Hamlet in Love Love is a complex human concept that is at the basis of many plots, as it causes a whirlwind of emotions and makes for interesting storylines. William Shakespeare is just one example of a playwright who uses love to create dramatic and intense plays. In Shakespeare’s Hamlet, there is a small focus on the love story between the characters Hamlet and Ophelia. At the beginning of the play, readers are informed of Hamlet and Ophelia’s romantic relationship, but as the play progresses and develops, there are clear examples that prove their love is one-sided. Only Ophelia seemed to be truly invested in the relationship, as Hamlet’s professed love for Ophelia was superficial. Hamlet may have appeared to be in love with Ophelia, …show more content…
During Ophelia’s funeral, her brother, Laertes, jumped into the grave as he mourned. Hamlet was disgusted by this and confronted Laertes in order to fight him. Despite his proclaimed love for Ophelia, he fought and yelled at her brother in her grave. He disturbed her funeral in order to defend his love for her, but there was no need for him to disrupt the funeral as he did. The funeral occurred in order to honour Ophelia’s life and Hamlet demeaned her death by starting an argument with her brother. Hamlet approached Laertes, who was mourning for the loss of his sister, and disrupted his grieving. “What is he whose grief / Bears such an emphasis …? This is I, / Hamlet the Dane.” (5.1.243-247) By Hamlet aggressively announcing his return, he took the attention off Ophelia’s death, refusing her a proper burial. In addition to stealing the attention, Hamlet made his love for her into a competition over who loved her most. “I loved Ophelia. Forty thousand brothers / Could not with all their quantity of love / Make up my sum. What wilt thou do for her?” (5.1.261-263) He made the situation about his love for her, and not Ophelia herself, as he disregarded her. This shows how little respect Hamlet actually has for Ophelia as even at her funeral (where he jumped inside her grave), he changed the focus of the situation to be about himself and his …show more content…
Long stayed he so. (2.1.97-101)
After Ophelia’s explanation, Polonius decided that Hamlet has gone mad. It can be assumed that this was Hamlet’s plan - to have the castle know of his antic disposition. This is because he had previously told his friends that he would start to act crazy, and then this scenario (where he did act crazy) was the next time he was mentioned. Hamlet, who can be presumed to be smart as he is a prince and therefore, educated, would have been smart enough to realize that Ophelia was very loyal to her father. He knew that Ophelia would tell her father of any events that occurred, so he manipulated this loyalty. By Hamlet having appeared to Ophelia in this frantic state, he used his knowledge of her in order to further his plans of having the castle believe he was
...sulted her when he knew that her father and his uncle were watching and taking notes. In addition, I do not understand why Hamlet waited until now to reveal his true feelings about Ophelia. Her death was probably what caused him to realize that he was unable to save her by telling her to leave the castle, instead he unhinged her sanity.
He allows his true feelings and emotions to pour out at her grave for the last time before she is buried and gone forever: “I loved Ophelia. Forty thousand brothers / Could not with all their quantity of love / Make up my sum,” (V.i.285-87). Regardless to the amount of love Ophelia’s brother had for her, Hamlet claims that he loves her more than Laertes ever could. Similar to the symbolism in his letters, he expresses his abundant love for Ophelia and how she is the girl he truly cares about. The prince comes straight out with his feelings and does not act insane during the funeral, he is simply being honest straight from his heart. Now that she is gone, Hamlet cannot protect her and has no reason to hid his true emotions towards
In the first scene of Act II, Polonius and Ophelia discuss the meaning of Hamlet's odd behavior. Though the two characters agree his actions arise out of the torment of spurned love, they arrive at that point through very different means. At the beginning of the dialogue, Ophelia says that she has been "affrighted" by Hamlet in her bed chamber. (II,i 75) Her encounter with the Prince left her scared about his real intentions. She says that he looks like he has been,"loosed out of hell/To speak of horrors". (II,i 83-4) The very fact that Hamlet does not speak one word to Ophelia makes him look even more intimidating. By not speaking anything, Hamlet at once strengthens his image as a madman, as well as shrouding his real intentions towards those around him. Just following this passage comes a place in the text where we can see how the character of Ophelia has been manipulated by Polonius. After his "hint" that he might be doing this out of frustrated love, Ophelia says that that is what she truly does fear. (87) Her feelings of pity and concern are shaped by her father in order to fit his case of madness against Hamlet.
As the play opened, Hamlet and Ophelia appeared as lovers experiencing a time of turbulence. Hamlet had just returned home from his schooling in Saxony to find that his mother had quickly remarried her dead husband's brother, and this gravely upset him. Hamlet was sincerely devoted to the idea of bloodline loyalty and sought revenge upon learning that Claudius had killed his father. Ophelia, though it seems her relationship with Hamlet is in either the developmental stage or the finalizing stage, became the prime choice as a lure for Hamlet. Laertes inadvertently opened Ophelia up to this role when he spoke with Ophelia about Hamlet before leaving for France. He allowed Polonius to find out about Hamlet's courtship of Ophelia, which led to Polonius' misguided attempts at taking care of Ophelia and obeying the king's command to find the root of Hamlet's problems. Ophelia, placed in the middle against her wishes, obeyed her father and brother's commands with little disagreement. The only time she argued was when Laertes advised her against making decisions incompatible with the expectations of Elizabethan women. Ophelia tells him, in her boldest lines of the play:
Many believe that Ophelia genuinely lost her mind and became suicidal towards the end of the play. This is very self explanatory due to the fact that both her father and brother died and they seemed to play a big part in her life. Ophelia’s genuine madness exposes Hamlet’s counterfeit madness because Ophelia shows signs. In Act 4, Scene 5, Ophelia is constantly singing songs about death and basically ignores anything that anyone says to her. For example, in Act 4, Scene 5, she sings, “He is dead and gone, lady, he is dead and gone. At his head is a patch of green grass, and at his feet there is a tombstone.” This continues on and on until one day she is in a meadow and she ends up drowning. She ends up dying before she can even see her brother, Laertes ever again. When Laertes finally returns, he wants to say his final goodbyes to his younger sister and while he’s doing this, Hamlet is hiding in the bushes listening and he begins to cry. This is another way that Hamlet exposes that he isn’t truly mad the way he made himself seem. He forced himself to treat Ophelia poorly so many times throughout the play and it was all just a part of his madness act. Him releasing his emotions for Ophelia in this moment showed everyone that he truly did care for her. Even if he wasn’t madly in love, he definitely cared for her. This is the last main event that shows that Hamlet wasn’t truly a mad, emotionless, heartless
Hamlet's behavior throughout the play, especially towards Ophelia is inconsistent. He jumps into Ophelia's grave, and fights with Laertes in her grave. He professes I loved Ophelia. Forty thousand brothers/Could not, with all their quantity of love,/ Make up my sum [Act V, scene I, lines 250-253], during the fight with Laertes in Ophelia's grave, but he tells her that he never loved her, when she returns his letters and gifts, while she was still alive. Hamlet subtly hints his awareness of his dissolving sanity as he tells Laertes that he killed Polonius in a fit of madness [Act V, scene II, lines 236-250]
The story of Hamlet, written by William Shakespeare, is considered to be a perplexing play as the many subplots twist, turn, and unfold. The relationship between Hamlet and Ophelia is conceivably the most widely discussed topic as countless theories are developed throughout the story. It is a tragedy, of many sorts, that Hamlet and Ophelia are not able to display their love for each other,
First there is the killing of Polonius. When he kills Polonius, the father of his girlfriend, he shows no sign of regret. No guilt. He is so caught up in his own little world of revenge, he doesn't even think of the fact that he just killed an innocent old man and the father of Ophelia. In fact, there is no point in the entire text in which he even mentions Ophelia. This just goes to show that he doesn’t truly care about Ophelia, which as state is the necessary component of love. The second deciding scene is that of Ophelia’s funeral. Hamlet has gone the whole text since the play in act three scene two without a word about Ophelia. Then *bang* Ophelia is dead and he's seeing her funeral. He observes as a distraught Laertes, Ophelia’s brother, throws himself into her grave in grief. Hamlet’s response to this is not a of shared sorrow but of competition. He starts by saying to Laertes “I loved Ophelia. Forty thousand brothers could not with all their quantity of love make up my sum” (5.1.284-287). Rather than just grieve for her, he fights with her grieving brother about who loved her more. While this may seem like a loving gesture, there has been no other proof of his love for her throughout the play which make this seem a bit strange. It is as if he wants to have loved her so that he can have emotions that are more important than everyone else’s. Hamlet even accuses Laertes of just trying “to outface” him “with leaping in her grave” (5.1.295). Hamlet would actually be grieve the lose of Ophelia and not fighting over whose emotions matter more if he had truly loved
Hamlet and Laertes share a different but deep love and concern for Ophelia. Laertes advises her to retain from seeing and being involved with Hamlet because of his social status. He didn’t want her to get her heart broken by Hamlet, since he believed that his marriage would be arranged to someone of his social status, and that he would only use and hurt Ophelia. Hamlet on the other hand, was madly in love with Ophelia but it languishes after she rejects him. Ophelia’s death caused distress in both Hamlet and Laertes and it also made Laertes more hostile towards Hamlet.
The term love can be exemplified in many variations. As complex as it is, it may be described as an experience rather than a tangible entity. Love’s paradoxical capacity consists of devotion and passion, which can be both liberating and binding in a relationship. A recurrent theme in Shakespeare’s Hamlet is the portrayal of one character’s love for another, and how this obliges them to act in various circumstances. This is prominent throughout the play, as seen in Hamlet's adoration for his father, Horatio's self-less love for Hamlet, and Gertrude's unparalleled love for her son. However, the love illustrated in these relationships cannot be used to define Hamlet and Ophelia’s association. In its place, Hamlet’s lust for Ophelia is simply a
The volume of works that Shakespeare wrote over the course of his lifetime was extensive. In that volume are stories that have influenced so many stories written later, stories that have influenced how many define things like love. Romeo and Juliet is perhaps his best-known work and defined western civilization's concept of love for generations. While slightly lesser known, Hamlet has had much the same degree of impact. This revenge tragedy truly defines the genre and opens up dialogues to many things, like madness. It is often the madness of Hamlet that is delved into but Ophelia too went mad in the end. While her father's murder at the hands of Hamlet undeniably contributed to her suicide, it was not the sole cause. Ophelia was driven to suicide by the way the men in her life treated her.
This final act of the play surely sums up the love that Hamlet had for Ophelia. Dramatically, Hamlet jumps into the grave of Ophelia. Distraught with grief for her, Hamlet confronts her brother, Laertes, telling him that he loved her even more than a brother loves a sister. Hamlet cries out to Laertes “I loved Ophelia. Forty thousand brothers could not, with all their quantity of love, make up my sum” (Shakespeare, Act IV, scene I, lines 285-287). Although it was too late for Ophelia to hear Hamlet’s true feelings expressed once again, this does show that Hamlet’s love was not madness, but genuine affection. Pouring out his heartfelt emotions, Hamlet says he loved her so much he would do anything for
Ophelia trusts the advise given and her obedience is very evident in this matter as she avoids contact with Hamlet until she is told by her father, with the King and Queens approval, to meet up with him by 'accident' in the lobby. Deceit not being in her nature, believing that her father, the king and queen are right and true; that Hamlet is mad; and probably curious to know if Hamlet is "mad in love" with her the young, obedient, powerless Ophelia does her part to search out the truth. But tragically this one forced step outside of her true character begins her downfall. In a precarious predicament, loyalty to her father compelled Ophelia to lie to Hamlet when he asked about her father?s location at that moment saying he was at home instead of behind a tapestry right the...
One of Hamlet’s major theme is love and that is the backbone of what causes our species to reproduce and that has stayed consistent from Shakespeare’s time to ours. The importance of love within Hamlet isn't simply the inclusion of love but rather how people react to it. Ophelia’s confusion, “crazy talk” and eventually suicide was all a result of the love she was experiencing from Hamlet and
Ophelia is manipulated by Hamlet to display to the King and the rest of the court that he is in fact mad. When Hamlet enters her room wearing disheveled clothing and acting quite strange towards her, he knows that Ophelia will tell her father and the King. Ophelia then reports this strange occurrence to her father, telling him about his strange composure of taking her “by the wrist and” holding her hard and then “shaking” when he was about to let go. (Act 2, Scene 1 Lines 86-91) The team of Polonius and the King also exploits Ophelia in order to dig deeper into Hamlet’s madness.