Abstract The traditional role of an African writer is that he is the conscience of his society. He should serve as the record of the mores and experiences of his society and the voice of vision in his own time. Niyi Osundare has demonstrated his awareness of these in his play The State Visit. He x-rays how the leadership of Yakeland rules the state with impunity sacking his ministers and aides; diverting resources meant for the development of agriculture and ignoring the vulnerable in the society. The paper, apart from dilating on all these, shall look at the messages the playwright tries to put across to Nigerians particularly the need for the masses to be aware of their situation and the need for resistance. Introduction Most Nigerian writers …show more content…
Among the literary artists of that period, Achebe can be singled out for his imaginative recreation of Igbo society in Things Fall Apart (1958) and Arrow of God (1964). But during the post-colonial era, “the post-independence mood of disillusionment” is also reflected in our literature. During this period, Nigerian literature was forced to move from cultural affirmation to social criticism as our writers could no longer neglect contemporary social and political problems (Ker, 2004). Soyinka was among the first set of Nigerian writers to admonish and warn his society in his plays The Road (1965) and Kongi’s Harvest (1965). Achebe also did the same in his novel …show more content…
The play is written in the style of street theatre and produces a biting and dramatic satire on political authoritarianism and ignorance which the author holds responsible for the backwardness of many African countries. The play does however show that such oppression is being challenged, and that there exists a natural inclination towards resistance and solidarity for which Osundare’s characters demonstrate great
As wise John Berger once said,“Never again shall a single story be told as though it were the only one”. A “single story” is the story of a culture that we learn from stereotypes and conspiracies developed throughout time in our society. In “Things Fall Apart”, Chinua Achebe defies the single story of African culture while still tying their native language in to show the importance between a physical differentiation of culture, and the similarities with morals and values they have in common. Through gender roles and proverbs used in the language of this book, we have a cultural insight of Nigeria through a new set of eyes given to us by Achebe that detures us from the single stories that we were taught to by our society.
Chinua Achebe?s Things Fall Apart is a narrative story that follows the life of an African man called Okonkwo. The setting of the book is in eastern Nigeria, on the eve of British colonialism in Africa. The novel illustrates Okonkwo?s struggles, triumphs, and his eventual downfall, all of which basically coincide with the Igbo?s society?s struggle with the Christian religion and British government. In this essay I will give a biographical account of Okonwo, which will serve to help understand that social, political, and economic institutions of the Igbos.
William James, a famous American philosopher, once stated, “The greatest revolution of our generation is the discovery that human beings, by changing the inner attitudes of their minds, can change the outer aspects of their lives”. This quotation effectively illustrates how change in one’s attitudes, perceptions, and beliefs can alter the environment in which one lives. This concept is clearly demonstrated throughout the novel Things Fall Apart, authored by Chinua Achebe, by establishing a connection through the development of its characters and the change in traditional African tribal villages seen in the Nineteenth Century. It will be established how various characters demonstrated by the author throughout the novel exemplify how change in one’s attitudes, perceptions, and beliefs can alter the environment in which one lives addressed by William James’s quote above. First, by analyzing Achebe’s development of Okonkwo’s character through his initial character description and the emergence of outsiders, it is evident that he is portrayed as an old fashioned character that is less responsive to change. Secondly, through examining Nwoye’s character, Okonkwo’s son, it becomes apparent that the youth in the novel are more open-minded, easily persuadable and more adaptive to societal changes. Lastly, uncovering the meaning behind the arrival of European missionaries, it becomes apparent that Achebe defines this group as being a “disease”, poisoning the society in which Okonkwo lives. The author look’s at individuals as being critical and influential figures in shaping the environment to which they belong, beginning with Okonkwo.
Achebe writes Things Fall Apart to revise the history that has been misplaced. He writes to the European and Western culture. This fact is evident because the book is written in English and it shows us the side of the African culture we wouldn’t normally see. Achebe is constantly ...
Salamore, Frank. “The Depiction of Masculinity in Classic Nigerian Literature.” Bloom’s Modern Critical Interpretations: China Achebe’s Things Fall Apart. New ed. New York: Bloom's Literary Criticism, 2010. 141-52. Print.
Osei-Nyame, Kwadwo. "Chinua Achebe Writing Culture: Representations of Gender and Tyranny in Things Fall Apart" Research in African Literatures Summer 1999.
Before Yeats’ presents his question, he describes a crumbling social structure: “Things fall apart; the centre cannot hold; Mere anarchy is loosed upon the world…”Achebe takes the title of his book from this line, comparing the structural collapse of the Nigerian tribe to the collapse of many social structures after the aftermath of World War 1. This is an ironic, almost satirical reference as he contrasts the disorder of the Nigerian tribe due to Western imperialism, against a poem which is referring to the disintegration of many European social systems that lead to conflict. While Achebe has a satirical side to his book in comparison to the poem, he also illustrates the literal meaning of the poem. When the white missionaries ...
Chinua Achebe’s, Things Fall Apart, is a story of a traditional village in Nigeria from inside Umuofia around the late 1800s. This novel depicts late African history and shows how the British administrative structure, in the form of the European Anglican Church, imposed its religion and trappings on the cultures of Africa, which they believed was uncivilized. This missionary zeal subjugated large native populations. Consequently, the native traditions gradually disappeared and in time the whole local social structure within which the indigenous people had lived successfully for centuries was destroyed. Achebe spends the first half of the novel depicting the Ibo culture, by itself, in both a sophisticated and primitive light describing and discussing its grandeur, showing its strengths and weaknesses, etiquettes and incivilities, and even the beginning of cultural breakdown before the introduction of the missionaries. The collapse of the old culture is evident soon after the missionaries arrived, and here Achebe utilises two of the primary missionary figures, Mr. Brown and Mr. Smith, to once again depicts both sides of the Ibo culture between them, with Mr. Brown depicting the sophisticated and Mr. Smith depicting the primitive aspects.
In Chinua Achebe 's classic novel "Things Fall Apart," the development of European colonization 's lead to extreme cultural changes, leaving a lasting impact on the Igbo village of Umofia in West Africa. In the novel, Achebe displays the impacts of European colonization in both critical and sympathetic terms to provide the reader with both positive and negative factors of Imperialism to develop an unbiased understanding of what the Igbo culture and society went through. While addressing the hardship 's of life by showing the deterioration of Okonkwo 's character, the cultural and traditional changes of society, and the positive and negative impacts of imperialism, Achebe keeps touch on the overall theme of the novel, once a dramatic event
Things Fall Apart, a novel by Nigerian author Chinua Achebe is a story about an Igbo village in Nigeria and a man that once was a powerful influence in the tribe, but begins to lose his influence as Nigeria is colonized and Christian missionaries come to evangelize. A deeper look at the novel, with a feminist critics point of view, tells a lot about the Igbo people as well as the author’s thoughts about women in the novel. Feminist critics look at female authors, and female characters and their treatment as well as women’s issues in society. Since Achebe is a male, the main focus of feminist literary criticism for Things Fall Apart is the women in the novel and their issues as well as the Igbo view of gender identity. Many issues that women
Chinua Achebe’s book, Things Fall Apart, was based on a story and the culture in Nigeria, Western Africa. Women’s roles and responsibilities have transitioned over several of years. The book arises a situation of how the Ibo women were treated and looked upon. In the Ibo culture, the women did not only suffer a great loss of their dignity, but also their pride as women. The whole role of women in the Ibo culture is different in various ways compared to the female race in modern society. The modern society in Nigeria, women are not so powerless, and also have the opportunity to work alongside the opposite gender.
In 1958 Chinua Achebe published his first and most widely acclaimed novel, Things Fall Apart. This work-commonly acknowledged as the single most well known African novel in the world-depicts an image of Africa that humanizes both the continent and the people. Achebe once said, "Reading Heart of Darkness . . . I realized that I was one of those savages jumping up and down on the beach. Once that kind of enlightenment comes to you, you realize that someone has to write a different story" (Gikandi 8-9); Achebe openly admits that he wrote Things Fall Apart because of the horrible characterization of Africans in many European works, especially Heart of Darkness. In many ways, Chinua Achebe's Things Fall Apart can be seen as an Afrocentric rebuttal to the Eurocentric depi...
Achebe himself once said, "Language is a weapon and we use it, and there's no point in fighting it." ( Gallagher, The Christian Century, v114, 260) These are words that Achebe lives by. He stood by this statement throughout his entire career with a language style that would change African literature. was no exception. He accomplished his goal by writing about his own culture and his own family in a poetic, proverbic style. < qtd. in http://www.upress.state.ms.us/catalogs/books/c/html/conache.html > The unique language style of Things Fall Apart not only changed Achebe's career, but it also changed his country. Achebe himself once said, " Art is, and always was, at the service of man. Our ancestors created their myths and told their stories for a human purpose. Any good story, any good novel, should have a message, should have a purpose." < http://www.albany.edu/writers-inst/achebe.html> Achebe used the "weapon" of language to convince "outsiders" that Nigeria is a nation with great potential.
Achebe's writing, "The Novelist as Teacher", serves as a request to African writers to take on the role of teacher in their works. After reading Achebe's "The Novelist as Teacher", I have identified two differences that Achebe observes in the orientation to literature of postcolonial and western writers. Firstly, Achebe expects that his audience will look to him as a teacher of the culture. Postcolonial readers will look to their writers for the reiteration of their culture and common concerns. Secondly, Achebe explains that racial inferiority plays a major role in the orientation to literature. Postcolonial writers must include affirmations in their works and remember to improve upon a state of repressed minds.
According to David Whittaker, Achebe’s work “proved to be an immensely influential work for African writers, becoming the progenitor of a whole movement of fiction, drama, and poetry, which focused on the revaluation of Africa’s history and cultures, and on representations of the culture conflicts that has their genesis in the colonial era.” This novel became a pivotal point of realization not only for Africa, but also for the world. All at once the world, afraid of what change may bring, pushed the same question to the back their mind: “What if we have it all wrong?” Suddenly, the culture of Africa was influencing the culture of America, Asia, Europe, Australia, etc. Achebe’s novel was a catalyst in the process of nationalist renewal and decolonization of African culture as a whole (Whittaker). A principle in this novel’s thematic course is the inter-generation conflict faced by not only the village as a whole, but also, on a microscopic level, in Okonkwo’s household. As the culture in Umuofia begins to shift, the predecessors of the current generation heavily rely on the cultural norms initiated by their father’s fathers. While tradition should be honored in a society, it should also be modified; this concept is not fully grasped by the older generations of