The Trial by Franz Kafka as an Autobiography
Franz Kafka was a very intelligent writer of his times. Kafka was born in Austro-Czechoslovakia. He was mainly a writer of short stories, and complex diaries, yet he did publish a small number of novels. The works of Kafka have been interpreted as allegorical, autobiographical, psychoanalytical, Marxist, religious, existentialist, expressional, and naturalist. His novels have a wide variety of interpretations. Of his novels, The Trial is one of the more complex in aspects of literature (Bryfonski and Hall 288). The Trial was written with the intention of an autobiography for Kafka. The Trial delves into the mind of the victim, K., and also into many things not comprehended by Kafka himself. He wrote this book in order to better convey his questions that he pondered in his head, in search of an answer that was no where to be found, but perhaps in the workings of his fiction novels.
The main character of The Trial is Joseph K. Yet through out the book he is referred to as simply K.. There is no coincidence that Kafka created the character K. as the protagonist of The Trial. The significance was that Kafka was trying to represent himself through the character by giving a close enough name to his without merely stating his own name in the place of the protagonist of the novel. Kafka did this with another one of his characters, and related them to his life in a significant way through the book. For instance Kafka wrote this book at the time where he was engaged to his fiancé Felice Bauer. Another other character in the book, by the name of Fraulein Burstner, is a neighbor of K.. K. has a love for Fraulein Burstner. In Kafka?s manuscripts, and rough drafts for The Trial he refers to Fraulein Burstner as simply F.B., which happens to be the same initials that his future wife had (Brod 170). K. loses touch with Fraulein Burstner early in the book, and through out the book K. want to see her more than anything. K. receives a glimpse of Fraulein Burstner upon a balcony as he walked down the street before he is stabbed to death. Kafka at the time of writing The Trial was deeply in love with his fiancé, Felice Bauer, and wanted to see her more than anything, when he wrote this book he felt a longing to be with her. Yet, the engagement was broken off shortly afterwards. The use of characters in The Trial par...
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Kafka’s story begins on a note of despair and just when it looks like the convict will not live to see another day, a turn of events suggest he might. When the traveller thinks there is nothing he could do to change the system, he sparks the plug that might make the change happen. Borges on the other hand expeciences life through the Aleph which leads him to believe that there is still hope in the world, hope that there are greater things to come and greater things to live for instead of being bogged down by everyday events.
The Metamorphosis is said to be one of Franz Kafka's best works of literature. It shows the difficulties of living in a modern society and the struggle for acceptance of others when in a time of need. In this novel Kafka directly reflects upon many of the negative aspects of his personal life, both mentally and physically. The relationship between Gregor and his father is in many ways similar to Franz and his father Herrman. The Metamorphosis also shows resemblance to some of Kafka's diary entries that depict him imagining his own extinction by dozens of elaborated methods. This paper will look into the text to show how this is a story about the author's personal life portrayed through his dream-like fantasies.
Sokel, Walter H. "Franz Kafka." European Writers. Ed. George Stade. Vol. 2. New York: Charles Scribner's Sons, 1992. 847-75. Print. European Writers. Ward, Bruce K. "Giving Voice to Isaac: The Sacrificial Victim in Kafka's Trial." Shofar 22.2 (2004): 64+. Literature Resource Center. Web. 1 Oct. 2013. .
There is a theory that dream and myth are related which is conveyed through the writing of Douglas Angus’ Kafka's Metamorphosis and "The Beauty and the Beast" Tale and supported by Franz Kafka’s Metamorphosis. The stories are very symbolic when conveying the metamorphosis of a human being. Unlike Beauty and the Beast, in the Metamorphosis some suggest love is received through acts of cruelty yet in actuality it appears that cruelty results in heartache. Due to being a beast, the repulsiveness requires genuine love which can achieve the “magical transformation.” This “magical transformation” is not achieved and creates a twist in the plot derived from the concepts in the “Beauty and the Beast.”
as a form of hired help since he had taken the job to pay for his
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Franz Kafka, b. Prague, Bohemia (then belonging to Austria), July 3, 1883, d. June 3, 1924, has come to be one of the most influential writers of this century. Virtually unknown during his lifetime, the works of Kafka have since been recognized as symbolizing modern man's anxiety-ridden and grotesque alienation in an unintelligible, hostile, or indifferent world. Kafka came from a middle-class Jewish family and grew up in the shadow of his domineering shopkeeper father, who impressed Kafka as an awesome patriarch. The feeling of impotence, even in his rebellion, was a syndrome that became a pervasive theme in his fiction. Kafka did well in the prestigious German high school in Prague and went on to receive a law degree in 1906. This allowed him to secure a livelihood that gave him time for writing, which he regarded as the essence--both blessing and curse--of his life. He soon found a position in the semipublic Workers' Accident Insurance institution, where he remained a loyal and successful employee until--beginning in 1917-- tuberculosis forced him to take repeated sick leaves and finally, in 1922, to retire. Kafka spent half his time after 1917 in sanatoriums and health resorts, his tuberculosis of the lungs finally spreading to the larynx.
He struggles as an artist himself, as a writer, and as a human being. He feels misunderstood and tormented, perhaps exactly what this story is all about. The irrationality in the people that surround the Hunger Artist, and the inconsistency of the audience is reflective of this vision that Kafka wrote an autobiography of himself, as there is no reader who can truly understand what he is experiencing in life, his thoughts, ideologies, emotions, or intentions. Not even the remarkable admiration of the spectators for the Hunger Artist can, at least in the beginning of the story, be considered to be a success for him in Kafka's point of view because it is based on a serious misinterpretation of the artist's
Franz Kafka was born into a middle-class German-speaking family in Prague. His father, a merchant, was a very overbearing figure whose influence inspired many of his son’s work. Franz Kafka addressed his relationship with his father through his work called Letter to His Father, where he expresses his feelings of paternal rejection and subordination. Nonetheless, Kafka lived with his family for most of his life, never marrying, but has been engaged twice. Although Kafka is well known for his writing he was
Neumann, Gerhard. "The Judgement, Letter to His Father, and the Bourgeois Family." Trans. Stanley Corngold. Reading Kafka. Ed. Mark Anderson. New York: Schocken, 1989. 215-28.
To fully understand this story, it’s important to have some background information on Franz Kafka. He was born into a German speaking family in Prague on July 3rd, 1883. He was the oldest of six children. His father Harmann Kafka was a business man. His mother Julie Kafka was born into a wealthy family. Kafka considered the vast differences in his paternal and maternal relatives as a “split within himself” (Sokel 1). Kafka felt that “the powerful, self-righteous, and totally unselfconscious personality of his father had stamped him with an ineradicable conviction of his own inferiority and guilt” (Sokel 1). He felt the o...
ii Kafka, F. The Trial. Translated by Willa and Edwin Muir. Introduction by George Steiner. New York, Schocken Books, 1992, 1.
Pawel, Ernst. A Nightmare of Reason: A Life of Franz Kafka. 2nd ed. New York: Farrar, Straus, & Giroux, 1984.
Franz Kafka’s “Before the Law” is often referred to as a parable. Thus, it is logical to approach Kafka’s work as an allegory and search for the deeper meaning underneath the story. We can then try to uncover the identity of the characters; of the gatekeeper, the man from the country, and the Law and subsequently relating them to something that fits the example of the plot; a man’s confused search for god, a man’s quest for happiness but never accomplishing it, a academic’s quest for recognition which never comes. Any given number of innovative readers...
The Trial is Kafka’s exploration of the most extreme consequences of denying one’s own guilt and thus one’s own humanity. In some senses, it serves as a warning, or a sort of parable of its own, and in others it is simply an expression of anguish. The story serves to warn against thinking so highly of oneself that we only interpret infractions of the outright law as guilt. If we are to be truly innocent and humble beings, we must recognize our own innate guilt as human and accept it. If we do not, we will constantly be obsessed by our “state of apparent acquittals."