The Tramp Film Analysis

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Charlie Chaplin wanted a better world. As a child he lived the grinding desperation of poverty, growing up the child of two broke entertainers in South London. By the time he began his show business career at age 10, his father had fallen to drink and his mother lived as a ward of Cane Hill, a psychiatric facility. These experiences were instrumental in the formation of his philosophy and can be seen expressed in his films, defining the Tramp's misadventures as much as the vagabond himself. Through the silent era, Chaplin developed and continued to refine his storytelling skills by weaving narratives that revolved around issues of poverty. When "talkies" eclipsed the popularity of silent films in the mid-1920s, Chaplin was reluctant to make …show more content…

This was no longer the case with the release of Modern Times, which delivered a naked and scathing critique of industrial capitalism. Not only was factory work an explicit target of ridicule, the film also managed to translate elements of Karl Marx's Das Kapital critique as well. Chaplin released the film several years into the Great Depression, calling attention to grave inequalities of a society stratified by earnings and the asymmetrical power dynamics of the worker and boss. Although the film was absent any direct solicitation of an alternative system, it featured frequent nods to Marx and fellow travelers as well as an early gag which made reference to the radical communist and labor movements of the …show more content…

However, as world events conspired to generate seemingly existential threats, Chaplin made the decision to use his comedy more deliberately as a means to inspire changes in a world he saw as too frequently unjust. That decision was not without consequences. Soon after the war ended, the process of containment began. In the United States, a new politic emerged that forged a nationalistic consensus through conformity and the villainization of dissent. In this environment, influential intellectuals like Chaplin found themselves targeted as serious threats to the status quo. Chaplin's history of empathy toward the Soviet Union chaffed the binary, good-and-evil narrative of the Cold War and his advocacy for critical thinking was seen as dangerous and potentially subversive. When Chaplin was effectively exiled from the United States in 1952, he spoke at a press conference in London. Resolutely affiliation with the communist party, he insisted that he was instead a person "who wants nothing more for humanity than a roof over every man's

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