The Thirteenth Amendment to the United States Constitution officially prohibited slavery and all its forms on the 6th December 1865. The United States will soon mark 150 years since the abolishment of its “peculiar institution”, and yet, historians are still struggling to establish a collective version of the events that led to its development and continued significance throughout the 18th and 19th centuries . As a result of this, the study of slavery has produced one of the richest and most varied historiographies in all of American history. Walter Rucker’s The River Flows On: Black Resistance, Culture, and Identity Formation in Early America’s unique contribution to this existing literature, in my opinion, means it should be widely read by scholars and students alike. The River Flows On: Black Resistance, Culture and Identity Formation in Early America is a fascinating consideration of African culture and its effect on the history of slave resistance in North America. Walter Rucker seeks to establish that the effect was extensive; furthermore, he claims it to have been essential in the creation of a communal consciousness among enslaved peoples. One of his main objectives appears to be to impress upon his reader the important advancements that could continue to be made if greater significance was placed on slaves’ African roots. In doing so, he claims, one could “better grasp the convoluted complexities of slave life” . Not unlike the work of Michael Gomez, in which Rucker places great significance, The River Flows On rejects an “Americanist” approach to the study of slave culture in favour of one that embraces a unique African-American identity . Of those historians who take an “African-Americanist” position on the subject, R... ... middle of paper ... ...netheless it is still an advancement and one that historians should take note of for the future. Works Cited Allison, R. J., review of M. A. Gomez, Exchanging Our Country Marks: The Transformation of African Identity in the Colonial and Antebellum South, 1526-1830. Chapel Hill: University of North Carolina Press, 1998. In Journal of Interdisciplinary History, 30:3 (1999), pp. 475-481. Creel, M. W., review of S. Stuckey, Slave Culture: Nationalist Theory and the Foundations of Black America. New York: Oxford University Press, 1987. In Journal of American History, 75:4 (1989), pp. 1281-1283. Rucker, W. C., The River Flows On: Black Resistance, Culture, and Identity Formation in Early America. Baton Rouge: Louisiana State University Press, 2006. Stampp, K. M., The Peculiar Institution: Slavery in the Ante-Bellum South, 2nd ed. New York: Alfred. A. Knopf, 1961.
When reading about the institution of slavery in the United States, it is easy to focus on life for the slaves on the plantations—the places where the millions of people purchased to serve as slaves in the United States lived, made families, and eventually died. Most of the information we seek is about what daily life was like for these people, and what went “wrong” in our country’s collective psyche that allowed us to normalize the practice of keeping human beings as property, no more or less valuable than the machines in the factories which bolstered industrialized economies at the time. Many of us want to find information that assuages our own personal feelings of discomfort or even guilt over the practice which kept Southern life moving
The origin tale of the African American population in the American soil reveals a narrative of a diasporic faction that endeavored brutal sufferings to attain fundamental human rights. Captured and forcefully transported in unbearable conditions over the Atlantic Ocean to the New World, a staggering number of Africans were destined to barbaric slavery as a result of the increasing demand of labor in Brazil and the Caribbean. African slaves endured abominable conditions, merged various cultures to construct a blended society that pillared them through the physical and psychological hardships, and hungered for their freedom and recognition.
There are many contradictions pertaining to slavery, which lasted for approximately 245 years. In Woody Holton’s “Black Americans in the Revolutionary Era”, Holton points out the multiple instances where one would find discrepancies that lie in the interests of slaveowners, noble figures, and slaves that lived throughout the United States. Holton exemplifies this hostility in forms of documents that further specify and support his claim.
Breen and Innes' Myne Owne Ground is a book that seeks to address period in US history, according to the authors, an unusually level of freedom was achieved by formally bonded black Americans. As such, the book aims to bear witness to have faith in period of historical possibility, while locating this period, and its decline, firmly within the overall narrative of slavery. The authors claim that in order to do this, it is necessary to consider the lives of their subjects according to the understanding of freedom denoted by the period in question. Given this, any review of the book should focus on how it is able to provide a convincing description of what the authors term genuinely “multi-racial society,” together with the manner in which this
This story was set in the deep south were ownership of African Americans was no different than owning a mule. Demonstrates of how the Thirteenth Amendment was intended to free slaves and describes the abolitionist’s efforts. The freedom of African Americans was less a humanitarian act than an economic one. There was a battle between the North and South freed slaves from bondage but at a certain cost. While a few good men prophesied the African Americans were created equal by God’s hands, the movement to free African Americans gained momentum spirited by economic and technological innovations such as the export, import, railroad, finance, and the North’s desire for more caucasian immigrants to join America’s workforce to improve our evolving nation. The inspiration for world power that freed slaves and gave them initial victory of a vote with passage of the Fifteenth Amendment. A huge part of this story follows the evolution of the passage of the Fourteenth Amendment more acts for civil rights.
C. Peter Riply at el.: African American Voices on Race, Slavery, and Emnancipation. The University of North Carolina Press, Chapel Hill & London, 1993, pp15-37.
In fact, it is clear to the reader that Huggins makes a concerted effort to bring light to both ethnicities’ perspectives. Huggins even argues that their culture is one and the same, “such a seamless web that it is impossible to calibrate the Negro within it or to ravel him from it” (Huggins, 309). Huggins argument is really brought to life through his use of historical evidence found in influential poetry from the time period. When analyzing why African Americans were having an identity crisis he looked to a common place that African American looked to. Africa was a common identifier among the black community for obvious reasons and was where Authors and Artists looked for inspiration. African American artists adopted the simple black silhouette and angular art found in original African pieces. Authors looked to Africa in their poetry. In The Negro Speaks of Rivers by Langston Hughes, the names of rivers in Africa such as the Euphrates, the Congo and the Nile were all used and then the scene switches to the Mississippi river found in America showing that blacks have “seen”, or experienced both. Huggins looks deeply into Countee Cullen’s Heritage discussing “what is Africa to me?” a common identifier that united black artistry in the Harlem Renaissance, “Africa? A book one thumbs listlessly, till slumber comes” (Countee). The black community craved to be a separate society from white Americans so they were forced to go back to the past to find their heritage, before America and white oppression. Huggins finds an amazing variety of evidence within literature of this time period, exposing the raw feelings and emotion behind this intellectual movement. The connections he makes within these pieces of poetry are accurate and strong, supporting his initial thesis
“The history of the American Negro is the history of this strife, – this longing to attain self-consciousness, manhood, to merge his double self into a better and truer self. In this merging he wishes neither of the older selves to be lost. He would not Africanize America, for America has too much to teach the world and Africa. He would not bleach his Negro soul in a flood of white Americanism, for he knows that Negro blood has a message f...
Harris, Leslie M. “In The Shadow of Slavery: African Americans in New York City, 1626-1863. New York: University of Chicago Press, 2003. http://www.press.uchicago.edu/Misc/Chicago/317749.html
Northup, Solomon, Sue L. Eakin, and Joseph Logsdon. Twelve years a slave. Baton Rouge: Louisiana State University Press, 1968. Print.
The American Revolution was a “light at the end of the tunnel” for slaves, or at least some. African Americans played a huge part in the war for both sides. Lord Dunmore, a governor of Virginia, promised freedom to any slave that enlisted into the British army. Colonists’ previously denied enlistment to African American’s because of the response of the South, but hesitantly changed their minds in fear of slaves rebelling against them. The north had become to despise slavery and wanted it gone. On the contrary, the booming cash crops of the south were making huge profits for landowners, making slavery widely popular. After the war, slaves began to petition the government for their freedom using the ideas of the Declaration of Independence,” including the idea of natural rights and the notion that government rested on the consent of the governed.” (Keene 122). The north began to fr...
The San Domingo revolution led to the abolition of slavery, independence of Haiti from France and the proclamation of a black republic. However, unlike many historians, CLR James in his work, The Black Jacobins, does not depict the struggle for independence as merely a slave revolt which happened to come after the French Revolution. He goes beyond providing only a recount of historical events and offers an intimate look at those who primarily precipitated the fall of French rule, namely the black slaves themselves. In doing so, James offers a perspective of black history which empowers the black people, for they are shown to actually have done something, and not merely be the subject of actions and attitudes of others.
When one thinks of slavery, they may consider chains holding captives, beaten into submission, and forced to work indefinitely for no money. The other thing that often comes to mind? Stereotypical African slaves, shipped to America in the seventeenth century. The kind of slavery that was outlawed by the 18th amendment, nearly a century and a half ago. As author of Modern Slavery: The Secret World of 27 Million People, Kevin Bales, states, the stereotypes surrounding slavery often confuse and blur the reality of slavery. Although slavery surely consists of physical chains, beatings, and forced labor, there is much more depth to the issue, making slavery much more complex today than ever before.
Writing around the same time period as Phillips, though from the obverse vantage, was Richard Wright. Wright’s essay, “The Inheritors of Slavery,” was not presented at the American Historical Society’s annual meeting. His piece is not festooned with foot-notes or carefully sourced. It was written only about a decade after Phillips’s, and meant to be published as a complement to a series of Farm Credit Administration photographs of black Americans. Wright was not an academic writing for an audience of his peers; he was a novelist acceding to a request from a publisher. His essay is naturally of a more literary bent than Phillips’s, and, because he was a black man writing ...
Knowles, H. J. (2007). The Constitution and Slavery: A Special Relationship. Slavery & Abolition, 28(3), 309-328. doi:10.1080/01440390701685514