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One of the conflicts in Antigone, is the struggle between men and women. Ismene tells Antigone that since birth, women “were not born to contend with men,” (75) displaying women’s obedience and passivity. In the same passage, Ismene says: “we’re underlings, ruled by stronger hands,” (76) a representation of men’s aggressive and “stronger hands” that dominate women and treats them as second-class citizens. The only woman in Thebes who desires to break free from these chains is Antigone, who stands up against Ismene’s passivity urging her to “submit to this,” (77) and defy Creon by burying Polynices. By breaking Creon’s edict, Antigone challenges the traditional gender roles women and men play. In what ways does the theme of gender in Antigone, demonstrate the passion and choices behind Antigone and Ismene’s decisions?
Ismene believes that women are “underlings” (76) and not “contend[ing] with men” (76) because she knows that men will always control society. This viewpoint of men’s domination of women depicts Ismene to be submissive to males while being fearful of men’s authority. Ismene is unable to have control over her destiny and decisions because she is fearful of men’s power over women, which leads to her refusing to bury Polynices. Later in the play, Ismene questions Creon’s judgment by saying “you’d kill your own son’s bride?” (641) which indicates that she is now aware that woman should have a voice and power in society. Her new understanding of Antigone’s message gives her the strength to query Creon, while additionally highlighting his cruelty. Ismene’s original belief of “submit[ing] to this” (77) and being a proper Greek girl, eventually transforms into becoming an advocate for Antigone. Her transformation defies men’s authority, the opposite of what she used to believe in.
Antigone believes that a woman should be intrepid and strong, even at the risk of challenging men’s authority. When she proposes to bury Polynices, Ismene answers, “we’re not born to contend with men”. (75) Antigone’s response, “that death will be a glory” (86), does not directly address gender issues, but it expresses her fury at Ismene’s passivity. After the burial of Polynices, Antigone defiantly states, “I did it. I don’t deny a thing,” while being interrogated by Creon (492) and later comments that she was “not ashamed for a moment, not to honor my brother”. (572-3) Antigone’s gallant speech and defiance toward traditional gender identities audaciously shows her revolutionary desire for gender equality.
In Antigone, translated by Elizabeth Wyckoff, the struggle between Creon and Antigone’s wills lead to their eventual downfalls. Croen believes that his decision to not have a proper burial for Polyneices is defended by the Gods, among other things. However, Antigone believes that her decision to bury Polyneices is also justified. A compromise is unable to be reached because of their inelastic viewpoints, not necessarily the views themselves. These extreme views are shaped by Antigone and Creon’s personalities, families, and social statuses. The rigidity of their viewpoints leads us to wonder about the principles that these characters hold, and why they hold them.
When Antigone comes to her sister for assistance in burying their brother’s body, Ismene refuses. While this may be seen as an example of her cowardly, docile nature, such as how the line “You ought to realize we are only women” (61) is often interpreted, it shows that Ismene was aware of where she stood in Theban society. It is common knowledge that Ancient Greece was a patriarchy, with women holding little to no political power. Even beyond the fact that she and Antigone are women living in a male-dominated society, Ismene recognizes how low their family has fallen, with herself and Antigone being the children of a kin-slayer and his wife. A reasonable person in Ismene’s situation would most likely have acted in a similar manner, as it would be far too great of a risk to defy Creon. Ismene was simply aware that no one would come to the aid of Oedipus’s daughters when they faced “the edict of death”
The texts Antigone and Wicked challenge conventional ideas about gender. Both Elphaba and Antigone demonstrate strong will and are figures of rebellion as they challenge the status quo in their patriarchal societies. The main characters in these books reject feminine constructs of leadership, challenge democracy, and deconstruct ideologies of maternity and male dependency through embracing the label as “the other” courageously.
"You ought to realize we are only women, not meant in nature to fight against men, and that we are ruled, by those who are stronger, to obedience in this and even more painful matters." In the opening of the play, Antigone and Ismene meet in the night. Antigone laments Creon's decree that whoever tries to bury Polyneices or mourn for him must be stoned to death. Although Ismene declares that the sisters lack any power in the situation, Antigone insists that she will bury Polyneices, and asks for Ismene's help. Ismene states that though she loves Polyneices, she must abide by the king's decree. Ismene, unlike Antigone, fears death. She believes that there is nothing that she can do. She reminds Antigone that they are on...
In the beginning of the story Antigone went to Ismene to warn her about the new decree of King Creon. King Creon had sworn that no one was to bury him or even mourn for him. Antigone then told Ismene of her intentions of going against the new law and giving their brother the burial he deserved. Antigone then gave Ismene the choice to prove herself loyal to her family or betray it. Ismene stated that she could not go against the law of Creon. She felt that they could not go against Creon because they were only women and she was afraid of what their deaths would be like. At this point in the story Ismene was not willing to sacrifice her life for her brothers honor. She still wanted to help, but she was too afraid of what the punishment would be. For example Ismene stated, “I beg the Dead to forgive me, but I am helpless: I must yield to those in authority.”
The book also has conflict between Antigone and her sister, Ismene. In the opening chapter, Ismene becomes central to this moralistic tale as she stands for all that was expected of women in Greece in 5BC. She alone, in her dialogue shows us, right from the beginning why Antigone is so brave in her decision to bury Polyneices when she says; “Two women on our own faced with a death decree – women, defying Creon? It’s not a woman’s place. We’re weak where they are strong. Whether it’s this or worse, we must do as we’re told.”
These two examples alone give us the impression, which degrades women and the power they had. On the contrary, Antigone goes against society view and a norm to do what she considers is morally proper. Ismene, Antigone’s sister and foil of the story, is compared with her throughout the story since Ismene believes that adhering to the law is more important over family loyalty. Ismene says: “I shall obey those who are in authority, for deeds that are excessive make no sense at all” (Antigone, Page 22, Line 67-68).
Although both sisters have lost their brothers, Antigone is the only one who will go against her king to do what she knows is right. When Antigone asks her sister if she will help her bury their brother Polyneices, Ismene responds with, “We are only women; we cannot fight with men, Antigone! The law is strong; we must give into the law…” (Ismene 774). Naturally, Ismene should be afraid for herself, as well for the safety of her sister because what Antigone is asking of her will mostly likely cause them both to be killed. However, she should be braver like Antigone, and realize that she must do what is morally right for their family, and give her brother the proper burial that he deserves. Afterward, when Antigone has already been captured, Ismene then comes forth to try and share the punishment that has been given to Antigone, but Antigone tells King Creon that she has done nothing. In addition, when Creon asks Ismene if she had anything to do with the crime, and Antigone denies it, Ismene then replies, “But now I know what you meant; and I am here to join you, to take my share of punishment” (Ismene 785). Although now Ismene feels like she needs to stand up to the King and do what is right for her
/ And even if I die in the act, that death will be a glory” (85-86). This act and Antigone's loyalty to her brother forms the main plot of the play that helps enhance the play. Antigone shows her true bravery, because she is willing to die to honor her brother, that even death does not scare her from doing the proper thing. Ismene on the other hand, shows her true cowardice by denying Antigone’s request to help her with the burial and is scared to disobey Creon’s law “I’d do them no dishonor . . . / but defy the city? I have no strength for that” (92-93). Ismene admits that she doesn’t have the strength like Antigone to disobey the law that is set forth, therefore it shows her inaction to make a change. Antigone responds by saying “You have your excuses. I am on my way, / I’ll raise a mound for him, for my dear brother” (94-95). Antigone believes that Ismene is just making excuses, because she is too scared to break the law and is just trying to find a way to get Antigone’s approval so that she doesn’t feel like a coward letting down her
In the book Antigone she has a sister named Ismene and after she explains to Ismene her plan to bury her brother because she believes in the upper gods and what they set as the rules is what they should follow. However, her sister believes otherwise , she thinks that she can not stand up for what she believes in because she is a women. Ismene states “We must remember that by birth we are
In meeting Ismene, the reader is introduced to a wiser and obedient woman in terms of her understanding where she stands socially and realizing the consequences of rebellious actions. Ismene, throughout the play, serves as a tool by helping Antigone to become more resolute in her actions. Ismene has suffered just as much as Antigone, "no joy or pain has come my way" (16) Ismene says. Yet although she concedes that the sisters "were robbed of our two brothers" (17), she still accepts the will of the King "I must obey the ones who stand in power"(18).
Her brother is her own flesh and blood, a part of her family that has the absolute right to be properly buried. Antigone’s conscience would not allow her to leave Polynices as Creon’s law bid, which she reveals when she tells Creon, “But if I had allowed my own mother's son to rot, an unburied corpse — that would have been an agony.” According to her moral compass, to respect and honor her brother in his death transcends the fact that she is breaking the law as well as the fact that she is a woman. She is willing to break gender norms by stepping out of her way to be resistant and do what she believes is right. This shows that this issue of burying her brother is so important to her that she defies such immense barriers. Ismene, on the other hand, believes that these barriers are exactly the reason why they should not defy Creon, even if she does not agree with him. To Ismene, her own brother is to be condemned to an afterlife of sorrow and suffering just because a man’s word made it
Feminism is a large issue in present day while it was not such an important idea throughout history. Man was historically stronger, smarter, and more useful than woman. As it turns out, that idea is incorrect although at the time that “Antigone” by Jean Anouilh was written, this idea was widely accepted by both man and woman. The play itself is about breaking what is law to do what is right, but under all of that lies the true theme of man vs. woman. Antigone is set out to see how far a woman can push a man before a war is started.
Ismene is a coward and refuses to help her sister because she feared men. This fear propels her to turn her head to the disrespect that is been shown to her brother, Polyneices. Her character is a close representation of the viewpoints of the male gender regarding women. She is subordinate and weak-willed. She refuses to stand up to Creon even though in her heart she knows that his laws are morally wrong.
Sophocles’ Antigone has as its backdrop a very rigid and conservative Greek society and Greek culture when it was certainly against the norm of a typical ancient Greek woman to rebel against a male authority. And therein lies the reason to believe that Sophocles’ protagonist in Antigone showed signs of early feminism. Antigone dared to raise her voice against a patriarchal order at a time when women in ancient Greece were generally fearful that rebellion against male authority would lead to unfortunate circumstances.