As the famous Greek playwright Euripides once said: “Stronger than lover's love is lover's hate. Incurable, in each, the wounds they make.” Such ideas are portrayed in one of him most famous plays, Medea. This play is a fascinating classic centered on the Greek goddess Medea. Despite its recent fame, during his time, Euripides was unpopular since he used what would be considered a ‘modern’ view where he would focus on women, slaves and persons from the lower classes. In the play, Medea commits filicide, which initially appears extremely horrendous, but as the audience is guided through the play, they develop sympathy towards Medea. In order to achieve this empathy and enhance the understanding of Medea’s pride and ideals, Euripides utilizes the Chorus, the Nurse, and the Children- all are which minor characters. Granted that these characters overall have overlapping roles and guide the audience towards the same concept, at some topics they disagree or contradict each other.
The Chorus in Medea consists of middle-aged Corinthian women who are present on stage throughout the entire act. Although in Medea, they defy their customary purpose of solely observing, and instead, they give their opinion on the events of the production and directly speak to the characters. Throughout the piece, they voice the audience’s thoughts, feelings, and questions towards the play, while elaborating on the consequences of the actions.
The choral role in the play extends to the Nurse. In Medea, Euripides uses the Nurse to introduce Medea and give an introduction to the play. The Nurse is the first character on stage; subsequently, she starts off the play by giving the audience the information needed to get into its disposition. The Nurse leads the au...
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...s killing us!” (p.56). This contrast between the two views enhances the audience’s understanding of the play.
In the play Euripides skillfully uses the Chorus, the Nurse, and the children to help the audience feel compassionate, relate and understand her. Although these characters are presented separately, in the end they support each other for the most part, although they represent different side of views at others. Euripides by using these characters transforms the play into a representative symbol of freedom and power. Instead of Medea appearing as a heartless mother who only cares for her own safety, he represents her a very caring and loving mother who was only forced into this situation and she has no other choice but to murder her children. Thus Euripides turns a story of jealousy and betrayal, to a play which represents very fundamental human emotions.
The tragic play Medea is a struggle between reason and violence. Medea is deliberately portrayed as not a ‘normal woman’, but excessive in her passions. Medea is a torment to herself and to others; that is why Euripides shows her blazing her way through life leaving wreckage behind her. Euripides has presented Medea as a figure previously thought of exclusively as a male- hero. Her balance of character is a combination of the outstanding qualities of Achilles and Odysseus.
Euripides shows his views on female power through Medea. As a writer of the marginalized in society, Medea is the prime example of minorities of the age. She is a single mother, with 2 illegitimate children, in a foreign place. Despite all these disadvantages, Medea is the cleverest character in the story. Medea is a warning to the consequences that follow when society underestimates the
Aristotle, a philosopher, scientist, spiritualist and passionate critic of the arts, spent many years studying human nature and its relevance to the stage. His rules of tragedy in fact made a deep imprint on the writing of tragic works, while he influenced the structure of theatre, with his analysis of human nature. Euripides 'Medea', a Greek tragedy written with partial adherence to the Aristotelian rules, explores the continuation of the ancient Greek tales surrounding the mythology of Medea, Princess of Colchis, and granddaughter of Helios, the sun god, with heartlessness to rival the infamous Circe. While the structure of this play undoubtedly perpetuates many of the Aristotelian rules, there are some dramatic structures which challenge its standing with relevance to Aristotle's guidelines, and the judgment of Medea as a dramatic success within the tragic genre.
In the story of Medea, the author, Euripides, addresses the topics of foreignism and female roles in the ancient Greek society. In the play, Medea, a foreign born woman, marries Jason, a Greek man, and moves to Greece to be with him after leaving her homeland with death and devastation. Then, when their marriage fails, Medea lashes out against Jason, causing her own exile and murdering her children, to which she has no love connection, and Jason’s new wife in the process. The main character, Medea, confirms many of the alleged Greek prejudices against foreigners and creates some prejudices of her own in return. Medea’s foreign roots and misconceptions, as well as her familial and societal atrocities,
In Greek society, the role of women was considered to be insignificant compared to the Greek men. The women had very few rights, no room to voice personal opinions, and a very bleak future with few options for a better life. According to Moses Hades, professor of Greek studies, women in ancient Greek plays are known to be the main characters and take the role of the villain, victim, or the heroine. In Euripides’ play Medea, Medea, the main character, plays all these roles. She represents the heroine by helping her husband secure the Golden Fleece prior to their marriage, and then portrays the victim by being betrayed by her husband, and finally the villain by murdering her loved ones. Therefore, Euripides follows the standard format for a Greek tragedy.
The play in all entirety is a major spectacle but Medea’s burning desire for revenge was what captivated viewers the most. As spectators we watch with fascination and horror how the series of events unfold. The chorus also watches Medea’s cutthroat destruction of her enemies. Some might perceive this as an unsettling spectacle. Nonetheless the genius and cunningness of her action is revered not only b...
As the audience finished the play from the beginning to end, they could see the importance of the role of women. Unlike the protagonist, they were suppressed and didn’t have any authority. Medea’s characteristics were in opposition to the Corinthian women. Medea was the ultimate uncommon woman portrayed in the Greek theater. She was not an ordinary house wife because she killed her children and caused many other dreadful events. In the end, Euripide was showing a side of a woman that was different from the stereotypical role that women during the time was suppose to play.
Medea and Lysistrata are two Greek literatures that depict the power which women are driven to achieve in an aim to defy gender inequality. In The Medea, Medea is battling against her husband Jason whom she hates. On the other hand, in Aristophanes' Lysistrata, the protagonist Lysistrata plotted to convince and organize the female gender to protest against the stubbornness of men. In terms of defining the purpose of these two literatures, it is apparent that Euripedes and Aristophanes created characters that demonstrate resistance against the domination of men in the society.
Euripides created a two-headed character in this classical tragedy. Medea begins her marriage as the ideal loving wife who sacrificed much for her husband's safety. At the peak of the reading, she becomes a murderous villain that demands respect and even some sympathy. By the end, the husband and wife are left devoid of love and purpose as the tragedy closes.
Euripides’ style of work mostly focus on personal issues and dilemmas. He portrayed the flaws of humans and heros in his plays during ancient Greek, thus he was not a very popular writer during his time. As shown in one of his famous work, Medea, centralizes on the characters Medea and Jason and their broken marriage and erratic behaviors. Euripides use his main characters to express his opinion of Greek society during his time. In Medea, he uses Medea and Jason to express his concern of the disfunction of marriage, divorce, and vengeance. He reveals the flaws of Medea and Jason as he develops through the play. Medea and Jason made decisions that hurt each other, their marriage, and other victims. They justified their wrongdoings not because they were saving themselves, because they
Medea’s illegitimate marriage and the betrayal of Jason drive Medea to extreme revenge. Medea chooses to act with her immortal self and commit inhumane acts of murder rather than rationalize the outcomes of her actions. Medea see’s this option as her only resort as she has been banished and has nowhere to go, “stripped of her place”. To create sympathy for Medea, Euripides plays down Medea’s supernatural powers until the end of the play. Throughout the play Medea represents all characteristics found in individual women put together, including; love, passion, betrayal and revenge. Medea’s portrayal of human flaws creates empathetic emotions from the audience. The audience commiserates with Medea’s human flaws as they recognize them in themselves. Medea plays the major role in this play as she demonstrates many behavioral and psychological patterns unlike any of the other Greek women in the play; this draws the audience’s attention to Medea for sympathy and respect.
The Chorus, in this play, guides the audience. In the end, it is up to the individual as to what reaction they have to the play, but the Chorus is there to, in a way makes this reaction more complicated. One could leave the play totally condemning Medea, but the Chorus display’s Medea in a way that makes the audience sympathise with her, and so the moral conclusions that need to be come to side, become more complex. The audience has to base their reaction to Medea on what crimes they have seen her commit, and on what they have heard of her through the Chorus. Their integral part in the play acts in many ways, to follow, revise, and extend the plot of the play, and to influence the opinions and sympathies of the audience. It is a literary, and dramatic device that Euripedes uses, and uses well, to help portray a tragedy, and also a moralistic play, in which the Chorus is the voice that provides the morals.
... takes matters into her own hands and doesn’t wait for a man to handle things for her. Also, her internal conflict that is visible throughout the entire play signify that she actually thinks for herself, and is strong enough to need to make serious decisions on her own, regardless of her gender. All of this goes back on the traditional Greek society, and helps make Medea into a play that is ahead of its time. With Euripides challenging the notion of misogyny, he creates Medea to show how powerful and dangerous a woman can be in a story, even though it was never heard of in the modern eras.
"Finally, the play opens with Medea's Nurse indirectly giving background information to the story about to unfold. It is quickly understood by the audience that Jason, the husband of Medea, for whom she disowned her family and had killed for, has left her for the King of Corinth (Creon's) daughter - a beautiful princess. Medea is outraged by this and is set on seeking revenge on him.
Medea was a very diverse character who possesses several characteristics which were unlike the average woman during her time. As a result of these characteristics she was treated differently by members of the society. Media was a different woman for several reasons; she possessed super natural powers , she was manipulative, vindictive, and she was driven by revenge. The life that Medea lived and the situations she encountered, (one could say) were partly responsible for these characteristics and her actions.