company
Norton Anthology of American Literature. Ed. Nina Baym. 8th ed. Vol A. New York: W.
In Frederick Douglass’s Narrative of the Life of Frederick Douglass, an American Slave, one of the major themes is how the institution of slavery has an effect on the moral health of the slaveholder. The power slaveholders have over their slaves is great, as well as corrupting. Douglass uses this theme to point out that the institution of slavery is bad for everyone involved, not just the slaves. Throughout the narrative, Douglass uses several of his former slaveholders as examples. Sophia Auld, once such a kind and caring woman, is transformed into a cruel and oppressive slave owner over the course of the narrative. Thomas Auld, also. Douglass ties this theme back to the main concern of authorial control. Although this is a personal account, it is also a tool of propaganda, and is used as such. Douglass’s intent is to convince readers that the system of slavery is horrible and damaging to all included, and thus should be abolished completely. Douglass makes it very clear in his examples how exactly the transformation occurs and how kind and moral people can become those who beat their slaves and pervert Christianity in an attempt to justify it.
Stillinger, Jack, Deidre Lynch, Stephen Greenblatt, and M H. Abrams. The Norton Anthology of English Literature: Volume D. New York, N.Y: W.W. Norton & Co, 2006. Print.
Narrative of the Life of Frederick Douglass, An American Slave, brings to light many of the social injustices that colored men, women, and children all were forced to endure throughout the nineteenth century under Southern slavery laws. Douglass's life-story is presented in a way that creates a compelling argument against the justification of slavery. His argument is reinforced though a variety of anecdotes, many of which detailed strikingly bloody, horrific scenes and inhumane cruelty on the part of the slaveholders. Yet, while Douglas’s narrative describes in vivid detail his experiences of life as a slave, what Douglass intends for his readers to grasp after reading his narrative is something much more profound. Aside from all the physical burdens of slavery that he faced on a daily basis, it was the psychological effects that caused him the greatest amount of detriment during his twenty-year enslavement. In the same regard, Douglass is able to profess that it was not only the slaves who incurred the damaging effects of slavery, but also the slaveholders. Slavery, in essence, is a destructive force that collectively corrupts the minds of slaveholders and weakens slaves’ intellects.
Margolies, Edward. “History as Blues: Ralph Ellison’s Invisible Man.” Native Sons: A Critical Study of Twentieth-Century Negro American Authors. J.B. Lippincott Company, 1968. 127-148. Rpt. in Contemporary Literary Criticism. Ed. Daniel G. Marowski and Roger Matuz. Vol. 54. Detroit: Gale, 1989. 115-119. Print.
...um Encyclopedia of American Literature, pp 269-272, Literary Reference Center, EBSCO host, 22 January 2014.
Black Fiction: New Studies in the Afro-American Novel since 1945. Ed. A. Robert Lee, a.s.c. London: Vision Press, 1980. 54-73.