Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Taming of the shrew from feminist point of view
Taming of the shrew analysis of kate
Treatment of women in literature
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Taming of the shrew from feminist point of view
The Role of Women in Challenging the Status Quo in Shakespeare's Taming of the Shrew
The female characters of Shakespearean literature inspire much controversy over their roles. Many critics assert the female characters are depicted as unreal portrayals of passive women. Other critics argue that the roles portrayed were considered normal for the period in which they took place. During the period of the Enlightenment, many social norms changed and evolved. One such norm was the position of women in society. Queen Elizabeth was a controversial female in power during Shakespeare?s life and challenged all traditional thinking. In The Taming of the Shrew, Katherine (Kate) is the controversial female character. The comedy is about Kate, a strong-willed woman, whom is expected to conform to the unwritten rules of the late 16th century society. There are many aspects of her character that can be interpreted in more than one-way, such as her attitude, appearance, and actions. Many critique the true motivation for Kate?s actions. Kate is not tamed within the play but liberated, taught to love, and taught how to enjoy life.
Kate is stubborn, harsh, and cruel at the beginning of the play. When Hortensio describes her to Petruccio he calls her shrewd, ill-favoured, an intolerable-curst, and a froward (I.2.ll. 57, 85-86). It is questionable however that all these names are true. Hortensio holds pretenses against Kate for she stands between her sister, Bianca, and any suitor. Such a dame intrigues Petruccio that she may offer him a challenge, and she is wealthy. Kate?s actions and attitude have never been challenged before she met Petruccio. Everyone she knows has always been afraid of her and the only way she knows to ge...
... middle of paper ...
...r to Kate. They all choose to take a different path than the one society expects of them. Many of the females are like this because of the period in which Shakespeare lived. The age of Enlightenment was very much dedicated to the concepts of choice and free will. In Shakespearean literature the self is promoted rather than public image in both male and female characters. Shakespeare made Kate the way the audience wanted her to be. The people came to plays to escape daily life, wanting to be pulled into the deception of the theatre. They wanted to forget their problems and imagine being one of the characters onstage. Kate was a character that showed courage, assertiveness, and passion. These are all traits possessed by very few women of the era. Kate?s character and Queen Elizabeth herself enticed women to become the unexpected and challenge the status quo.
In the beginning, a lot of what we learn about Kate comes from what other people say about her. In Act I, she is only seen briefly and she speaks even less, but our picture of Kate is pretty clear. Shakespeare, sets up a teaching lesson, helping us to see the mistakes of our own judgment. When Baptista announces that Kate must marry before Bianca may take suitors, Gremio describes Kate by saying "She's too rough for me" (1.1.55). Later in the scene, Gremio reiterates his dislike for Kate, claiming she is a "fiend of hell" (88) and offering that "though her father may be very rich, any man is so very a fool to be married to hell" (124–126). He finishes by saying that to marry Kate is worse than to "take her dowry with this condition: to be whipped at the high cross every morning" (132–134). Hortensio, too, is quick to add to the situation, calling Kate a devil (66) and claiming that she is not likely to get a husband unless she is "of gentler, milder mold" (60). Tranio, Lucentio's servant, is perhaps the only man in this scene not to talk ugly about Kate, claiming she is either "stark mad or wonderful froward" (69).
The Taming of the Shrew written by William Shakespeare depicts the common roles of men and women in the early seventeenth century. Shakespeare writes of Petruchio and Kate, a male and female who sharply oppose each other. Petruicho must "tame" his wife Kate without breaking her true inner spirit.
The first Shakespeare play which Zeffirelli adopted to the cinema, The Taming of the Shrew, deals with the theme of gender roles. In a grander scale the play explores the behavior expectations of males and females both in society at large and within a domestic relationship. For many years, most critics agreed that the heart of the play suggested male domination and female submission, especially to the authority of their husbands, as the accepted male-female dynamic. This view went unchanged for many years and audiences widely accepted Petruchio's “taming” of Katherina as politically correct.
In Shakespeare's, "The Taming of the Shrew" the relationship between the sisters Katherine and Bianca appears to be strained with rampant jealousy. Both daughters fight for the attentions of their father. In twisted parallel roles, they take turns being demure and hag-like. Father of the two, Baptista Minola, fusses with potential suitors for young Bianca and will not let them come calling until his elder, ill-tempered daughter Katherine is married. The reader is to assume that meek, mild-mannered, delicate Bianca is wasting away while her much older, aging, brutish sister torments the family with her foul tongue. Katherine seems to hold resentment toward Bianca. Her father favors Bianca over Katherine and keeps them away from each others' torment. When gentlemen come calling, Bianca cowers behind her father and Katherine speaks up for herself. "I pray you sir, is it your will to make a stale of me amongst these mates?" (1.1.57-58) Bianca and Katherine dislike each other feverishly. Katherine torments Bianca with words and physical harm. She binds her hands, pulls her hair then brings her forth to her father and the gentlemen callers. Bianca denies liking any of the visitors and portrays herself an innocent that merely wants to learn and obey her elders. She says, "Sister, content you in my discontent to your pleasure humbly I subscribe. My books and instruments shall be my company, on them to look and practise by myself." (1.1.80-84) Because Katherine speaks freely and asserts herself she is labeled as "shrewish." When Hortensio describes her to Petruccio, he spews out that she is "renowned in Padua for her scolding tongue." ( 1.2.96) He gilds the lily further by clearly telling of her fair fortune if suitable man comes courting and wins her hand in marriage. Petruccio sees dollar signs and rushes onwards in grand dress and fluently gestures to court the gracious "Kate." When he first begins his ritual of winning the family and Katherine to his love, he is seeking his fortune in her dowry. The mention of her being at all undesirable does not put rocks in his path.
"Women have a much better time than men in this world; there are far more things forbidden to them." -Oscar Wilde. This quote embodies the fight over gender roles and the views of women in society. Taming of the Shrew deals with Kate and Bianca, two sisters who are at the time to he married off. However, suitors who seek Bianca as a wife have to wait for her sister to be married first. Kate is seen as a shrew because she is strong willed and unlike most women of the time. In his 1603 play The Taming of the Shrew, William Shakespeare enforces traditional gender roles and demonstrates how little say women had in society. He accomplishes this through the strong personality of Kate, Baptista 's attitude towards his daughters as transactions, and
The Taming of the Shrew by William Shakespeare is a play that is ahead of its time in its views toward gender roles within society. Katherine is a woman who is intelligent, and is not afraid to assert her views on any given situation. She is paired with another obstinate character in Pertuchio. The marriage formed between the two is a match made in heaven for two reasons. First, because Katherine is strong enough to assert her views, and more importantly, she realizes when she should assert them.
In Shakespeare’s ‘The Taming of the Shrew’, the character Kate is the ‘shrew’ of the play. A shrew is a bad-tempered or aggressively assertive woman. In Elizabethan times being a labelled as a shrew may led to punishments and public humiliation. Modern day readers may look at Kate being labelled as a shrew and disagree as society today has changed since then and women are not inferior to men as they back then.
The Taming of the Shrew is one of the earliest comedies written by William Shakespeare. The Taming of the Shrew focuses a great deal on courtship and marriage. Especially the life after marriage, which was generally not focused on in other comedies. Notably, the play focuses on the social roles that each character plays, and how each character faces the major struggles of their social roles. Which plays into one of the most prevalent themes of The Taming of the Shrew. The theme of how social roles play into a person’s individual happiness. This is displayed through the characters in the play that desperately try to break out of the social roles that are forced upon them. This exemplified through the character, Katherine, an upper-class young maiden-in-waiting, who wishes to have nothing to do with her role.
...These characters all show traits of wittiness, determination and strength. The traits Queen Elizabeth expressed as she ruled England, a single woman taking on a man’s job. Shakespeare included these characters in his play because he knew the Queen would enjoy seeing characters that portrayed her; it showed a sign a respect towards her. The Queen supported the theatre and Shakespeare in his work. Shakespeare thanks her by giving her females characters leads in his play with characteristics of her reflected in them. Queen Elizabeth ruled throughout Shakespeare’s life so it would influence him in his writings. She showed him through her rulings that she was a feminist. She did whatever it took to get what she wanted and to rule her country, she showed fierceness and compassion. Shakespeare took these characteristics and portrayed them in his female characters.
The Taming of the Shrew is set in a time period that did not accept women as we do today. In today's society, women who are strong and independent and quick witted are praised. In Elizabethan times women were supposed to know their role in life, being good to their husbands, making children and taking care of them. There were no women in politics, there were no women in business, it was only acceptable for women to participate in domestic areas of life. Women could not live a respectable life in this time period without a male figure to take care of them, rendering them helpless without men. If there was anything that must be done involving economics or education, it was up to the men. Men were the ones who worked and brought home the money to support the family. The roles of men and women were very distinct, and it resulted in giving the men the majority of the power.
Some have made the claim that Shakespeare was pro-feminist and did all he could to illuminate the wrong done to women of his time by creating some overwhelmingly misogynistic characters. This was his way of showing men the errors of their ways and shaming them into showing women more respect. This is an interesting hypothesis for a number of reasons. First of all, there are no signs that it worked, if Shakespeare did indeed intend to reform men. Could the Bard, supposing that he was trying to shame men into changing, influence men in this manner? Can we blame him if he failed? Secondly, and by far more interesting to me, is that, in some cases, feminists seem to be more interested in martyring the Bard than in promoting feminist agendas What proof do we have that Shakespeare was really that enlightened?
Women in the Elizabethan era were subservient to men. They were expected to conform to the societies expectations while obeying the significant male figures in their lives. High-born women were often portrayed “possessions” to be shared between fathers and husbands. In several cases, they were socially restricted and unable to explore the world around them without chaperones. The women were mainly expected to act as loving caretakers to those in their families. In William Shakespeare’s play Macbeth, however, the female figures in the play both promote the idea of unbridled feminine sexuality but also promote the female ideals of being loving caretakers. The dramatic technique Shakespeare uses to characterize his female figure in the play are the setting, the character’s dialogue and what the other characters say about them, especially behind their backs. The three main female characters that endorse but also contradict the archetypes of women are the tyrannical Lady Macbeth, the loving Lady Macduff and lastly the mysterious weird sisters.
...st play, it is not sexist and demeaning towards women. Petruchio, Hortensio, and Lucentio may have bet on their wives compliance in some eyes, but after further analysis, they were actually betting on the trust between the couple. The reader must also take into account the time period the play was written in which was the 16th century, where women were usually not even allowed to go to school to be educated, and Bianca was having private tutors for her education. Kate was changed by Petruchio’s “taming” from the beginning to the end of the play, but at the end of the novel when Kate was called upon and made her speech, she was the happiest she had been in the entire story. There are however some sexist elements in the story, but just because there are certain characteristics of sexism in a play does not mean the play in itself is sexist and demeaning towards women.
Firstly we will commence by discovering how women are presented in Shakespeare’s play .Through-out the play women are presented as immature , impuissant characters : Lady Capulet & Juliet ,all women are regarded as possessions of men ,for them to do as they please . They are ornaments, they cannot speak their minds nor can they make their own decisions. Women are in the men’s shadows.
A Shakespearean scholar expanded on this, “The play enacts the defeat of the threat of a woman’s revolt; it does so in a comic form – thus so offers the audience the chance to revel in and reinforce their misogyny while at the same time feeling good” (Gay). The Taming of the Shrew at many points is just praising the men in the novel despite their behavior and putting down the women for being anything but perfect. The novel makes the actions happening comedic and the reader does not get upset at the things happening, but in reading further into it and comparing it to modern day, it is not hard to see the plain and simple abuse. Although gender roles are still prominent in today’s society, they are toned back. In contemporary versions of The Taming of The Shrew, such as 10 Things I Hate About You and Kiss Me Kate, the character Kate is always mitigated.