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How does meursault change the stranger
Meursault character in the stranger
Existentialism paper
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In Persepolis by Marjane Satrapi, The Stranger by Albert Camus, and the current college process that I am engulfed in, existentialism proves itself to be true. Existentialism, as a philosophy, work toward the idea that the universe is indifferent to life, and everyone is alone in a world where no one can help or give answers. All things considered, existentialism is intimidating until an overarching lesson is learned through the choices and responsibilities, passions (or lack thereof), and the isolation of a person, such as the main characters in the books: Marjane Satrapi and Meursault, or myself. On the surface, the three of us are extremely dissimilar, but we all relatively negative experiences that teach us more than we knew before. Marjane …show more content…
I need to be able to move freely to be able to draw...Why is it that I, as a woman, am expected to feel nothing when watching these men with their clothes sculpted on but they, as men, can get excited by two inches less of my head scarf?” (Satrapi, 300) It is only after having made an important choice like this that she realized how essential it is to have her own opinions, because the universe is indifferent to what happens to individuals. Marjane knew that in order to acquire what she desired, she was required to speak up for her classmates, even though in doing so she had challenged a higher power. Under these same principles, but in a strikingly different scenario, Meursault makes the choice to murder the Arab under the heat of the blazing sun not yet aware of the responsibility he would have to take. In that moment, “everything began to reel before [his] eyes...Every nerve in [his] body was a steel spring, and [his] grip closed on the revolver. The trigger gave.” (Camus, 38-39) The difference between Meursault’s response to killing the Arab and Marjane’s response to sticking up for the women around her is clear: she relies on her ability to make choices and respond …show more content…
For Marjane, she learns through a series of events that in order to learn a lesson, you have to realize things on your own. She is the only person who can answer her questions because the world, again, is indifferent to the minds of humans. Whether it be love, heartbreak, suicide, self-hate, the use of drugs, or any other act that can either cause damage, Marjane has experienced it. Most notably, before she went off to Austria, her Grandmother reminded her that “there is nothing worse than bitterness and vengeance...always keep your dignity and be true to yourself.” (Satrapi, 154) Within these words, her Grandmother revealed to Marjane that she cannot look for approval from others, and it can only come from within herself. Yet it took her many tries to realize that she can always answer a question about who she is and where she comes from. It took lying to a boy, because she thought being Iranian would be too complicated, for her to finally come out and say “I am Iranian and proud of it.” (Satrapi, 200) Being, or for Marjane, feeling, alone in the world can lead to answering your own questions. Comparable to Marjane, Meursault has a monumental epiphany at the end of The Stranger that finally resolves his life long questions. He spent his whole life living without purpose and not trying to question anything around him. Once he was locked up inside a cell, he registered that there is a
This passage is set before Meursault’s execution with the chaplain entering the scene, and telling Meursault that his “heart is blind”, leading to Meursault to yell and delve into his rant, and moment of consciousness. The passage has a calm in the beginning as if Meursault catches his breath from yelling previously, and he starts to reassure himself that he is not wrong for expressing his views as it went against the public’s religious beliefs, and states that this moment was so important to him that it was if his life was merely leading up to it. Why this particular scene is important to Meursault is that this is an instance where he successfully detaches himself from the world, and begins to deconstruct the world’s ideals as his rant shifts on to focusing on how nothing in life mattered. Meursault describes his gripes with the chaplain’s words as he explains his reasoning as to why the concept of a god is flawed as Meursault saw that everyone was inherently the same, with equal privileges just how often people could express them separated them. The passage continues with Meursault arguing that everyone would be faced with judgment or punishment one day, and explains why his own situation was not significant as it was no different. After that explanation the passage ends with Meursault posing the concept of everything in the world being equal both in wrongdoing and life in general, evident in his example of saying “Sala¬mano's dog was worth just as much as his wife.” Although the passage shows Meursault challenging the ethics and morals that the world around him follows, it does have instances like the end in which we see that the rant is still expression of Meursault's complex emotions, as it is unclear whether it is fear or a...
The Motif of the Sun in The Stranger In Camus' novel The Stranger, the predominate motif of the sun has been variously interpreted by many critics as a symbol of Meursault's repressed emotions. This is an interpretation I simply cannot accept, for I have always regarded the sun as symbolic of the superego - the force of society within Meursault. Like the sun, society is generally thought to be a positive thing. People usually regard a good, strong society that instills its members with a strong, unified code of morals as something to be desired. In the same way, people tend to think of a bright, warm, sunny day as something good and positive.
Meursault is a man who chooses to observe people, rather than interact with them. He often people watches from his balcony in the evening, than actually going down to communicate with them. While he was in exile, he was forced to converse and discuss his feeling to strangers like his lawyer, and the chaplain of the prison. Due to being a severe introvert, the idea of discussing his problem to another person was foreign for him. The experience of opening himself up to others for help was alienating, and contradicted his personality of being a stranger to everyone. Camus writes, “He didn’t understand me, and he was sort of holding it against me. I felt the urge to reassure him that I was like everybody else, just like everybody else.” (Camus, 66) Meursault wanted to help his lawyer understand his point of view, but his nature is so closed off that he’s unable to put his feeling into words for others
In 1947, I retired from my journalist career and continued to write fiction and playwrights for the theatre (Simpson). Although I primarily consider myself a writer instead of a philosopher and I deny being an existentialist, the philosophy I most agree with is indeed existentialism. As one will find in my novel, The Stranger, the main character Meursault views the world and situations through an outside perspective, extreme detachment, and a lack of empathy. His characters tend to view the world as an outsider because I personally grew up in many groups and communities without ever truly being integrated with them (Simpson).
Use of Stylistic Devices in The Stranger & nbsp; In his novel The Stranger, Albert Camus uses the stylistic devices of imagery and diction to develop the intensity of the physical action and to illustrate the lack of emotion in the last paragraph of Part I. Imagery of all kinds is abundant in this passage as Meursault, the main character, pays great attention to and describes in detail the beach environment that surrounds him. Visual imagery is present as he conveys the intense heat by telling how it seemed as though the sky had cracked open and was raining flame, and by personifying the ocean, recounting how it breathed blistering hot air onto the beach. Auditory imagery is employed when Meursault speaks of the cymbals of the sun clashing and describes the four shots fired as “four quick knocks on the door of unhappiness.” Imagery of a tactile nature is used in Meursault’s depicting the effects of the light reflecting off of the Arab’s knife on him, its “searing” his eyelashes and “gouging” his eyeballs.
Meursault (the narrator) in The Stranger only sees and only wants to see the absolute truth in society. The readers first encounter with him...
... mother, he does not react in a way most people do. He does not cry but instead accepts what has happened and realizes that he can not change it. He goes back and does physical things he would do on a normal day. When the caretaker offers him coffee, he accepts it, he smokes a cigarette and has sex with a woman he just met. Meursault also does not lie to escape death. He refuses to conform to society and lie. He would rather be seen as an outsider than do something that he does not believe in. Finally, Meursault, will not believe in G-d or Christianity just because it is the only thing to turn to before he is put to death. When Meursault decides not to cry at his mother’s funeral, he accepts himself as an outsider. When he is considered an outsider, it does not matter if he is guilty or innocent; at the end of the day he guilty just for being different.
“But from the moment he knows, his tragedy begins.” Meursault is not unlike Sisyphus. In the novel, The Stranger, by Albert Camus, we watch this character change from a carefree man who loves being alive and free to a man who is imprisoned for a meaningless murder he commits but who eventually finds happiness in his fate.
Existentialism is the epitome of the unknown. There is no straightforward explanation of what exactly it is, there is only certain characteristics and behaviors that describe existentialist views. Throughout today’s world, there are examples of it everywhere, it’s found in movies, books, songs, and just people in general. Existentialists are known to think and do for themselves only. They believe that to understand what it means to be human requires understanding of themselves first. Some very well known pieces of entertainment existentialism is found in are: Hamlet by William Shakespeare, The Metamorphosis by Franz Kafka, “The Yellow Wallpaper” by Charlotte Perkins Gilman, The Stranger by Albert Camus, and The Breakfast Club by John Hughes. The Stranger is a book written about a young man whose mother dies, which soon leads him to becoming acquainted with the feeling of not caring about what his actions do to others or himself. The main character Meursault starts helping his friend Raymond, carry out ways to torment his mistress. Out of nowhere while at the beach, Meursault shoots Raymond’s mistress’s brother. He is thrown into jail and tried, but he seems to not be affected as much as he should about his actions. He first finds it hard to live without cigarettes, women, and nature, but he soon finds out he doesn’t need any of those. After being sentenced to death, he is suggested to turn away from his atheism but later realizes that human existence has no greater meaning. This realization and acceptance is what truly makes him happy (Camus). Next, The Breakfast Club is a very relatable movie about high school students suffering the consequences of their actions in detention. The kids are all of ...
In the late 1940s, Europe began to recover from World War II- the deadliest global phenomenon over economic, political, and social thoughts. Adolf Hitler, the invincible leader of the Holocaust, in which the European Jewish population was blamed and executed for Germany’s economic debacles, was a Christian. Although, he honored his manifest Aryan race rather than religion. In other terms, he disregarded his mother’s teachings of Catholicism and believed purebred Aryans were the master race in the world with ideal physical and mental features (qtd. in The Earth and Its Peoples). In The Stranger by Albert Camus-a French philosopher, journalist, author, and Nobel Prize winner of 1957, Meursault struggles to find the meaning of human life while Hitler destroyed humanity. The book covers less than a year’s span in the early 1940s during World War II in Algeria , which was under Nazi, or Axis, control. Scarred by the warfare of Operation Touch, where the Allies (Great Britain and the United States) launched offense, Algerians attempted to resuscitate their country and people. The middle aged protagonist, Meursault, has no ambitions or formidable thoughts on life while he disregards World War II. Camus does not imply why, but Meursault has always isolated himself by living alone on the basic
Many artists, authors, and composers have put the beauty and warmth of the sun in their work. The Dutch painter Vincent van Gogh created landscapes that expressed his joy with bright sunshine. The American poet Emily Dickinson wrote a poem called "The Sun," in which she described the rising and setting of the sun. The Russian composer Nicholas Rimsky-Korsakov included a beautiful song, "Hymn to the Sun," in his opera The Golden Cockerel.
Existentialism is defined as "a philosophical theory or approach that emphasizes the existence of the individual person as a free and responsible agent determining his or her own development through acts of the will”. In other words, existentialism emphasizes individual freedom. Throughout The Stranger, the amount of existentialism is abundant. The use of Mersault’s experiences coveys the idea that human life has no meaning except for simple existence. The idea of existentialism in Albert Camus' The Stranger reflects through Mersault's life experiences with his relationship with Marie, the death of his mother Maman, the murdering of the Arab, and Mersault's trial and execution, all these events show that Mersault’s life of no meaning.
At the very beginning to the novel Meursault decides to take a proactive existential approach to life: deny suicide and create his own meaning. Only halfway through the novel Meursault starts to utilize his complete freedom, thus he creates a passion and begins to realize the only pleasures in life he can create are the ones he omits. Camus often talks about freedom being the moment of consciousness but contentness; one becomes free when they accept the absurd and find a passion. Meursault’s friend and neighbour, Raymond, is known as a pimp around the city, and invites Meursault to a friend’s cottage and Raymond as well suggests he bring Marie with him. While at the beach house, Raymond and Meursault see the Arabs which were following Raymond
Existentialism is defined as a philosophical movement that human beings are completely free and responsible for their own actions. Existentialists will try not to cause waves and remain completely uninvolved with anyone because they do not want to hurt anybody. There is absolutely no such thing as an existentialist because he would have to be so uninvolved to the point where he would not be able to live at all. Although the two stories: The Metamorphosis by Franz Kafka and The Stranger by Albert Camus are very different in approach, their endings are similar in that they both support the basics of existentialism.
In The Stranger, Albert Camus misleadingly portrays his existentialistic views of life, death, and the world. Camus portrays the world as absurd or without purpose Meaursalt, who, as a reflection of Camus, is foreign and indifferent to his own life and death. Meaursalt eventually senses guilt for his crime, not because of the remorse of taking someone else’s life, but because it means he would lose the little things that he considers important in his life. Meaursalt is a puzzling character, who leaves readers to be uncertain about Camus’ views of life.