Foster chose to discuss the quest motif before he got into anything else, this signified that this feature was one of the more basic standards of literature
The significance of the quest could be that it is associated with any trips described in the texts or assumed by a character
Foster analyzes the storyline “Crying a lot 49” to illustrate to the reader how the quest can take on many figures than what the reader considers
The protagonist is a young married woman
Her challenges includes a mentally unstable therapist and a possible postal conspiracy
He ends the chapter recognizing that sometimes a trip can be a trip, it doesn’t have to have any deeper meaning such as that connected with a quest
Both his stories “Crying a lot 49” and “Huck
…show more content…
“Bard” is never the same character
He appears in every literature you can think of
He was everywhere around 18th century and 21st century
Other authors used Shakespeare stories and developed better ideas from it
The West Side Story was influenced strongly by Romeo and Juliet
Others modeled their work after Shakespeare’s
Chapter Seven
Authors could use the literary implication and effect of the bible as influence/inspiration
Not all uses of religion are straight
Examples of religious classics : Paradise Lost and The Canterbury Tales
Modern writers hold a reasonable understanding of the Biblical rituals
Bible asserts carry its own significance
It adds depth
Chapter Eight
Children’s literature is presented in this chapter
Allusions are likely to be understood by a wider audience; children
Shakespeare and Bible references make a story seem more complex while allusions allow the reader to relate
Examples : Alice in Wonderland and Treasure Island
People like to experience new things in literature, but familiar references allow the reader to connect and understand the story more
Ironic tones and fairytale references help the reader because if the reader can detect fairytale refs, they can tell if the text is taking on an ironic
These feelings drive O’Brien to seek out a journey in order to find out what is truly valuable to his self being. His adventure of self-knowledge mirrors the narrative archetype of the Hero’s Quest. One might argue that as a result of O’Brien’s uncooperative nature towards his circumstances, he is able to pursue the main motive of the Hero’s Journey, in which he departs from his ordinary world and is able to obtain the life treasure of self-acknowledgement.
For example, in the beginning of the story, the narrator starts by talking about Mrs. Freeman. “Besides the neutral expressions that she wore when she was alone, Mrs. Freeman had two others, forward and reverse, that she used for all her human dealings” (433). The irony in this first line is that she is a “Freeman,” yet only has three different expressions. Another example of an irony that is easily noticeable is when Mrs. Hopewell considered Manley Pointer as “good country people.” “He was just good country people, you know” (441). The irony in this line is that in the end, Manley Pointer, whom is supposedly is “good country people,” ends up being a thief who steals Hulga’s prosthetic leg and runs and not only steals, but admits that he is not a Christian, making the line, “good country people,” a dramatic irony. However, one of the most ironic characters in the story is Hulga herself as she understands little of herself, regardless of the high education she holds in philosophy. For example, Hulga imagines that Pointer is easily seduced. “During the night she had imagined that she seduced him” (442). Yet, when they kissed, she was the one who was seduced and having the “extra surge of adrenaline… that enables one to carry a packed trunk out of a burning house…”
Typically, a novel contains four basic parts: a beginning, middle, climax, and the end. The beginning sets the tone for the book and introduces the reader to the characters and the setting. The majority of the novel comes from middle where the plot takes place. The plot is what usually captures the reader’s attention and allows the reader to become mentally involved. Next, is the climax of the story. This is the point in the book where everything comes together and the reader’s attention is at the fullest. Finally, there is the end. In the end of a book, the reader is typically left asking no questions, and satisfied with the outcome of the previous events. However, in the novel The Things They Carried the setup of the book is quite different. This book is written in a genre of literature called “metafiction.” “Metafiction” is a term given to fictional story in which the author makes the reader question what is fiction and what is reality. This is very important in the setup of the Tim’s writing because it forces the reader to draw his or her own conclusion about the story. However, this is not one story at all; instead, O’Brien writes the book as if each chapter were its own short story. Although all the chapters have relation to one another, when reading the book, the reader is compelled to keep reading. It is almost as if the reader is listening to a “soldier storyteller” over a long period of time.
To fully appreciate the significance of the plot one must fully understand the heroic journey. Joseph Campbell identified the stages of the heroic journey and explains how the movie adheres meticulously to these steps. For example, the first stage of the hero’s journey is the ordinary world (Campbell). At the beginning, the structure dictates that the author should portray the protagonist in their ordinary world, surrounded by ordinary things and doing ordinary tasks so that the author might introduce the reasons that the hero needs the journey in order to develop his or her character or improve his or her life (Vogler 35). The point of this portrayal is to show the audience what the protagonist’s life is currently like and to show what areas of his or her life are conflicted or incomplete. When the call to adventure occurs, the protagonist is swept away into another world, one that is full of adventure, danger, and opportunities to learn what needs to be learned. T...
The Editors of Encyclopædia Britannica. "dramatic irony (literature)." Encyclopedia Britannica Online. Encyclopedia Britannica, n.d. Web. 20 Mar. 2014. .
Irony is used very often by Poe. Irony is when something occurs that is the exact opposite of how it should be or seem. Irony varies in that it may be displayed through someone’s actions or an ironic happening. An example of irony in someone’s action are in the Cask of Amontillado is when Montressor repeatedly seems concerned for Fortunato’s health, even though his real intentions are to kill him. It also may be considered ironic that Poe named the enemy of Monstressor, Fortunato. Being that Fortunato means fortunate or lucky in Italian, it is ironic that he is very unlucky in that he his buried alive in a wall.
Primarily used in satire is the literary device, irony, which is often displayed in both Swift’s essay and Voltaire’s novella; it is used to convey the duplicity of certain ...
Pynchon designed The Crying of Lot 49 so that there would be two levels of observation: that of the characters such as our own Oedipa Maas, whose world is limited to the text, and that of the reader, who looks at the world from outside it but who is also affected by his relationship to that world.3 Both the reader and the characters have the same problems observing the chaos around them. The protagonist in The Crying of Lot 49, Oedipa Mass, like Pynchon's audience, is forced to either involve herself in the deciphering of clues or not participate at all.4
Thomas Pynchons' The Crying of Lot 49 challenges the readers' perception of the world by enfolding his readers, through a variety of means, within the intricate workings of his narrative. It centers around would be heroine Oedipa Maas whose life is turned upside down when she discovers that she has been made executor of the estate of old flame and entrepreneur Pierce Inverarity. When she is imposed upon to travel to the fictional city of San Narcisco, where Inverarity is said to have numerous real estate holdings, in order to carry out her task, Oedipa stumbles upon a muted post horn; the first of many clues leading her deep into the impenetrable conspiracy surrounding Trystero, an underground postal system shrouded in mystery and intrigue; opening her eyes to an alternative way of life. This post modern work of literature infuses dark humor and irony instigating a metamorphosis of intellectually challenging material; subsequently luring us, his readers who have unknowingly become a part of the conspiracy, into the methodical chaos of The Crying of Lot 49.
Irony make things appear to be what it is not. Flannery O’Connor and Zora Neale Hurston are two ironic authors in literature. O’Connor was a devout Roman Catholic, with a southern upbringing (Whitt); whereas “Hurston is a disciple of the greatest dead white European male, authors, a connoisseur of macho braggadocio, and a shamelessly conservative Republican who scorned victimism and leftist conformism (Sailer). Both O’Connor and Hurston use irony in their short stories; however, they use it in significantly similar ways.
Baker, Joseph E. “Irony in Fiction: ‘All the King’s Men.’” College English. Vol. 9. JSTOR.
Everyone knows the story of Snow White. Everyone knows about the old woman who came to Snow White’s house was actually the queen in disguise, and that the apple the queen gave Snow White was poisoned. But Snow White didn’t. This is a perfect example of irony in a story. Ironic situations like this occur a lot in our daily lives, and many stories, like the short story Lamb to the Slaughter, by Roald Dahl. Throughout the story, Dahl demonstrates many moments of irony, which have a long term effect on the whole story. Dahl’s uses dramatic irony effectively to help enhance the plot and help the reader understand the story better.
Surprise can lead to happiness, or surprise can lead to depression. Situational irony is when somebody expects something to go one way, but it really happens the exact opposite way. Situational irony can also change the reader’s mind in a way they will never believe. In “The Ransom of Red Chief,” O. Henry uses situational irony to amuse the reader. In “The Necklace,” Guy de Maupassant uses a feeling of compassion for the short story. In “The Ransom of Red Chief” and in “The Necklace,” O. Henry, Guy de Maupassant, and any author can use situational irony to affect the reader's emotions.
The persona begins to think about how he cannot take both paths and be the same “traveler”
Many authors share a common thread in their writing, allusions to biblical concepts. The Bible is one of the most influential texts of all time and its presence can seen seen through countless pieces of literature.. One of the best examples of a literary work that has been fashioned after biblical elements is The Tragedy of Macbeth by William Shakespeare. “Christian philosophy' says Walter C. Curry ' recognizes two tragedies of cosmic importance: (1) the fall of Lucifer and a third part of the angelic hosts, who rebelled against God and were cast out, and (2) the fall of Adam who was originally endowed with perfection and freedom but who set his will against God and so brought sin and limited freedom upon mankind. ‘.... ‘The fall of Macbeth draws in the combined power of those of Lucifer and Adam."(Coursen 318) In, William Shakespeare's Macbeth, Shakespeare uses the rise and ultimate demise of Macbeth to describe the Biblical concepts known as the " Fall of Man" and ' Victory in Christ'.