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Characters in a doll house by henrik ibsen
Betrayal in the doll's house by henrik ibsen
Relationship between the protagonist and his wife in Henrik Ibsen's A Doll's House
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In the modern world divorce is not something that is considered overly strange or obtuse regardless of whether the person to instigate the divorce is the husband or wife. For many people, marriage is both a legal contract between two individuals who decide building their life together but also the divine union of two separate spirits. In A “Doll House” by Henrik Ibsen, the character of Nora leaves her husband of several years in order to pursue her own goals in life and find herself. While many people might still see this as a controversial decision as the woman had children with her husband, others instead point out the ways in which Nora acts as a kind of precursor to the women's rights movement as she decides to make a change for her own …show more content…
Nora this explains to Torvald with the line: “I have been your doll-wife, just as at home I was papa's doll-child; and here the children have been my dolls. I thought it great fun when you played with me, just as they thought it great fun when I played with them” (Ibsen). Nora does not discredit her position as a wife and mother but, instead, points the fact that they are all simply using one another in a kind of game within their family. Just as Nora is treated like a doll, both by her husband Torvald and by her father previously, this quote explains that she treats her children the same way that she had long been treated. She realizes that this is not a healthy relationship and has decided to make a change in her life for her own betterment. While some might argue that she should stay with her husband for her children’s sake, this is the same argument the people have used for women who have been emotionally and physically abused by their husbands for generations. While Nora has not been physically abused, as far as the reader knows, the fact that Torvald has taken no interest in her other than as she has described being used like a doll shows that he does not have her mental and emotional health in mind. As a result, this initial perspective points out that Nora should leave for her own mental state and for the benefit …show more content…
For Nora, the goal was not to simply escape her life but instead to make a life for herself that she could be proud of and live with happily. Torvald did not treat her with the respect that a husband should treat a wife by modern standards and while this might have been considered a controversial decision for the period in which it was written, by modern standards it can easily be shown as the logical way to end the
...rriage. We are finally able to see who Nora is and why she acts the way she does. When Torvald found out about Noras secret he became infuriated. He called her a liar and said that he should have seen something like this coming due to how she was raised. At is at this very moment that Nora realizes that she isn’t happy and that for the first time ever she is seeing the true Torvald. Before, they had been merely coexisting and were just going through the motions of husband and wife. It was there that she realized she didn’t love him and he didn’t love her.
In “A Doll’s House”, when Torvald learns of her secret affairs concerning Nora forging her father’s signature to get a loan to save Torvald’s life, he began to treat her horribly, insulting her in every way that is possible. In that moment, Nora realized that she could no longer live a life as Torvald’s wife anymore. He wanted to live a life in which no one in the society would know what had happened. They would act like they were a happily married couple in public, but in private they would act as though they were brother and sisters. Torvald cared about his image rather than
Patriarchy's socialization of women into servicing creatures is the major accusation in Nora's painful account to Torvald of how first her father, and then he, used her for their amusement. . . how she had no right to think for herself, only the duty to accept their opinions. Excluded from meaning anything, Nora has never been subject, only object. (Templeton 142).
Throughout the play, an important cause of Nora’s change of thought was characterization. One example are the social roles of her time. How each character would like to be perceived and the image that society gives them, is one of the strongest forms of characterization. Torvald was the controlling husband and Nora was supposed to be the obedient wife. Nora did not enjoy these roles, which contributed to her change. In the play Torvald says “Of course, you will continue to live here. But the children cannot be left in your care. I dare not trust them to you” (Ibsen 40). Torvald was so obsessed with these social images, that he was willing to fake a relationship just so his image would not be ruined. This would anger Nora to the point of separation, as she did not want to put in the same amount of effort to please others and society.
...be good for herself and she would have less stress from all the things that he does to her, and wouldn’t have to deal with the way that he treats her. When the Nora and Torvald are married their incapable of realizing who they are as individuals.
Nora was wife of Helmer and a mother of 3 children. They lived in a house where their nurse Anne-Marie took care of the children and Helene which was their maid took care of the house work. Nora was a stay at home mother and would occasionally take on little jobs in order to make ends meet. Nora has lived her whole life as a puppet. Her life has always been controlled by someone else; first by her father and then by her husband Helmer. “Her whole life is a construct of societal norms and the expectations of others” (Wiseman). “Nora’s father would force his beliefs on her and she would comply with them lest she upset him; she would bury her personal belief under Papa’s. According to Nora, Torvald was guilty of the same things” (Wiseman). Nora has always lived her life according to the beliefs of someone else. She didn 't know how to live life any other way because this is how she was raised. She felts trapped in the life she lived because she knew no other way of living besides her current lifestyle. Due to Nora being controlled her whole life she seemed childish and lacked knowledge of the world outside her house. At the end of the story Helmer decides to show his true colors once his future was threatened. This made Nora realize that she does not love her husband nor does he love her, and decides that is not the life she wants to live. “Helmer: You talk like a child. You don 't know anything of the world you live
Nora Helmer was a delicate character and she relied on Torvald for her identity. This dependence that she had kept her from having her own personality. Yet when it is discovered that Nora only plays the part of the good typical housewife who stays at home to please her husband, it is then understandable that she is living not for herself but to please others. From early childhood Nora has always held the opinions of either her father or Torvald, hoping to please them. This mentality makes her act infantile, showing that she has no ambitions of her own. Because she had been pampered all of her life, first by her father and now by Torvald, Nora would only have to make a cute animal sound to get what she wanted from Torvald, “If your little squirrel were to ask you for something very, very, prettily” (Ibsen 34) she said.
In Henrik Ibsen's "A Doll's House", the subject most important to the story is marriage. "Until death do us part" well, not always. Everywhere one looks, divorce is plaguing society. The treasured marriage vows have become nothing but a promise made to be broken. A Doll's House is a prime example of a relationship that didn't work. To keep a marriage alive and well it must hold onto certain qualities: love, communication, trust and loyalty. With these qualities, any marriage is bound to work.
After asking his wife if she understands what she has done Nora answers “[Looking squarely at him, her face hardening] Yes. I am beginning to understand everything” (835). This statement might be the key phrase of Nora’s realization. The double- meaning implies Nora’s understanding of the actual situation as well as her awareness that her marriage, even though it conforms with social expectations, is far from perfect. She now doubts the depth of her love for Torvald and becomes calm with comprehension as she begins to recognize the truth about her marriage. While she expects compassion for her sacrifice, she is none given. Instead of sacrificing anything to help Nora out of her predicament, Torvald is only worried about himself and appearances. It becomes very clear, after the second letter from Krogstad arrives, that her well-being always comes second “I’m saved. Nora, I’m saved! You too, of course” (836). Throughout the conversation with Torvald, Nora finally realizes, she needs to rearrange her life and priorities to be happy. This implies independence and self-awareness. While Nora finally understands the situation, she is in and what she needs to do but Torvald defines her new attitudes as madness “You’re ill, Nora; you’re feverish; I almost think you’re out of your mind” (840). “However, the characterization has been tied to the fact that she is breaking taboos or challenging conventions” (Langås 160). Torvald is still stuck in his fantasy world of how a wife should talk and act per his standard and the society he stands for. “Nora still has no way of knowing that she is not endangering her children with her presence and in the end, she feels impelled to leave, and her decision is less an act of defiance against her husband and society than an attempt to save the lives of her children” (Brooks
Nora had to leave or she would never flourish and be liberated as an independent woman. This is found toward the end of the play. When Torvald forgives his upset wife for forging her ...
Nora’s behavior towards Torvald in expecting him to fall on the grenade that Nora created was in fact unreasonable. Also, at the end of the scene when Nora decided to abandon Torvald and her children was also unreasonable. Ultimately, Nora was unreasonably hard on Torvald and showed no consideration towards her children’s need of their
She was oppressed her entire life, first by her father and then by her husband, as Nora describes “I’ve been wronged greatly, Torvald—first by Papa, and then by you” (Ibsen 1294). Nora had existed for her husband, she had always assumed that he would come to her rescue if she was ever in trouble, and now she was proven wrong. She had been waiting for childlike miracles to happen “when the miraculous thing didn’t come—then I knew you weren’t the man I’d imagined” (Ibsen 1296). Nora feared that Krogstad would expose everything and that their family would come undone and she was right. Contrary to her expectation, Torvald behaved like a hypocrite, who was concerned more with societies idea of morality and a notion of social prestige, then with his wife 's well-being and care. Torvald exposed where his true loyalties lie, with himself. Nora realized with complete clarity that her husband didn 't see her as an individual, as she explicated “But you neither think nor talk like the man I could join myself to. When your big fright was over—and it wasn’t from any threat against me, only for what might damage you—when all the danger was past, for you it was just as if nothing had happened” (Ibsen 1297). She realized that to become an independent individual, she had to dissolve her bonds with Torvald and the children by abandoning
...dlike mentality and needs to grow before she can raise her own children. Her defiance of Torvald, when he refuses to let her leave, reflects her epiphany that she isn't obligated to let Torvald dictate her actions. The height of Nora's realization comes when she tells Torvald that her duty to herself is as strong as her duty as a wife and mother. She now sees that she is a human being before she is a wife and mother and she owes herself to explore her personality, ambitions, and beliefs.
Societal problems prevail throughout the history of the world and exist within all countries, regions, and cultures. The controversial aspects in societies are based on a large variety of subjects, and have to be identified in order to cause societal change. Therefore, Realism is the portrayal of difficulties in societies that are depicted in everyday life, which includes common situations and actions. Realism allows authors to describe and emphasize the incompetence of some aspects within communities, while enabling writers to call for societal reform. Henrik Ibsen portrays and addresses the concepts of Norway’s society in the 19th century in A Doll House, which is a tragic play translated by Rolf Fjelde. Ibsen desires to challenge assumptions as well as rules of Norwegian life, and most importantly wants to depict society accurately, as he meticulously incorporates everyday life. Therefore, A Doll House represents a Realistic drama due to the issues involving women, illnesses, and laws within the play, while conveying Ibsen’s desire of controversy and change in Norway’s society.
sure the children don’t see it till it’s decorated this evening”(Ibsen 892). There is also a