Many people, upon reading Hamlet by William Shakespeare, interpret Hamlet’s story to be the main tragedy of the play. However, Ophelia’s story should not be overlooked, as it offers an even more heartbreaking outcome than that of Hamlet, one in which a completely innocent character is made helpless due to outside circumstances that are beyond her control. Yet, Ophelia’s story remains controversial and some readers unsympathetic, as many are unsure as to whether Ophelia caused her own death, or if it could have been prevented. Although Ophelia should be held responsible for her actions, ultimately the patriarchal pressure that governed society perpetuated her demise, as the constant sexualization and mistreatment by her male superiors drove …show more content…
Upon close observation, Ophelia and Laertes have an extremely close relationship, often surpassing that of a brother and sister. From early on in the story, Laertes seems deeply invested in Ophelia and Hamlet’s relationship. He advises Ophelia to “weigh what loss your honor may sustain/ If with too credent ear you list his songs, /or lose your heart, or your chaste treasure open/ to his unmastered importunity” (1.3.33-36). In fact, his entire soliloquy seems to border on sexual advice to Ophelia, which implies that Laertes has some say in the matter. Perhaps the most descriptive sexualization of Ophelia is when Gertrude describes her dead body as “mermaid-like” (4.7.201) with “her clothes spread wide” (4.7.200). Describing her clothes as “spread-wide” is especially suggestive, as to reference the act of removing clothing before sex. Ophelia can never escape the sexual comparisons made to her while she is alive; it seems as though everyone only sees her as a sexual being. This reminder that is perpetuated within a patriarchal society can lead one to insanity and despair; in contemporary times, women are sexualized from a very young age, and are reminded of this via cat-calling and through the media. In this way, the failure of many characters within a patriarchal setting to view Ophelia as a …show more content…
Hamlet’s bold proclamations in Act 3 certainly take an emotional toll on Ophelia, such as when he demands, “Get thee to a nunnery. Why wouldst thou be/ a breeder of sinners?” (3.1.131-132), and when he tells Ophelia, “I loved you not” (3.1.129). Hamlet is aware that he is playing with Ophelia’s emotions, but does not seem to care in the least. Further evidence of his psychopathic behavior appears in Act 5, when Hamlet declares: I loved Ophelia. Forty thousand brothers/ could not with all their quantity of love/ Make up my sum. What wilt thou do for her?” (5.1. 284). Hamlet’s behavior is further evidence of how he utilizes his male –privilege to gain power over Ophelia, he can act and behave however he chooses, but Ophelia is the one to go insane and die. Many blame her for her death, ignoring the fact that Hamlet was emotionally manipulative to her. This relates to how Ophelia was rendered entirely helpless by her male counterparts; she never had any power over the way others treated
Often overlooked in Shakespeare’s famous play Hamlet, Shawna Maki analyzes Ophelia’s restricting role as a woman in a patriarchal society and how it essentially leads to her death being the true tragedy of the play. Maki supports this argument by stating, “Whereas Hamlet has the power and potential to change his fate, Ophelia does not and her death is tragic because the only escape she sees from her oppression is madness and death.”. The comparison between Hamlet and Ophelia is a common parallel because both characters are inevitably labeled as tragic deaths due to the quick deterioration of their state of mind.
Ophelia was driven mad by the death of her father Polonius and how Hamlet betrayed her love with his own wave of madness which was just an act. In her madness, Ophelia talks about her father and his death and about the “Tricks in the world” (terrible things that happen to people). Ophelia’s madness was also the extent of her being used by her father so he could spy on Hamlet to see if he was truly crazy and then by Hamlet when he claimed he no longer loved her and that he didn’t send her any letters (remembrances). Ophelia’s speech and her fragments of songs are unsensible. Her song was about her father’s death “He is gone, He is gone” (4.5.220), and a maiden who is tricked into losing her virginity with a false promise of love and the possibility of marriage. “To be your valentine, then up he rose and donned his clothes and duped the chamber door” (4.5.56-58)
In The Tragedy of Hamlet, Shakespeare developed the story of prince Hamlet, and the murder of his father by the king's brother, Claudius. Hamlet reacted to this event with an internal battle that harmed everyone around him. Ophelia was the character most greatly impacted by Hamlet's feigned and real madness - she first lost her father, her sanity, and then her life. Ophelia, obedient, weak-willed, and no feminist role model, deserves the most pity of any character in the play.
Hamlet, Ophelia’s lover, accidentally kills her father and “confesses” he never loved her, Hamlet toys with Ophelia's emotions intentionally and unintentionally to solidify his madness. Even though she was the who initiated the “breakup”, her sorrows of the relationship are much more public than Hamlets. Hamlet’s madness scares Ophelia away which he used as a defense mechanism to not be hurt anymore. His madness looks as though he had been "loosed out of hell to speak of horrors" (2.1.83-84) and she "truly [did] fear it"(2.1. 86). His insanity and rudeness suffocated any love she had for him. She admits that their "their perfume [has been] lost" (3.1. 99). This helped Hamlet solidify his insanity by cutting ties with the ones he loves, and having them tell others he is mad. This comes with the cost of discontinuing his relationships: especially with Ophelia. Both have hinted around in the text of an intimate affair. This makes the emotions and breakup even more difficult for both of them. Their relationship was a love, not an innocent crush or courtship. Poor Ophelia initially thought she caused Hamlet's madness due to the abrupt ending of their affair. But because of her naivety, she lacks to see his other internal struggles. Ophelia’s trust in Hamlet left her heartbroken. Hamlet’s agenda of or getting justice for his father occupied his mind more than Ophelia did. Which left her feeling
Hamlet treats Ophelia like property and because he does not care for her. This is proven because he insults Ophelia, uses her to get his revenge on Claudius and uses her as a way to get attention. To begin with, Hamlet abuses Ophelia by accusing her of having impure motives. To him she “jig[s]… amble and …lisp” (3.1.145) to seduce other men. He also accuses her of being deceitful because she changes the “one face [that]…God hath given” to her by putting on cosmetics. Hamlet verbally abuses Ophelia because he believes that she is worthless. Hamlet is not concerned about the effect that these insult have on Ophelia’s psyche. In addition to verbally abusing Ophelia, Hamlet uses Ophelia as a pawn. Hamlet uses Ophelia as a way to get to Claudius by also physically abusing her. Ophelia description of Hamlet’s abuse exhibits Hamlet’s unruly behaviour towards her: “He took me by the wrist and held me hard; then goes he to the length of all his arm” (2.1.88-89). Hamlet physically abuses Ophelia because he knows that Ophelia will report it to her father who in turn will tell Claudius. By doing this, Claudius will think Hamlet is insane and will then lower his guard and will not suspect that Hamlet intents to kill him. Hamlet does not stop to consider what kind mental toll will take on Ophelia, all he cares about is to finishing what his father asked of him. It is apparent
In William Shakespeare’s Hamlet, women are oversexualized, and are given no role other than to be the item of a man’s desire. The promiscuity of the only two women in the play, Gertrude and Ophelia, detracts from their power and integrity, and allows Hamlet a certain amount of control over them. Gertrude’s sexual lifestyle is often mentioned by her son, Hamlet, and Hamlet uses his knowledge of Gertrude’s sexuality as a means to criticize her. Ophelia’s sexuality initially appears to be controlled by Laertes and Polonius, and Hamlet takes advantage of the naive image that she is required to keep. However, in her later madness, Ophelia taints this image by revealing that her innocence is feigned. By exposing the sexual natures of both Gertrude and Ophelia, Hamlet strips these women of any influence they may have had, and damages their once-honourable names.
It is widely believed that “Living life without honor is a tragedy bigger than death itself” and this holds true for Hamlet’s Ophelia. Ophelia’s death symbolizes a life spent passively tolerating Hamlet’s manipulations and the restrictions imposed by those around her, while struggling to maintain the last shred of her dignity. Ophelia’s apathetic reaction to her drowning suggests that she never had control of her own life, as she was expected to comply with the expectations of others. Allowing the water to consume her without a fight alludes to Hamlet’s treatment of Ophelia as merely a device in his personal agenda. Her apparent suicide denotes a desire to take control of her life for once. Ophelia’s death is, arguably, an honorable one, characterized by her willingness to let go of her submissive, earth-bound self and leave the world no longer a victim.
The story of Hamlet is a morbid tale of tragedy, commitment, and manipulation; this is especially evident within the character of Ophelia. Throughout the play, Ophelia is torn between obeying and following the different commitments that she has to men in her life. She is constantly torn between the choice of obeying the decisions and wishes of her family or that of Hamlet. She is a constant subject of manipulation and brain washing from both her father and brother. Ophelia is not only subject to the torture of others using her for their intentions but she is also susceptible to abuse from Hamlet. Both her father and her brother believe that Hamlet is using her to achieve his own personal goals.
The reader is left guessing on Hamlet’s true feelings for Ophelia through his various insults, sexual innuendos, and admitted desire. Hamlet’s claim, “God hath given you one face, and you / Make yourselves another.” (3.1.155-156) is laced with irony and hypocrisy given Hamlet’s own deception regarding true feelings. This proclamation comes at the end of a lengthy tirade against Ophelia and womankind in general for their conniving deceit leading men astray. The fact that Hamlet cannot see this duplicity in his very own actions shows the double standard he holds for females. Ophelia’s immediate reaction is one of shock and defense due to the aggressive nature of Hamlet’s attack. She calls out “O, woe is me!” (3.1.174) in distress to the ferocity of Hamlet and is unable to form a particularly coherent response akin to the ones seen against Laertes and Polonius. She does show her intelligence and rebellion from this assumption of power by Hamlet in her songs while Hamlet is gone. While many attribute her madness to the death of her father, a large portion of her instability should be attributed to Hamlet and his earlier actions. In her first introduction as insane she sings, “And I a maid at your window, / To be your Valentine. / Then up he rose and donned his clothes / And dropped the chamber door, / Let in the maid, that out a maid / Never departed more.” (4.5.55-60). Due to her references to sexuality and deceit the
“Pretty Ophelia,” as Claudius calls her, is the most innocent victim of Hamlet’s revenge in Shakespeare’s play Hamlet. Hamlet has fallen in love with Ophelia after the death of his father. Ophelia “sucked the honey of his music vows” and returned Hamlet’s affection. But when her father had challenged Hamlet’s true intentions, Ophelia could only say: “I do not know, my lord, what I should think.” Ophelia was used to relying on her father’s directions and she was also brought up to be obedient. This allowed her to only accept her father’s views that Hamlet’s attention towards her was only to take advantage of her and to obey her father’s orders not to permit Hamlet to see her again.
In the play Hamlet Ophelia is portrayed as an innocent young woman who does not have a say in anything. All the men control Hamlet, her father Polonius, and her brother Laertes. She is portrayed as inferior to all of them and lets herself be pushed around by them. She is unable to convey her opinions or emotions throughout the play. The men dominate her thoughts and behaviors. In Hamlet, Ophelia’s obedience to her father and brother, along with her dismissal by Hamlet, reveals that women were not allowed to assert their opinions, emotions, or desires in a courtly setting.
It is evident that Hamlet defines Ophelia by her sexuality. Hamlet does not value her as the woman she is. Instead, Hamlet views her as a mere object. Hamlet makes various sexual innuendos towards Ophelia. For example, this is apparent in 2.3, when Hamlet is speaking to Ophelia. Hamlet says, “It would cost you a groaning to take off mine edge” (3.2.250). Hamlet is making this regard to her in public and Ophelia lets him continue. Ophelia because of her gender continues to let Hamlet exploit and oppress her. Ophelia embodies a mutual assessment of femininity. Author Pragati Das writes, “Ophelia, it would seem, wholly at the mercy of the male figures throughout her life, is certainly a victim character” (Das 38). Ophelia does not have any alternative thoughts; she only responds with a simple sentence, “Still better and worse” (3.2.251). Ophelia is not standing up for herself, instead of she “…expresses acquiescence, uncertainty, and obeisance; she utters half lines” (Fischer 2). The power of Hamlet is manipulating Ophelia and it this shown through from her dull reaction of such crudities. Hamlet sums his vulgar and suggestive speech with, “For, oh, for, oh, the hobby-horse is forgot” (3.2.23–24). After Hamlet’s pressures of sexual suggestions, Ophelia is found to be under the absolute dominance of Hamlet’s demands, and as a result, her sanity diminishes. Ophelia’s song reflects on Hamlet, her father, and life
Melancholy, grief, and madness pervade Shakespeare's great tragedy, Hamlet. The emotional maladies presented within Hamlet, not only allow the audience to sympathize with prince Hamlet, but also with the tragic lady Ophelia as well. It is Ophelia who suffers at her lover's discretion because of decisions she was obligated to make on behalf of her weak societal position.
In William Shakespeare’s Hamlet, Ophelia is the most static character in the play. Instead of changing through the course of the play, she remains suffering in the misfortunes perpetrated upon her. She falls into insanity and dies a tragic death. Ophelia has issues surviving without a male influence, and her downfall is when all the men in her life abandon her. Hamlet’s Ophelia, is a tragic, insane character that cannot exist on her own.
Despite Ophelia’s weak will, the male characters respond dramatically to her actions, proving that women indeed have a large impact in Hamlet. Her obedience is actually her downfall, because it allows the male characters to control and use her in their schemes. Ophelia’s betrayal ends up putting Hamlet over the edge, motivating him in his quest for revenge. Ophelia is one of the two women in the play. As the daughter of Polonius, she only speaks in the company of several men, or directly to her brother or father. Since we never see her interactions with women, she suppresses her own thoughts in order to please her superiors. Yet however weak and dependent her character is on the surface, Ophelia is a cornerstone to the play’s progression. One way that her manipulation is key to Hamlet’s plot is when Polonius orders her “in plain terms, from this time forth/ Have you so slander any moment leisure/As to give words or talk with the Lord Hamlet,” (1.3.131-133). She complies with his wishes, agreeing to return any tokens of Hamlet’s love to him, verify t...