Every girl dreams of kissing their frog and living happily ever after with their prince charming, but how many of us really live in that reality? In 2009 Disney released yet another princess story, but this storyline was not quite like the others. The Princess and the Frog, follows the life of Tiana, a hard working southern belle, dreaming of owning her own restaurant. Along the way she stumbles upon kissing a “froggy” prince, who turns into a frog due to the powers of the shadow man. The two frogs entail along a journey to get the curse reversed, while meeting great friends Louis, a trumpet playing alligator, and Ray a very Cajun firefly in love with an evening star. Through its clever storyline, catchy songs, and hilarious dialogue, the Princess …show more content…
His uplifting and very Cajun personality keeps the audience thrilled and full of laughs. Ray can be considerably looked at as both Tiana’s and Naveen’s “love mentor”. His jittery heart for love is not only shown through his love for Evangeline, an evening star, but for Naveen when he confesses his love for Tiana. In one scene in particular Tiana is looking for Naveen when she stumbles upon Ray who thinks Naveen has asked Tiana to marry him. When Tiana asks what he is talking about he says, “Well if Captain say nothing, I ain’t gonna say nothing. Because old Ray sealed up tight as a drum, you ain’t got nothin’ out of me, no!” Tiana replies, “Rayyyy?”. And out excitement he blurts out, “Captain ain’t gonna marry Charlotte; he gonna marry you. Soon as he get himself kissed, and you both turn human, he gonna find a job, and get you that restaurant. I said too much didn’t I?”. Just watching Ray’s eager personality is what makes the dialogues hilarious! His jittery personality, and extremely Cajun accent will make anyone fall out their chairs with laughter, while also getting the message across perfectly. From the beginning to the end of the movie his role is to mediate the power of love through Evangeline and his own bayou firefly family. Ray is a great depiction of someone who knows the values of love and
In an archetypal sense, “The Princess and the Frog” have the same type of characters and other elements just as other fairy tales. For example, Dr Facilier’s many physical traits can be compared to that of Jafar in Disney’s ‘Aladdin’ such as being tall and skinny and dressed up in very linear black and red (Aladdin). Also Dr Facilier’s personality as that of a scheming broker with ‘friends on the other side’ can be compared to that of Ursula and Hades in Disney’s ‘The Little Mermaid’ and ‘Hercules’ respectively (The Little Mermaid) (Hercules). The motif which includes the Quest in the movie, and characters like Louis, Ray and Mama Odie, learning and overcoming obstacles resulted in the transformation of both Tiana and Prince Naveen, both physically and mentally. One of the main uses of object archetypes in the movie can be Mama Odie’s blind glasses. These glasses shows that Mama Odie is blind. Analysing this with a critical eye, Mama Odie’s glasses are so such similar to that of the blindfold of ‘Lady Liberty’. The irony is that Mama Odie sees the truth and solution to everything. Archetypes can give strong and powerful meanings to mere objects like a feather to a giant
In James Poniewozik's "The Princess Paradox" (323-325) the author explains how the idea of a feminist, independent woman becoming a fairy tale princess is a paradox and that society is engaging in a paradox through the belief of it. He utilizes the recent bout of Cinderella retellings to show the paradox of how girls cannot be both completely independent and a fairytale princess, and yet society perpetuates the paradox through believing that this is not only possible, but realistically attainable as well. Poniewozik exposes the contradictions that surround these new Cinderellas to defy these "realistic" stories that society has come to embrace. By showing how truly constrictive and illogical these fantasies are, Poniewozik also shows how hypocritical society has become for idolizing them and why this new princess is a true paradox.
Since Disney’s Snow White appeared in 1937, Disney princesses have been a present in pop culture. With the release of new movies frequent and re-release of decades old movies inevitable, a continuous stream keeps Disney princesses in the foreground of adolescent society. It is with the value of entertainment they have been created and as entertainment they should be viewed.
In the article “Are All Princesses Really Waiting for Princes to Come?” Jack Heckel discusses some of the most common Disney princesses and the stereotypes that come along with them, as well as some of the stereotypes that are seen in the Disney princes. He supports his article by providing a variety of sources not only from Disney movies, but also from various authors and blogs. The analysis of Disney princess stereotypes has been a very common topic for years, and this overall analysis has revealed that a lot of Disney princesses are not good role models. Heckel uses many techniques including using credible, non-Disney sources, discussing other fairytales besides Disney, displaying a timeline of Disney
We’ve all seen the Disney movies and have fallen in love with the idea of being a princess, and having you true love carry me off into the sunset. “And isn't that, at it's core, what the princess fantasy is about for all of us? "Princess" is how we tell little girls that they are special, precious. "Princess" is the wish that we could protect them from pain, that they would never know sorrow, that they will live happily ever after ensconces in lace and innocence.” (129). Orenstein explains here that the word “princess” simply tells these girls that they will never experience pain. Have you ever seen a Disney princess experience pain? Only over their true love of course, which they always get in the end, telling girls they will get what they want. This sends a negative message to little girls that they have to have true love and they always should get what they want. But in reality, disappointment is everywhere we go and there's no pain without
Princess stories tend to stray away from traditional hero stories in one aspect or another. The story of Tiana and her frog husband is no different.
Satire criticises and makes fun of the norms of human society. It adds an intellectual humour along with the archetypes that is present in the story. In The Princess Bride, by William Goldman, satire is in a wide variety of parts in the story from the communication between others to the character themselves including the Spaniard, Inigo Montoya. The author portrays Inigo as a Spaniard who becomes a fencer to seek revenge on the six-fingered man for the murder of his father, Domingo Montoya and he becomes a henchman to the criminal Vizzini. He is a very caring man to people he cares about, but he can only act on vengeance since he truly loves his father. With his attention only on reprisal, it can blind him from achieving the results he wants and that can significantly affect his personality as he is driven by it. When he finds the six-fingered man, he prepares after many years of training with famous fencers and even has a saying that he plants in his brain so that it is the driven force of vengeance. He is the ‘evil figure with an ultimately good heart’ archetype as he is a part of Vizzini’s group with Fezzik, but he has a change in heart that he needs Westley’s help to storm the castle. Although Inigo is a prestigious fencer who only cares about revenge, the author plays with satirical devices that portray the faults and weaknesses of his characteristics while maintaining his status as the best swordsman in his generation.
In The princess Diaries 2, Princess Mia graduates from college, and moves to Genovia to live in a palace with her grandmother in order to take her place as queen. On Mia’s twenty-first birthday, she is obligated to dance with all the eligible bachelors, and at her birthday “ball”, she meets Nicholas. Mia and Nicholas have an encounter where they seem the “fall in love at first sight”. After her birthday, Mia learns about a law that is enforced in Genovia that requires her to get married before she can take her place as queen, and at the same time she finds out that Nicholas is trying to steal the crown from her. Mia finds a man named Andrew that she wants to marry, but when it comes time to get married Mia backs out and makes a motion to veto the law that forces her to get married. In the end, Mia becomes queen without having to marry, and her grandmother ends up marrying the love she always wanted.
In most to all folktales and fairy tales there is always someone who wants or needs something and is on a mission to achieve what they desire (Ingwersen). Of course the authors of the stories are not just going to come right out and give them what they want. There are always some complications and test that the character or heroine must pass to achieve their goal. The Little Mermaid short story is a perfect example of this. The little mermaid is on a mission to gain the love of the prince and an eternal soul and she has a series of test that she has to go through in order to achieve that goal.
Provenance: The Princess Bride was written in 1973 by William Goldman and later adapted into a film in 1987.
Even though fairy tales don’t always end the way we want them to, we usually expect them to end with prince charming saving a princess. However, according to the Grimms Brothers version, “The Frog King,” the princess actually saves the prince. An innocent naive princess comes across a frog that once was a prince. Therefore, the only way he can overcome this curse is to ask a princess to fully have her assurance into becoming his companion. The moral of this fairy tale is express how appearances are deceiving. We don’t fully have an understanding what true beauty looks like until it is standing in front of us. The three main symbols that emphasize the true beauty in this fairytale is the frog, the fountain, and the golden ball.
In her book Princess, Jean Sasson conveys through the Princess Sultana's story of the many abuses of women in Saudi Arabia. For thousands of years, women in Saudi Arabia has earned no respect, given no identity (as if invisible), and were treated like sexual objects. Their only use is to produce male offspring, and to service their husbands sexually. This goes for all women. Although women of royalty are born free, they are just as insignificant as the lower class women. Through the eyes of Princess Sultana, Jean Sasson tells the cruel and unjust ways of the male society in Saudi Arabia.
Each Disney princess has different positive attributes that make her unique, the most recent Disney princesses are especially fitting in today’s society. In Jena Stephens’ analysis of the three most recent princesses, excluding Anna and Elsa, she describes Rapunzel by saying, “Her forward thinking, desire to prove she is just as capable as a man, and realistic dreaming make her a great role model for young girls”. Whether it is to become a princess and marry her true love like Cinderella or open a restaurant like Princess Tiana, all of the Disney princesses have aspirations. Jena Stephens says, “The words that Tiana sings about the necessary hard work it will take for her to reach her dream stand out as a message to young viewersone that does not covey that love is the only thing that will make girls happy”. Not only do Disney princesses have dreams but they make their dreams come true with hard work. As Liz Gumbinner described her trip to Disney World with her daughters, “The princess luncheon led to a great discussion later in our hotel room, in which we told our girls that it is okay to be strong, smart, hardworking and still dream of marrying a prince”. Disney princesses carry themselves in a humble and confident manner. The princesses are beautiful but they are not conceited. Lastly, they are never stuck up but rather loving and independent which makes their character so
In today’s modern age, young children are being raised by their TV screen. Reining from the original tales of Perrault and the Grim Brothers, the Disney princess line has been a staple on the screens since the 1930s (Do Rozario 1). However, these princesses have gone through dramatic changes to remain relevant to todays youth. The effects that can be influenced by the roles expressed in these types of films send mixed messages to the audience, causing them to ask themselves whether or not they should believe what the princess is expressing on the screen.
The classic tale of Cinderella is well known for the fight of overcoming great obstacles despite great odds. However, there are always a few ill-hearted people who go out of their way to cease any competition that they might face, as seen with Cinderella’s step-sisters. Samuel Jackson says is his distinguished quote, “The hunger of imagination…lures us to…the phantoms of hope,” to help develop a more defined view of a fairytale. The story of Cinderella fully embodies the ideals of a true fairytale by encompassing magic, hope, and struggle between good and evil throughout the duration of the plot.