The Significance of Satan’s and Mephistopheles’s Villainous Motives in their Transgression
In both Christopher Marlowe’s Doctor Faustus and John Milton’s Paradise Lost, the concept of villainy is brought into question. The reader is made to question whether the main villain in the story is actually a hero, whose tragic experiences force him to take drastic measures, or if the villain is indeed carrying out his actions out of malice. However, it can be concluded, upon further analysis of the text that a fine line separates tragic heroism and villainy: the choices a character makes. Thus, we can conclude that the relationship between good and evil is, in its essence, a competition, both Marlowe’s Mephistopheles and Milton’s Satan have rare moments
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For example, in Paradise Lost, Adam and Eve struggle when they are exiled from Paradise, thus taking their first steps in the journey of humanities salvation. Satan, on the other hand, struggles to conquer his weaknesses and doubts, but he does so for the purpose of humankind’s damnation, and to gain glory and acclaim. Therefore, while Adam and Eve serve the greater good, Satan serves himself and seeks to fulfill his desires, he doesn’t rebel against God in order to fight the tyranny and to aid his accomplices who have fallen from heaven, rather, Satan does it merely to go against God’s whishes, and to impose his own order. Satan’s power of delivering flowery speeches is an asset at the beginning of the play, although he is blatantly lying and exaggerating, he succeeds in propeling the fallen angels to an uprising. By the beginning of Book IV, the true nature of Satan starts to become apparent. In the opening soliloquy of Book IV, Satan announces: “Me Miserable! Which way shall I fly, / Infinite Wrath, and infinite Despair? / Which way I fly is Hell: myself am Hell” (IV,73-74), in other words, Satan claims that he himself is Hell, and wherever he goes is Hell, thus, Satan justifies his evil deeds, as they come from the Hell inside of him. As the poem closes, Satan takes the form of a serpent and retires to Hell, after he tempts Eve to eat from the Tree of
In most works of literature there is an “evil” character that has conflicting interests with the protagonist. This issue may arise in multiple forms including, but not limited to, abuse and manipulation. In this paper we will be discussing the similarities and differences between Shakespeare’s character Iago from Othello and J.K. Rowling’s character Voldemort from the Harry Potter series.
Everyone remembers the nasty villains that terrorize the happy people in fairy tales. Indeed, many of these fairy tales are defined by their clearly defined good and bad archetypes, using clichéd physical stereotypes. What is noteworthy is that these fairy tales are predominately either old themselves or based on stories of antiquity. Modern stories and epics do not offer these clear definitions; they force the reader to continually redefine the definitions of morality to the hero that is not fully good and the villain that is not so despicable. From Dante’s Inferno, through the winding mental visions in Shakespeare’s Hamlet, spiraling through the labyrinth in Kafka’s The Trial, and culminating in Joyce’s abstract realization of morality in “The Dead,” authors grapple with this development. In the literary progression to the modern world, the increasing abstraction of evil from its classic archetype to a foreign, supernatural entity without bounds or cure is strongly suggestive of the pugnacious assault on individualism in the face of literature’s dualistic, thematically oligopolistic heritage.
His determination is shown by the quote ‘He circled, four times crossed the car of night’. This makes it obvious to the reader that Satan’s desire for revenge is much more than a simple whim it is lust. In Book 2 of Paradise Lost, Satan’s determination is introduced as he leaves the other fallen angels in Pandemonium to wreak havoc on Earth and orchestrate their revenge. It is now, in book 9, that his efforts come to fruition, as Eve eats from the Tree of Knowledge and convinces Adam to do the same, consequently, man falls. Despite this, Satan does not receive his full punishment until Book 10
One Writer;two tragedies and two really different murderers. William Shakespeare's Hamlet and Macbeth are generally common tragedies. Hamlet and Macbeth successfully deal with the need for royal power and its bad after effects.This essay examines the probable corollary that a tragic villain may possess and or including characteristics that may be on the same passing level with the tragic-heroes. Being hero-villains, Macbeth and Claudius present similarities.Both of them are magnanimous,driven by ambition,suffer internally,lack conscience and smart.
Woodman, Ross Greig. “Satan and Evil: A Study of Milton’s Satans in Relation to the Problem
As described, heroism and its appearance are similar traits that are easily confused. However, assigning these qualities to (Aeschylus’s) Prometheus and (Milton’s) Satan makes these traits appear very different. Prometheus is a heroic character that is comprised of the very definition of heroism. Satan appears heroic; however, he his filled with cruel intentions and egotism that eventually exposes his character as a villain. “Paradise Lost” and “Prometheus Bound” establish and define a clear difference between a hero and someone who appears heroic; due to dominating protagonist roles and access to the characters’ motives.
John Milton’s Paradise Lost is an epic poem that describes the fall of Satan and the expulsion of Adam and Eve from Paradise. Satan is the protagonist of Paradise Lost and has several characteristics in which readers may identify with him. Throughout the poem, Satan is not only a tragic hero but also the key character that drives the plot and portrays many flawed human qualities. As an angel fallen from the high esteem of God and a possessor of hubris that leads to his downfall, he represents a tragic hero but also a character in which readers may identify with. Following the standards of classic tragic heroes, Satan is a determined leader with an extreme amount of hubris.
Wicked, dishonorable, corrupt, villainous, malicious, and vicious all have one thing in common: they define evil. A person or a group of people that display these qualities are often defined as evil beings or creatures. Two people that have many of these characteristics developed within them are Iago from Shakespeare’s Othello and Lucifer from the Bible. Both Iago and Lucifer are developed with many “evil” qualities woven intricately into their character development. The representation of each “evil” characteristic gives them something they have in common, allowing the description and portrayal of both Iago and Lucifer in literature show the audience they share common “evil” characteristics and that they lead to chaos and downfall.
In John Milton’s epic, Paradise Lost, the author establishes Satan as the most complex and thought-provoking character in the tale through his depiction of Satan’s competing desires. Throughout the first four books of Paradise Lost, Satan repeatedly reveals his yearning both for recognition from God and, simultaneously, independence from God. The paradox that prevents Satan from achieving his desires may be interpreted as a suggestion of Milton’s establishment of a sympathetic reading for this character, as he cannot truly find happiness. In actuality, the construction of Satan’s rivaling aspirations evince Satan’s repulsive depravity to Milton’s audience and encourage readers to condemn his character.
In order to attempt to discern if Satan is a tragic hero, his character must fit a certain profile. According to Aristotle's theory, the tragic hero has the potential to be great, but is doomed to fail. The tragic hero, although fallen, still wins a moral victory. The general characteristics follow that the tragic hero is a noble, is responsible for their fate, contains a tragic flaw, and is doomed to make a severe error in judgment. Eventually, the tragic hero falls from a high status, realizes the mistake that was made, faces and accepts their death, and finally ends in a tragic death. It is important to state that, in all tragic heroes, the audience is affected by fear and/or pity. In Paradise Lost, the reader is easily able to relate to Satan, even pity him at some points...
Milton’s Satan in Paradise Lost is a complex character meant to be the evil figure in the epic poem. Whenever possible Satan attempts to undermine God and the Son of God who is the true hero of the story. Throughout the story Milton tells the readers that Satan is an evil character, he is meant not to have any redeeming qualities, and to be shown completely as an unsympathetic figure. Satan’s greatest sins are pride and vanity in thinking he can overthrow God, and in the early part of the poem he is portrayed as selfish while in Heaven where all of God’s angels are loved and happy. Satan’s journey starts out as a fallen angel with great stature, has the ability to reason and argue, but by Book X the anguish and pain he goes through is more reason for him to follow an evil path instead. Even so, Milton uses literal and figurative imagery in the description of Satan’s character to manipulate the reader’s response to the possibility that Satan may actually be a heroic figure. As the plot of the story unfolds there are moments where the reader can identify with Satan’s desires and relate to his disappointments.
The poem Paradise Lost by John Milton tells the epic story of Satan's demise and the fall of Adam and Eve. Satan, disgraced and in hell after a war between his devils and God's angels, works to destroy the purity and good of God's newly created Earth. As he schemes, Adam and Eve live in perpetual peace and happiness in the Garden of Eden as rulers of the Earth. Throughout the progression of the epic, it becomes evident that Eve and Satan contain many similarities. The correlations between these two characters help the reader understand why they act the way they do but also see the devastating consequences of those actions. Eve and Satan are both tempters and use the same arguments to persuade their victims; they also hold subordinate positions and want to elevate their statuses.
Milton shows that the potential for evil was innate in these beings and was not the result of corruption from an external force. Lucifer believes himself to be God’s equal and desires omnipotence for himself. Lucifer’s pride is his undoing, and he is cast into hell where he becomes Satan. The pride is intrinsic to Lucifer’s nature and results from God giving angels free will. Indeed, Satan later considers repenting and seeking God’s forgiveness upon seeing Earth and all of God’s creation and being overwhelmed by emotion. However, he realizes that even if he did receive forgiveness, he would grow dissatisfied with his position in heaven once again and fall a second time “book four quote “ . This establishes evil as being a constant part of Satan; the evil could not exist without the good, but it is an inherent part of
The question of whether Satan is the hero or the villain of John Milton’s Paradise Lost has been largely debated by scholars over the centuries. The ones who believe Satan is the villain of the epic, more commonly known as the Anti-Satanists, tend to argue that Satan is too foolish to be considered a hero, as his “hostility to Almighty power” is ultimately a futile endeavour (as God’s power is omnipotent) (Carey, 135). C. W. Lewis, also an anti-Satanist, goes as far as to claim that to “admire Satan, then, is to give one’s vote not only for a world of misery, but also for a world of lies and propaganda, of wishful thinking” (Lewis, 203). The ones who claim Satan is the hero of the epic, the Satanists, perceive him as the rebellious angel who rises up and defies God’s monarchy and “the tyranny of Heav’n” (174).They choose to focus on Satan’s “nobler qualities, his loyalty in leadership, fortitude in adversity, unflinching courage and splendid recklessness” (Satan/Promo, 3). While these two positions are both valid, this paper will be focusing on a third position: the individuals who believe that Satan is neither the hero nor the villain of the epic.
After Satan is worshipped by the other fallen angels, he begins his journey to the new land. He notices that there are nine gates of Hell and approaches the one guarded by Sin and Death. After convincing them to open the gate , he continues on to find Chaos, Night, Confusion, Discord and a few others. He once again uses his rhetorical skills to convince Chaos to show him the way to Earth. Now that he knows where he is going he continues the difficult journey : " So he with difficulty and labour hard/Mov’d on, with difficulty and labour hee;" (1021-1022). Satan will stop at nothing to get to Earth. Milton 's description of Satan 's journey shows us his determination and his intelligence . Even God takes account of Satan 's drive and mentions it to the Son