The Role Of Individualism In The Great Gatsby

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The interlude functions as a critical link from Amory’s nineteenth century base to the postwar America in which he embarks. World War I shifts the whole notion of the book, delineating the war’s impact on the world. The time of order, as Monsignor Darcy admits, is fragmented, and no one is the person he or she used to be. As graduation and time pass away, the whole youth leaves. As for the war itself, “it certainly ruined the old backgrounds, sort of killed individualism out of our generation” (Fitzgerald, 194). This marks the transitional phase from the “Big Man” to a young adult, developing his personage.
After this illusory “time of order” fragments in World War I, Amory returns to the real world dilemma, in which he enters “the education …show more content…

Society serves as a model; Amory desires a job and marriage in order to make his way in with the rest of the society. He extends his education while in love with Rosalind Connage and Eleanor Savage; more importantly, it functions as a structural device, to parallel Isabelle and Clara Page. “Rosalind had drawn out what was more than passionate admiration; he had a deep, undying affection for Rosalind” (Fitzgerald, 191). His “deep, undying affection” for Rosalind leads to thoughts of settling down, finding a job, getting married, and starting a family. After the loss of Rosalind and of the aims she symbolizes, he turns to his inward being and grapples with the question of a new direction. He grasps that this becomes a matter of casting aside his remaining illusions and poses, of which his new relationship with Eleanor Savage dramatizes. This imaginative and intellectual love with Eleanor consists of different poses they play before each other. In the end, their “half-sensual, half-neurotic” relationship leads to “Amory’s appalled rejection of Eleanor’s materialism and to her near suicide” (Burhans, 613). What is more, they “hated each other with a bitter sadness; however as Amory had loved himself in Eleanor, now what he hated is only a reflection. Their poses are strewn about the pale dawn like broken glass” (Fitzgerald, 218). Hence, Amory embarks

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