Throughout the eons, man, known as the most inquisitive of creatures, had always sought the meaning of life. The answer had varied; to an altruistic person, man was made to serve the common good wheras to a Douglas Adams fan, the answer was merely 42. Philosophers dedicated their lives for the meaning of life and the reason for our existence here on Earth. Unlike other philosophers such as John Locke and Ayn Rand, famed writer Albert Camus believed that life had no meaning. According to Camus, life was, simply stated, absurd. Camus asserted three main tenets of his philosophy, coined Absurdism. Camus believed that this is the only world humans would ever know and this world is indifferent and aloof to our existence. Furthermore, he believed that the reason for existence lied within each individual. Nevertheless, Camus thought than individual did not stay a cold and aloof being, as might be expected, but rather was always in a state of incomplete development towards becoming more free and autonomous. As a writer, Albert Camus exemplified the Absurdist notion of an independent,fluxatiing individual in an indifferent world in his acclaimed book The Stranger. In the novel The Stranger, Albert Camus exemplifies the three main tenets of Absurdism through the actions, deeds and thoughts of the main character Meursault as he changes from a rigidly aloof man to one who is in love with the very idea of life
The Absurdist notion that an individual needs no external value to survive is portrayed by Meursault’s lack of remorse shown toward his crime and lack of compassion shown toward Marie. Rather, he is an end to himself, his life being justified by his sole existence. Meursault does not view prison as a punishment for killing the Arab; ins...
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...rent and apathetic man to a human who has accepted his fate and role in the world. During this momentous transformation, Camus clearly brings his Absurdist philosophy to light. In this way, The Stranger could be seen as a tragedy. A man whom society fails to understand is condemned and is treated like an outcast because of his character. But it can also be viewed as a happy story instead. A man finally accepts the world as what it is, is content with what society views him as and is happy to have lived his life no matter what had happened in it. In any case, The Stranger by Albert Camus is a brilliant work of art that should be enjoyed as a hearty philosophical tome about man and his self-realization.
Works Cited
Camus, Albert. The Myth of Sisyphus: And Other Essays. New York: Random House, 1983.
Camus, Albert. The Stranger. New York: Random House, 1988.
Albert Camus is a skillful writer noted for showing aspects of culture and society through the depiction of his characters. In The Stranger, Camus illustrates the existentialism culture and how that comes into play in the life of the protagonist Meursault. The Stranger, as suggested by the title, is a novel revolving around the protagonist, Meursault, who is a stranger to the French-Algerian society as he challenges its values. Camus vividly portrays Meursault’s journey through the use of imagery, irony, and symbolism. In The Stranger, Albert Camus uses the minor character, Raymond Sintes, to illustrate the contrasting nature of Meursault and how his friendship with Raymond leads to his downfall.
The Stranger by Albert Camus is a story of a sequence of events in one man's life that cause him to question the nature of the universe and his position in it. The book is written in two parts and each part seems to reflect in large degree the actions occurring in the other. There are curious parallels throughout the two parts that seem to indicate the emotional state of Meursault, the protagonist, and his view of the world.
Albert Camus’ The Stranger offers one man’s incite into the justice of society. Monsieur Meursault, the main protagonist in the novel, believes that morals and the concept of right and wrong possess no importance. This idea influences him to act distinctively in situations that require emotion and just decision, including feeling sadness over his mother’s death, the abuse of a woman, and his killing of an innocent man. In these situations Meursault apathetically devoids himself of all emotion and abstains from dealing with the reality in front of him. When confronted by the court over his murder, he reiterates his habitual motto on life that nothing matters anyways, so why care? His uncaring response inflames the people working within the
...able option. Camus’s main character, Meursault, embodies this third option; by accepting his circumstances and being indifferent to them, Meursault is able to break free of all possible causes of anxiety and find happiness. Furthermore, Meursault’s rejection of religion as belief, his acceptance of the “benign indifference of the universe”, and his acceptance of his circumstances all leading to happiness personifies Camus’s take on Absurdism, the philosophy that Camus is trying to depict in The Stranger (76). By using foil characters to contrast Meursault in actions or personality, Camus creates several polarizing situations, making Meursault the extreme epitome of Absurdism in every contrasting relationship and thus, shining light on his ideology in the process.
I, Albert Camus, am a famous French author who wrote The Stranger in 1942. I was born in Algeria, and my experiences there have deeply influenced my thoughts, my work, and my philosophies. The Stranger strongly represents my philosophy of the absurd and existentialism. When I was twenty-five, I moved to France and joined the resistance movement during World War II. After the liberation from Nazi Germany, I became a political journalist and a columnist for Combat, a French newspaper.
Diction shows the difference in Meursault’s views and beliefs as he spends more and more time in prison, adapts to his new lifestyle, and understands the future of his life. Camus diction displays Meursault’s change toward growth in self-reflection, realization of the purposelessness of his life, and unimportance of time.
In Albert Camus’ novel, The Stranger, the protagonist Meursault is a character who has definite values and opinions concerning the society in which he lives. His self-inflicted alienation from society and all its habits and customs is clear throughout the book. The novel itself is an exercise in absurdity that challenges the reader to face the nagging questions concerning the meaning of human existence. Meursault is an existentialist character who views his life in an unemotional and noncommittal manner, which enhances his obvious opinion that in the end life is utterly meaningless.
The Stranger written by Albert Camus is an absurdist novel revolving around the protagonist, Meursault. A major motif in the novel is violence. There are various places where violence takes place and they lead to the major violent act, which relates directly to the theme of the book. The major violent act of killing an Arab committed by Meursault leads to the complete metamorphosis of his character and he realizes the absurdity of life.
Absurdism, The Stranger, and life “Absurdism” (coined by Albert Camus) is a philosophy based upon the concept that the life and the world are meaningless, irrational, without sense or reason. And any effort we make to try to find meaning in them will ultimately fail. Albert Camus considers absurdity to be a fight, a force pushing between our mind’s desire to have meaning and understanding and the blank, empty world beyond. In an argument with Nagel, Camus stated “I said that the world is absurd, but I was too hasty. This world in itself is not reasonable, that is all that can be said.
The pessimistic and absurdist attitude expressed by Nathanael West in Miss Lonelyhearts is similar to that of Camus, and Camus's outlook indicated by his works: The Myth of Sisyphus and The Stranger. West and Camus illustrate that nothing in our world can provide people with the answers, values or morals which they believe are needed in their lives. West depicts men as isolated beings; men who are unable to assist or love one another.
This ideal destroys the very purpose of the trial, which seeks to place a rational explanation on Meursault’s senseless killing of the Arab. However, because there is no rational explanation for Meursault’s murder, the defense and prosecution merely end up constructing their own explanations, which they each declare to be the truth, but are all based on false assumptions. Therefore, the prosecution itself is to be viewed as absurd. When the prosecutor asks Perez if “he had at least seen [Meursault] cry,” he tries to persuade the crowd that Meursault is without feeling (91). The prosecutor then further turns the crowd against Meursault when he asks him about his “liaison” with Marie right after his mother’s death. The prosecutor remarks “indifferently that if he was not mistaken, that was the day after Maman died” (93). Though the liaison with Marie and the lack of emotions at Maman’s funeral may seem unrelated to Meursault’s killing, the prosecutor effectively convinces the crowd that they are in fact intertwined. The jury convicts Meursault not because he killed a man, but because he didn't show the proper emotions after his mother died. Despite hearing Meursault’s own thoughts ...
The trial portrays the absurdist ideal that absolute truth does not exist. This ideal destroys the very purpose of the trial, which seeks to place a rational explanation on Meursault’s senseless killing of the Arab. However, because there is no rational explanation for Meursault’s murder, the defense and prosecution merely end up constructing their own explanations. They each declare their statements to be the truth, but are all based on false assumptions. The prosecution itself is viewed as absurd. The prosecutor tries to persuade the jury that Meursault has no feelings or morals by asking Perez if “he had at least seen [Meursault] cry” (91). The prosecutor then continues to turn the crowd against Meursault when he asks him about his “liaison” with Marie right after his mother’s death. Though Meursault’s relationship with Marie and his lack of emotions at his mother’s funeral may seem unrelated to his murder, the prosecutor still manages to convince the crowd that they are connected to one another. The jury ends up convicting Meursault not because he killed a man, but because he didn't show the proper emotions after his mother ...
In Albert Camus’ absurdist novel, The Stranger, Meursault’s detachment from society and his killing of the Arab reveal moral and ethical implications for him and his society. As is common in many absurdist novels, Camus discusses the estrangement - and later development - of an individual in a benign and indifferent universe, one in which conformity prevails. Camus not only satirizes the conformity of society, but religion and the legal system as well. By writing in the first person (from the standpoint of Meursault), he draws in the reader, making the evils of society more prevalent.
Within the Stranger, Albert Camus brought up many questions and a few answers. He created an outsider to society and showed us how he lived, Meursault.
Albert Camus wrote The Stranger during the Existentialist movement, which explains why the main character in the novel, Meursault, is characterized as detached and emotionless, two of the aspects of existentialism. In Meursault, Camus creates a character he intends his readers to relate to, because he creates characters placed in realistic situations. He wants the reader to form a changing, ambiguous opinion of Meursault. From what Meursault narrates to the reader in the novel, the reader can understand why he attempts to find order and understanding in a confused and mystifying world.