The Canterbury Tales, written by the Father of English Poetry, Geoffrey Chaucer, is a poem based around twenty-nine pilgrims, as well as the narrator, who are going on a pilgrimage to Canterbury for prayer. The Prologue frames the tales of the characters like a picture, with the tales acting as the photograph. Each character’s tale is explained in their point of view, holding a moral behind each tale. In Geoffrey Chaucer’s poem, The Canterbury Tales, he borrows central ideas from his time period and life, earlier works in history, satire, and themes to develop the tales of his characters. The exact date of birth of Geoffrey Chaucer is unknown, but many historians believe that he was born somewhere between 1340 and 1344 (“Geoffrey Chaucer” …show more content…
Historians have never found any information regarding Chaucer’s early education or his childhood (Nelles 1). Chaucer had many different jobs, such as a soldier, civil servant, diplomat, and a courtier, even though he had been a part of the middle class (Nelles 1). Elizabeth de Burgh appointed Chaucer as a page in the year 1357 (Nelles 1). Two years later, in 1359, Geoffrey Chaucer traveled with the troops of Prince Lionel when England invaded France (Nelles 1), and during the Hundred Years’ War, he was captured by the French, then ransomed during the year 1360 (Nelles 1). Even though there is no evidence explaining the events of Chaucer’s life between the year 1360 and 1366, Thomas Speght recalled seeing records of Chaucer studying with the lawyers at the Inner Temple (Nelles 1). During the year 1366, Chaucer …show more content…
Chaucer, unlike most of the court poets at the time, wrote in English instead of the commonly written languages of Latin and Anglo-Norman (Geoffrey Chaucer 1). Chaucer also created the heroic couplet when he wrote in decasyllabic couplets for The Canterbury Tales, which is used for epics and narrative poetry to this day (Geoffrey Chaucer 1). Chaucer is also said to have created the common use of iambic pentameter (Geoffrey Chaucer 1). Charles Muscatine, who specialized in Medieval literature, applied the principles of gothic style and construction to Chaucer’s writing (Dominick 4). Chaucer’s styles and tones were of different assortments that he had learned and mastered (Lynch 3). The diversity of the styles and tones ranged from courtly romance, to the French’s fabliau. His writing also varied from folktales to philosophical (Lynch
In Geoffrey Chaucer's work, The Canterbury Tales, many travelers gather together to begin a pilgrimage. During their quest, each of the pilgrims proceed to tell a tale to entertain the group. From these stories arise four different tales, in which Chaucer uses to examine the concept of marriage and the problems that arise from this bonding of two people. In the tales of "The Franklin", "The Clerk", "The Wife of Bath", and "The Merchant", marriage is debated and examined from different perspectives. Out of the four tales, The Franklin's Tale presents the most reasonable solution to the marriage debate because the problems are resolved with the least amount of heartache.
Some say women can get the worst out of a man, but in The Canterbury Tales, written by Geoffrey Chaucer in 1485, proves it. The tales were originally written as a collection of twenty four tales, but has been narrowed down to three short tales for high school readers. The three tales consist of “The Miller”, “The Knight”, and “The Wife of Bath” along with their respective prologues. In The Canterbury Tales, Chaucer shows the weak but strong role of women throughout the “The Knight’s Tale” and “The Wife of Bath’s Tale” to contrast different human characteristics and stereotypes on the spectrum of people.
The structure Geoffrey Chaucer chose for his masterpiece, The Canterbury Tales, of utilizing a melange of narrative voices to tell separate tales allows him to explore and comment on subjects in a multitude of ways. Because of this structure of separate tales, the reader must regard as extremely significant when tales structurally overlap, for while the reader may find it difficult to render an accurate interpretation through one tale, comparing tales enables him to lessen the ambiguity of Chaucer’s meaning. The Clerk’s Tale and The Merchant’s Tale both take on the institution of marriage, but comment on it in entirely different manner, but both contain an indictment of patriarchal narcissism and conceit.
There are two types of people in this world, the first ones are, the people who doesn't really like reading books because most of them doesn't have pictures on it, and they find it extremely boring. Then the other type of people, who simply gets lost into their book every time they read, because they just simply love reading. Some of them even say that when they're reading, it is taking them to a different world that only their imagination can create. That is why some people consider their books as their most priced possessions, because of how much it means to them and also some books can be rather pricey. Indeed, books can really be expensive, however, you might be too astonished when you see the following books, because they're considered
The Wife of Bath, with the energy of her vernacular and the voraciousness of her sexual appetite, is one of the most vividly developed characters of 'The Canterbury Tales'. At 856 lines her prologue, or 'preambulacioun' as the Summoner calls it, is the longest of any of the pilgrims, and matches the General Prologue but for a few lines. Evidently Chaucer is infatuated with Alisoun, as he plays satirically with both gender and class issues through the Wife's robust rhetoric. Scholars and students alike have continued this obsession with her, and as a consequence Chaucer's larger than life widow has been subject to centuries of scrutiny. Indeed, she is in the vast minority amongst the Canterbury bound pilgrims; apart from the in-vogue Prioress she is the only female - though she appears in no way daunted by the apparent inequality in numbers. It seems almost a crime to examine masculinity in her prologue and tale, but as I hope to show, there is much to learn both about the Wife and about Chaucer from this male presence.
In The Canterbury Tales, written by Geoffrey Chaucer, the stereotypes and roles in society are reexamined and made new through the characters in the book. Chaucer discusses different stereotypes and separates his characters from the social norm by giving them highly ironic and/or unusual characteristics. Specifically, in the stories of The Wife of Bath and The Miller’s Tale, Chaucer examines stereotypes of women and men and attempts to define their basic wants and needs.
The Canterbury Tales by Geoffrey Chaucer, (written c. 1387), is a richly varied compilation of fictional stories as told by a group of twenty-nine persons involved in a religious pilgrimage to Canterbury, England during the fourteenth century. This journey is to take those travelers who desire religious catharsis to the shrine of the holy martyr St. Thomas a Becket of Canterbury. The device of a springtime pilgrimage provided Chaucer with a diverse range of characters and experiences, with him being both a narrator and an observer. Written in Middle English, each tale depicts parables from each traveler.
One of the most interesting and widely interpreted characters in The Canterbury Tales by Geoffrey Chaucer is the Wife of Bath. She has had five different husbands and openly admits to marrying the majority of them for their money. The wife appears to be more outspoken and independent than most women of medieval times, and has therefore been thought to symbolize the cause of feminism; some even refer to her as the first actual feminist character in literature. Readers and scholars probably argue in favor of this idea because in The Canterbury Tales, she uniquely gives her own insight and opinions on how relations between men and women should be carried out. Also, the meaning of her tale is that virtually all women want to be granted control over themselves and their relationship with their husbands, which seems to convince people that the Wife of Bath should be viewed as some sort of revolutionary feminist of her time. This idea, however, is incorrect. The truth is that the Wife of Bath, or Alisoun, merely confirms negative stereotypes of women; she is deceitful, promiscuous, and clandestine. She does very little that is actually empowering or revolutionary for women, but instead tries to empower herself by using her body to gain control over her various husbands. The Wife of Bath is insecure, cynical towards men in general, and ultimately, a confirmation of misogynistic stereotypes of women.
In his Canterbury Tales, Geoffrey Chaucer assembles a band of pilgrims who, at the behest of their host, engage in a story-telling contest along their route. The stories told along the way serve a number of purposes, among them to entertain, to instruct, and to enlighten. In addition to the intrinsic value of the tales taken individually, the tales in their telling reveal much about the tellers. The pitting of tales one against another provides a third level of complexity, revealing the interpersonal dynamics of the societal microcosm comprising the diverse group of pilgrims.
In the 14th century Geoffrey Chaucer wrote The Canterbury Tales, which included a progressive view of women's concerns in "The Wife of Bath." During a time when women were still considered chattel existing almost exclusively to produce heirs, Chaucer takes a stand on issues affecting women that were not commonly given consideration. Writing in the first person, Chaucer is able to describe life from the viewpoint of a woman. Through this style, Chaucer addresses subject matter that would have been too candid for a female writer during his time period. By writing "The Wife of Bath" in a satirical way, Chaucer points out issues facing women regarding double standards, the validity of female desire, and the economic necessity of women to marry well while keeping the text humorous with some common female stereotypes regarding deception that have persisted into present day culture.
Chaucer, in his female pilgrimage thought of women as having an evil-like quality that they always tempt and take from men. They were depicted as untrustworthy, selfish and vain and often like caricatures not like real people at all. Through the faults of both men and women, Chaucer showed what is right and wrong and how one should live. Under the surface, however, lies a jaded look of women in the form that in his writings he seems to crate them as caricatures and show how they cause the downfall of men by sometimes appealing to their desires and other times their fears. Chaucer obviously had very opinionated views of the manners and behaviours of women and expressed it strongly in The Canterbury Tales. In his collection of tales, he portrayed two extremes in his prospect of women. The Wife of Bath represented the extravagant and lusty woman where as the Prioress represented the admirable and devoted followers of church. Chaucer delineated the two characters contrastingly in their appearances, general manners, education and most evidently in their behaviour towards men. Yet, in the midst of disparities, both tales left its readers with an unsolved enigma.
In Geoffrey Chaucer's The Canterbury Tales, The Wife of Bath is a strong woman who loudly states her opinions about the antifeminist sentiments popular at the time. Chaucer, however, frequently discredits her arguments by making them unfounded and generally compromising her character. This brings into question Chaucer's political intent with the Wife of Bath. Is he supportive of her views, or is he making a mockery of woman who challenge the patriarchal society and its restriction and mistrust of women? The Wife's comedic character, frequent misquoting of authorities, marital infidelity, and her (as well as Chaucer's) own antifeminist sentiments weaken the argument that Chaucer supported of the Wife's opinions.
The Canterbury Tales is a great contemplation of stories, that display humorous and ironic examples of medieval life, which imitate moral and ethical problems in history and even those presented today. Chaucer owed a great deal to the authors who produced these works before his time. Chaucer tweaked their materials, gave them new meanings and revealed unscathed truths, thus providing fresh ideas to his readers. Chaucer's main goal for these tales was to create settings in which people can relate, to portray lessons and the irony of human existence.
As a man fascinated with the role of women during the 14th Century, or most commonly known as the Middle Ages, Chaucer makes conclusive evaluations and remarks concerning how women were viewed during this time period. Determined to show that women were not weak and humble because of the male dominance surrounding them, Chaucer sets out to prove that women were a powerful and strong-willed gender. In order to defend this argument, the following characters and their tales will be examined: Griselda from the Clerk's Tale, and the Wife of Bath, narrator to the Wife of Bath's Tale. Using the role of gender within the genres of the Canterbury Tales, exploring each woman's participation in the outcomes of their tales, and comparing and contrasting these two heroines, we will find out how Chaucer broke the mold on medievalist attitudes toward women.
In Chaucer’s Canterbury Tales, Chaucer opens describing twenty-nine people who are going on a pilgrimage. Each person has a dissimilar personality that we can recognize from the way people behave today. He creates The Wife of Bath to stand out more compared to the other characters that are involved in these stories. In Chaucer’s “General Prologue,” the Wife of Bath was described as a woman who was intentionally described in an obvious way to provoke a shocking response. The Wife carries a lot of experience with things; she is a worldly person and has experience in the ways of the world in a sense of love and sex. Her clothes, physical features and references to her past are intentionally discussed by Chaucer causing the reader to wonder how well she is such a flamboyant and extravagant character. She shows off her clothes with evident pride, her face is wreathed in heavy cloth, her stockings are a fine scarlet color, and the leather in her shoed is soft and fresh. Her clothing symbolizes to the reader that she is not fearful or shy, and also shows off her expertise as a weaver.