The Purpose Of Underground Culture

1255 Words3 Pages

Consider a world where indie digital film producers, 3D printing artists, and anonymous hacktivists combined their efforts to bring to the world ideas that are even more creative, more esoteric, and more revolutionary. While the mainstream often views underground culture as one unified force, commentators of indie, hacker, and makers cultures disagree on the purpose of underground culture. Indie traditionalists argue that indie artists seek to express themselves through original and independent art. Hacker separatists argue that hackers aim to force positive change in the mainstream through resistance and protest. Maker evolutionists claim that the maker community is characterized by its goal to evolve the mainstream with its creativity and …show more content…

In Gabriella Coleman’s article, “Hacker Politics and Publics,” she describes a theoretical example of hacktivism: “If the copyright industries use digital rights management (DRM) to control their digital content, then the response of hackers is not just to crack DRM but to initiate a robust protest movement to insist on their right to do so” (Coleman 515). Through this example, Coleman communicates that hacker culture aims to defend individual rights, like the right to redistribute content they bought. As Coleman explains earlier in the essay, hackers achieve this goal by exercising the power of the individual in protesting the shortcomings of the mainstream through the act of hacking. In stark contrast with the indie artists that indie traditionalists describe, hackers, as viewed by Coleman, communicate their agenda not through art but through technological dissonance and digital …show more content…

In the first chapter of Matt Mason’s book, The Pirate’s Dilemma, he outlines what he thinks is the mantra of the revolutionary DIY makers which he calls “Punk Capitalists”: “Do it (for) yourself, resist authority, combine altruism with self-interest” (Mason 31). Mason claims in his explanation of these three points that punk capitalists should leverage their creativity and independence to make a “path to a brighter future” (Mason 31). This emphasis on making the world a better place is reiterated by Mark Hatch in his book The Maker Movement Manifesto. In the first two pages, Hatch summarizes nine major points as his abbreviated “manifesto”: “make,” “share,” “give,” “learn,” “tool up,” “play,” participate,” “support,” and “change” (Hatch 1-2). Through these points, Hatch implies that the maker movement is as much about the maker as it is about non-makers. The points “share,” “give,” “participate,” and “support” all involve the maker community improving the world around them through their knowledge of making. Hatch’s other points delineate the act of making a means of creating for others. Through their abstract analyses of the maker movement, Mason and Hatch both argue that the goal of the maker community is to evolve the mainstream into something better by leveraging their creativity and knowledge of

More about The Purpose Of Underground Culture

Open Document