The Taming Of The Shrew And Twelfth Night-Film Analysis

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Shakespearean comedies have created relationships with their audiences and not a lot of directors managed to transport them into the cinematic universe. As open as it is to subjugation and idealization of women, The Taming of the Shrew has seen a lot of film versions from Edward J. Collins in 1923, Sam Taylor in 1929, Paul Nickell in 1950, D.W. Griffith in 1908 and, last but not least, Franco Zeffirelli in 1966 which gave it a battle-of-the-sexes spin. The most important trait of stage-to-film adaptations for tragedies is that history plays suddenly can be put on location, so that the vast fields of battle can be actually seen by the audience, opposed to theatre where those cannot be represented. Comedies, on the other hand, use settings that are somewhere in between interior and exterior for representing certain situations. It is rather difficult to find cinematic …show more content…

The problem is to manipulate and shoot unstylized reality in such a way that the result has style.” (Jackson, 2000, p 86-87) In Yuri Fried`s version of Twelfth Night mis-en-scène is used a lot in order to recall the patterns and themes of the paintings dating from the Renaissance. The dècor is an important trait when it comes to adapting Shakespeare and has created problems for directors as it is a challenge to translate his theatre world into the cinematic one. The 1935 version of the play Midsummer Night`s Dream offered the audience the world of Athenian woods creating imaginary and real animals, such as unicorns or even owls. The first films made after Shakespearean plays used photographs or fixed cameras with the whole body of the actor in order to reproduce performances. The moving camera effect that has been used later in the film industry created problems for

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