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Critical analysis on doctor faustus
Analysis on doctor faustus
Critical analysis on doctor faustus
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The Tragic Downfall of Faustus in Tragical Histor of Doctor Faustus
Christopher Marlowe’s Tragical History of Doctor Faustus is about a man who seeks
power that comes from knowledge beyond the human realm. Throughout the story, the
seven deadly sins are shown and have an impact on Dr. Faustus during his search for
ultimate power. However, it is one of these vices of the seven deadly sins that plays a
particular and key role in his demise. Pride, creates Dr. Faustus’ inability to repent,
therefore ultimately resulting in his death. “His fall is caused by the same pride and
ambition that caused the fall of angels in heaven, and of humanity in the Garden of Eden”
(Abrams 768). Faustus’ fall is foreshadowed during his first encounter with a devil,
inquiring of the reason for Lucifer’s exile in hell.
FAUSTUS. How comes it then that he is prince of devils?
MEPHASTOPHILIS. O, by aspiring pride and insolence
For which God threw him from the face of Heaven. (scene 3, 66-68)
An eternity in hell becomes Dr. Faustus’ fate, a fate determined by his own
irrational decisions. Although he is a well-educated scholar, traits of arrogance,
selfishness, and pride hinder his judgment. Dr. Faustus’ troubles begin when he craves
power and knowledge beyond human capacity. Bored with his great knowledge, he wishes
to find another subject to study to pacify himself and achieve happiness.
FAUSTUS. Then read no more, thou hast attained the end;
A greater subject fitteth Faustus’ wit. (scene , 10-11)
By making a deal with the devil, Faustus trades his soul for satisfaction, and a greater field
of study. He is selfish--wanting knowledge, power, and fun without having to work or
take responsibility for it. As r...
... middle of paper ...
... of the play as Dr. Faustus is sent to hell, there are many ironic details
evident. The main one is that despite his great knowledge and power, Faustus makes the
most unwise decision. Repenting to Mephastophilis instead of God, he gives up everything
for nothing in return. In all his years with his new knowledge and power. He did nothing
of significance, he merely played tricks and showed off his new talents. Marlowe’s play is
full of irony depicting the downfall of man riddled with sin. The underlying theme however
is that, like Icarus and Lucifer, Dr. Faustus allows his pride, a key to most tragedies, to
become excessive and ultimately it is his downfall.
Works Cited
Marlowe, Christopher. “The Tragical History of Doctor Faustus.” The Norton Anthology
of English Literature. Ed. M.H. Abrams. New York: W.W. Norton & Company,
Inc., 1993. 768-801.
This excerpt reveals that Faustus, although he has had much success and is widely recognized for it, yearns for further discovery, a limitless experience, a power that physically is beyond him. Later in the same scene, he clearly states his solution to this quandary, “A Sound magician is a mighty god. Here Faustus, try thy brains to gain a deity” (63 – 64). In order to achieve this for even a limited time however, he must exceed natural human boundaries. In his search for a means to do so, he forms a new boundary, namely the loss of control over his soul, in scene 5 through a contract with Lucifer.
Faustus finds his faults in his deception and states: “All beast are happy, for when they
Although Christopher Marlowe's Doctor Faustus has outclassed every one at Wittenberg with his academic studies, he is "still but Faustus, a man." Proud of his accomplishments, he desires to become a superman. His judgment clouded by the sin of his pride, he misunderstands his knowledge and dismisses the disciplines of medicine, philosophy, law, and divinity. He lusts for God's capability to "make men live eternally or being dead raise them to life again," believing the devil's arts of magic and necromancy can provide the power, honour, omnipotence and, most importantly, the wealth he craves. His deluded pursuit of the immediate pleasures such wealth can yield brings upon himself the risk of eternal damnation. By conjuring the devil, Faustus removes himself from the influence of the Holy Ghost and God's love, instigating attacks of despair, and internal conflicts as personified by the Good and Bad Angels.
Doctor Faustus is a doctor of theology that wants no limits on what he can know or see or do so he sells his soul to the devil to gain these desires. While reading or observing Marlowe's fascinating play the reader or observer should apply the "New Historicism Approach," and take in to consideration Marlowe's and the 1590s society's beliefs, habits of thought, and biases about various concepts of obtaining the "forbidden knowledge". Like the people of the 1590s, Doctor Faustus searches for the "forbidden knowledge", begins to deny God during his quest for greater knowledge, and gains nothing from his vain activities throughout his lifetime. After these listed characteristics have been established one can begin to visualize the relationship between Marlowe's, Doctor Faustus and the beliefs and thoughts of the people of the 1590s.
Having attained all that he desires from the knowledge of man, Marlowe’s character Faustus turns to the only remaining school of thought that he feels he must master which is the art of necromancy. In his pursuits, he manages to summon the devil Mephistopheles, arch demon of hell, and strikes a deal to trade his immortal soul with Lucifer in exchange for being granted an infinite amount of power and knowledge that extends even beyond the limits of human understanding. However in the process of negotiating the terms of his pact, it becomes clear that Faust is in a constant state of uncertainty in terms of whether he should repent and forsake the arrangement or simply go through with it. This underlying theme of internal struggle is introduced very early and reappears in later acts with the appearance of established binaries that suggest a theme of division not only among the character of John Faustus, but within the written text as a whole. This suggests that Faustus is meant to serve as a symbol for the divided nature of man and the consequences of failing to negotiate the struggles that are a result of the divided self.
It can be argued that Doctor Faustus is damned from the moment of conception. His innate desire for knowledge inevitably leads to his downfall. He represents the common human dissatisfaction with being human and the struggle of accepting our lack of omnipotence and omniscience. Marlowe manipulates this struggle between the aspirations of one character of his time and the implications to Christianity in relation to its doctrine of heaven and hell. Indeed, Doctor Faustus asks for more than what was intentionally made available to him through God's plan, yet it was God's gift to him of his intellect, that tempted him to search beyond his appointed realm of knowledge. Faustus, through his own free will, decides to trade his soul with Lucifer in order to gain the answers to the questions of the universe. According to the divine plan ideology of Catholic doctrine, his decision worked into the cosmic outline. The divine application of his decision implies that there are benefits or rather some other importance, outside of the connection to Faustus, of his selling his soul. This lessens the impetus behind his decision because of the emphasis on universal application as opposed to the immediate ramifications to Faustus, the human being. Therefore, one can argue as to where the responsibility or fault lies concerning Faustus' fate because of the presence of other forces who may have influenced his decision. However the responsibility for his choice remains his and his alone.
II. Doctor Faustus is contrived of the following: Faustus, a man well learned in medicine and other knowledge’s known to man is dissatisfied with where his life is heading so he calls upon the Lucifer and His accomplice, Mephistophilis, to teach him the ways of magic. They agree to be his tutors only if Faustus will sell his soul to Lucifer and be His after 20 years. Faustus agrees and goes through trying times where he is unsure of his decision and considers repenting but then is persuaded again and again that the magic powers of the Devil are far more satisfying than the powers of Heaven.
Solomon’s righteousness and virtue are the antithesis of Doctor Faustus, the title character of Christopher Marlowe’s play, “The Tragical History of Doctor Faustus.” In this story, we see a man with n...
Dr Faustus is a short play written by Christopher Marlowe. The play is a masterful insight into the paradoxical soul of mankind and its ironically self inflicted corruption. The play could be classified as a theological allegory. It can be assumed that the play specifically speaks to the religious motivations of the time, but can be adapted to the present as well. Marlowe portrays Faustus’ ambition as dangerous; it was the cause of his demise. Perhaps Marlowe used the theme of over-ambition as a warning to the audience, who would be likely to be wary of ambition - it was looked down on as a negative personality trait in Christian England (Calvinism) (Munteanu, Class notes). An on going theme within the story is the corruption of a soul which is played out through the use of religious beliefs. Specifically, the use of the seven deadly sins is a precursor to man kinds self inflicted death. Marlowe uses sin, redemption and damnation to get his point across to the audience. The sins that Marlowe specifically uses are those of: pride, covetousness, wrath, envy, gluttony, sloth and lechery. Theses sins are colourfully displayed through the character traits of Dr Faustus. In the process we view them and can adapt them to our own lives and how they are all parts to the corruption of our souls.
In his first scene, Mephistophilis adopts the deflating and belittlin... ... middle of paper ... ...is is a wonderfully multi-dimensional character, developed in an intriguing manner that makes the devil intensely unpredictable and thrilling. The sharp contrast between his fiendishly gleeful qualities and the aspects that suggest a romantically suffering angel fallen from grace, in my opinion, make the character much more absorbing. Perhaps Marlowe realised that the most captivating characters could never remain one-dimensional.
Faustus may be seen as blasphemous in the opening speech, implying that he would only be a doctor if he could be equal to God, (lines24-6)
One of the largest themes in Doctor Faustus is pride. Within the context of Christianity, pride is considered one of the Seven Deadly Sins. Through main character John Faustus, it is this pride that opens the gates to all of the other sins. Faustus forgets his place in this world as a man born into sin, preventing him from receiving God’s grace.
...d for an escape when all he really needs to do is look upward. Lucifer does not send Faustus to hell, Faustus sends himself by not accepting the gift of salvation that God freely offers him right up until the end. In his final hour, Faustus comes to the realization that he is getting the short end of the deal he has made with the devil and how even all the power he had possessed is fleeting in the face of eternity. Faustus' final soliloquy is a realistic look inside the mind of someone who stands on the threshold of forever and knows his destination. After reading this, one should either rejoice that he or she will not have to face the same fate as Faustus, or recognize that he or she is walking the same road and repent.
The struggle between Faustus' superego/good angel and his id/bad angel continue throughout the play and the possibility of achieving a balance doesn't seem to exist. In the society of the sixteenth century repressive moral standards prohibited a possible balance between ethical demands and human passions, causing psychological traumas as the reader can observe it in this play. Society of this time, forcing their limited understanding of God on people, caused thinkers like Faust to lose their chance for a supernatural experience with God that could have solved their questions. It would take another two hundred years until in the period of Enlightenment a new Faust, created by Goethe, would retain his noble character and conquer with reason the trivial attempts of Mephistopheles.
Austen, Glyn. “The Strange Ambiguity of Christopher Marlowe and Dr Faustus: Glyn Austen examines the powerful paradoxes of Dr Faustus in the light of its literary and intellectual context.” The English Review 14.1 (2003): 2