The Role Of Women In The Taming Of The Shrew

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Women today take many of their liberties for granted. Faced with discrimination and abhorrence since the Common Era, women lacked the ability to grow and work to their full potential. Unable to speak, unable to break societal norms, and above all unable to be themselves, women’s practical futures only included housewifery and submission. The Taming of the Shrew by William Shakespeare, is a famous play where a “shrewish”, forward woman is forced to become reserved and submitting by her overpowering husband and societal influences. Katherine, who remains strong for a large part of her life, learns to maneuver her shrewish ways in order to appease her husband, which many women were forced to do during this time. Thus, even the most powerful women, …show more content…

Katherine Minola lived with a fancied sister and a neglecting father. Though Kate yells at her father in public, ties up and beats her little sister Bianca, breaks a musical instrument over the head of a competing suitor, throws tantrums and insults everyone she meets, Katherine’s misbehavior is the only thing protecting her from her inevitable feminine destiny. Katherine’s unhealthy and damaging living environment fed her erratic behavior, thus her shrewishness was simply a response to her mistreatment. When Petruchio approaches Baptista to ask for Katherine’s hand, Petruchio states “Pray have you not a daughter/ called Katherina, fair and virtuous?”, praising Katherine as a suitor should. Baptista oddly responds, “I have a daughter, …show more content…

Katherine has to deal with being unwanted and “ostracized because she dares to speak her mind and defy male characters, while Bianca disguises her defiance.” (Shakespearean Criticism 97. 353). Bianca, who is wanted by nearly every man in the region, is actually more dangerous and defying than Katherine, but because she is less forward, she is viewed as less of a threat. Baptista, who clearly favors Bianca, “see[s] that he is going to be checkmated- that is, to yield up his youngest daughter, [uses] Katherine to reach a stalemate, a deadlock situation in which neither player can win the game.” (Shakespearean Criticism 97.312). What Baptista doesn’t know is that his daughter was betraying his will and sneaking off with Luciento, a man posing as a tutor trying to court her. Yet Baptista remains oblivious to this throughout the play, and continues to seek ways to give up his eldest daughter, fearing that she will forever be a burden on his unrelenting shoulders, and as a result he “insist[s] upon marrying Katherine first . . . by personal wish of Baptista [rather] than by any enviable social rule,” (Shakespeare Criticism. 97.312). Trying to kill two birds with one stone, Baptista’s “rule” assures that not only will his undesirable daughter be relinquished from his care, but also that the inevitable departing of his

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