“The Rain God” shows a personal look into the Mexican American experience. The life and death of the Angel family is explored during a time of great struggle, regardless of who you were. Masculinity, religion, education, and assimilation prove to be important aspects of the lives that this fiction family and similar real families in the time period. In these ways the Mexican American experience is uniquely its own. The idea of masculinity is seen especially through Miguel Grande, Miguel Chico’s father. He is described as a big, dominant, hardworking policeman, and family patriarch. As a father, he wanted his son to grow up and be rough and tough, not shedding a tear in front of anyone. “He felt like crying and running away, but his father …show more content…
As the first and only one in his family to achieve, a college education and move away from home, he is seen as not only smart, but suspicious. Mama Chona told her grandchildren time and time again that they were to be educated. Their family was greater than those who stayed uneducated. “Because of them Miguel Chico and his cousins learned to communicate in both languages fluently, a privilege denied the next generation, who began learning to red and write after Tia Cuca was dead and Mama Chona near senile” (Islas, p. 142). Mama Chona acts as the matriarch of the Angel family. She has set the stage for how they are supposed to behave, regardless of whether they do or not. In a way, she has not completely assimilated herself, rather she believes herself and her family to be above lower class Mexicans. Mama Chona and Tia Cuca regard themselves as Castilian Spanish, speaking “proper” Spanish and being educated. They keep their skin light by using umbrellas and gloves outside as to forget about their Indian blood. “The snobbery Mama Chona and Tia Cuca displayed in every way possible against the Indian and in favor of the Spanish in the Angel’s blood was a constant puzzlement to most of the grandchildren” (Islas, p.
The Europeans who claimed what was to become America chose to integrate the land's present inhabitants and future immigrants in order to become the dominating race and, consequently, made other cultures feel inferior to their own. The Angel family, Mexican-Indian immigrants and the subject of Arturo Islas' Migrant Souls, becomes victim to the Americans' forceful demands for conformity. While Sancho, the father, never complains about assimilation, yet never becomes fully "assimilated," his wife, Eduviges, strives to be a part of the American culture. These conflicting reactions and the existing prejudice in the community leave their daughter, Josie, uncertain of her true identity.
In the essay of Mr.Gary Soto, we learn about his experiences about falling in love with someone of a different race. Ever since he was young, he would be lectured that marrying a Mexican women would be the best option for his life. Gary’s grandmother would always proclaim: “... the virtues of marrying a Mexican girl: first, she could cook,second, she acted like a woman, not a man, in her husband’s home” (pp.219). Being conditioned into the notion that all Mexican woman have been trained to be proper women, Mr. Soto set out on finding his brown eyed girl; however, what love had quite a different plan. This paper will cover three different themes Gary’s essay: The tone, the mindset of the character’s mindsets, and the overall message of the
Rain of Gold, is a true story about the history of Mexican people, their culture, traditions and customs that were passed down from the Euro-Indian heritage of Mexico. Rain of Gold was written by Juan Villasenor in search for his ancestral roots. The people of this story are real and not fiction. The places that are discussed are true. And the incidents did actually happen to his family. There are several underlying themes that need addressing. Such as: the importance of family, the importance of religion and spiritualism, woman as center of home and family, respect--protection of woman's virtue; ideal of women as pure, power of the woman--the mother, being a man-man as protector of the family, pride of man to be a provider, importance of traditions, respect for life, work and education/learning, death as part of life, honor, dignity, and finally discrimination and prejudice. I will be using this book as a reference and as a guide throughout this review to discuss the themes that are stated above.
This novel is a story of a Chicano family. Sofi, her husband Domingo together with their four daughters – Esperanza, Fe, Caridad, and Loca live in the little town of Tome, New Mexico. The story focuses on the struggles of Sofi, the death of her daughters and the problems of their town. Sofi endures all the hardships and problems that come her way. Her marriage is deteriorating; her daughters are dying one by one. But, she endures it all and comes out stronger and more enlightened than ever. Sofi is a woman that never gives up no matter how poorly life treats her. The author- Ana Castillo mixes religion, super natural occurrences, sex, laughter and heartbreak in this novel. The novel is tragic, with no happy ending but at the same time funny and inspiring. It is full of the victory of the human spirit. The names of Sofi’s first three daughters denote the three major Christian ideals (Hope, Faith and Charity).
The emotional letter that Juan left for his mother might be one of the most emotional scenes in the documentary. The pure emotions that the letter was written by Juan to her mother leaves the audience with the bonds and emotions felt between the kids and families. Juan Carlos’s father abandoned the family years ago and left to New York, consequently Juan believe it is his responsibility to provide for his family. He also wants to find his father in New York and confronts him about why he has forgotten about them. The story of Juan is not just about migration of children, but also the issue of family separation. The documentary does not dehumanize but rather bring the humane and sensitive lens to the story of Juan where the human drama that these young immigrants and their families live. Juan Carlos is not the first of Esmeralda’s sons to leave for the United states, his nine-year-old brother Francisco was smuggled into California one month earlier. Francisco now lives with Gloria, his grandmother, who paid a smuggler $3,500 to bring him to Los Angeles, California. Once Juan Carlos is in the shelter for child migrants his mother eagerly awaits him outside. After she sees him she signs a paper that says if Juan Carlos tries to travel again, he will be sent to a foster home.
The corrido has been identified as having distinctive characteristics that make up its theme and plot. First, the corrido has a “context of hostile relations between Anglos and Mexicans along the border and the establishment of a scenic structure, geographical locale, and opposing social forces” (Mendoza 146). The corrido’s hero “is a hard-working, peace-loving Mexican, who, when goaded by Anglos, outrages into violence, causing him to defend his rights and those of others of his community against the rinches, the Rangers” (Saldívar). This hero “is quickly introduced in legendary proportions and defiant stature” and many people must die before the hero reaches his triumphant, but tragic, demise (Mendoza 146). The Anglos in the corrido, meanwhile, are not one-dimensional villains but “complex figures who contain positive as well as negative qualities” (Mendoza 146). These distinctive traits of a corrido – setting, conflict, and characterization, among others – ...
Nevertheless, Cisneros’s experience with two cultures has given her a chance to see how Latino women are treated and perceived. Therefore, she uses her writing to give women a voice and to speak out against the unfairness. As a result, Cisneros’ story “Woman Hollering Creek” demonstrates a distinction between the life women dream of and the life they often have in reality.
The role of strong female roles in literature is both frightening to some and enlightening to others. Although times have changed, Sandra Cisneros’ stories about Mexican-American women provide a cultural division within itself that reflects in a recent time. The cultural themes in Cisneros’s stories highlight the struggle of women who identify with Mexican-American heritage and the struggle in terms of living up to Mexican culture – as a separate ethnic body. The women in Sandra Cisneros’ stories are struggling with living up to identities assigned to them, while trying to create their own as women without an ethnic landscape. In Sandra Cisneros’ stories “Woman Hollering Creek: and “Never Marry a Mexican” the role of female identities that are conflicted are highlighted, in that they have to straddle two worlds at once as Mexican-American women.
Above all else the ten Latino boys Richard Mora observes over this time, have a want for control. Mostly control of their social identity; however, due to various social inequalities and differences that come attached to being working or poor class Latino children in urban areas, the boys are forced to overcompensate and exaggerate the one favorable aspect and privilege they have: Male privilege. The socialization of this happens early on and in certain cases has to if the boys even expect to survive contently in their social environment or even get half of the recognition their white male peers receive.
Family is one of the most important institutions in society. Family influences different aspects of a person’s life, such as their religion, values, morals and behavior. Unfortunately, problems may arise when an individual’s belief system or behavior does not coincide with that of family standards. Consequently, individuals may be forced to repress their emotions or avoid acting in ways that that are not acceptable to the family. In the novel The Rain God, written by Arturo Islas, we are presented with a story about a matriarchal family that deals with various conflicts. One major internal conflict is repression. Throughout the novel the characters act in strange ways and many of the family members have internal “monsters” that represent the past that they are repressing. In his article, “The Historical Imagination in Arturo Islas’s The Rain God and Migrant Souls”, Antonio C. Marquez’s implicitly asserts a true idea that The Rain God is a story about repression. Marquez’s idea can be supported from an analysis of secondary sources and a reading of the primary text.
The themes explored in the novel illustrate a life of a peasant in Mexico during the post-revolution, important themes in the story are: lack of a father’s role model, death and revenge. Additionally, the author Juan Rulfo became an orphan after he lost
The novel River God by Wilbur Smith is set in Ancient Egypt, during a time when the kingdoms were beginning to collapse and the Upper and Lower Egypt were separated between two rulers. The story is in the view-point of Taita, a highly multi-talented eunuch slave. At the beginning of the story, Taita belongs to Lord Intef and helps manage his estate along with caring for his beautiful daughter, Lostris. She is in love with Tanus, a fine solider and also Taita’s friend. Unfortunately, Lord Intef despises Tanus’s father, Lord Harrab, and Intef was actually the one who the cause of the fall of Harrab’s estate, unknowingly to Lostris and Tanus. Taita’s goal is to bring back Egypt to its former glory, but with so many bandits and invaders it would be a difficult task.
“As long as Latino kills Latino… we’ll always be little people,” stated Ernesto Quinonez. This statement comments on the integration of society within an individual’s identity and it’s long lasting effects. The perception of who we are behind closed doors and who we are in public greatly influences our state of mind and our internal well-being. Throughout Quinonez’s Bodega Dreams, the reader can clearly see how one’s traditional culture and perception of private vs. public image is valued amongst the characters. At times, the reader may notice an internal struggle within multiple characters. The thought of going against what may be considered “normal” can be quite nerve-racking for
Junot Diaz is a Dominican-American writer whose collection of short stories Drown tells the story of immigrant families in the urban community of New Jersey. His short story “Fiesta, 1980” focuses on Yunior, an adolescent boy from Dominican Republic and his relationship with his father. On the other hand, Piri Thomas was a great Latino writer from Puerto-Rico whose memoir Down These Mean Streets tells his life story as an adolescent residing in Harlem and the challenges he faces outside in the neighborhood and at home with his father. Both Diaz and Thomas in different ways explore the dynamics of father-son relationships in their work. Furthermore, both expose masculinity as a social construct.
Sandra Cisneros’s “Never Marry a Mexican” introduces readers to Clemencia. Cisneros eludes Clemencia as a woman who appears proud of her Mexican heritage, yet knows not how the slanderous phrase “Never marry a Mexican” uttered from her well-meaning mother’s trusty lips about Clemencia’s own Mexican father negatively foreshadows her seedy life and gloomy world perspective later down her destructive journey of adulthood.