The Princess And The Frog: African American Stereotypes

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“For the first time in Walt Disney animation history,” proclaimed a 2009 New York Times article, “the fairest of them all is black.” In December that year, Disney released its film The Princess and the Frog, indicating the studio’s return to traditionally animated and musical-esque movies, characteristic of late 20th century Disney works. More significantly, The Princess and the Frog was considered revolutionary for being the first Disney film to feature an African American Disney Princess. Its protagonist Tiana was a young waitress in 1920s New Orleans, dreaming of running her own restaurant someday. In addition to being well received for its music (which, given the film’s setting, quite fittingly consisted of blues and jazz) the movie was …show more content…

One might argue that comprehensively eradicating all black stereotypes would be impossible, or that downplaying such stereotypes would be an inaccurate depiction of American life in the 1920s. Regardless, the film betrays the existence of prejudices commonly found in historical performance branches – namely minstrelsy, which is retrospectively dubbed as “selling bigotry” to white audiences. Sociologist Melissa Weiner writes how the portrayal of blacks in minstrel shows was for comic relief, with acts “consisting of songs, jokes, slapstick routines, and skits.” These poked fun at black culture, although audiences would not have perceived their entertainment as racist or unjust. With this in mind, it is evident that The Princess and the Frog does contain examples of minstrelsy’s looming legacy in popular culture …show more content…

As he stops by in an expensive-looking automobile, Big Daddy gives the boy an excessive wad of cash and lets him keep it. Right after, as Big Daddy speeds away in his car, the boy does a spritely dance and leaps in a manner typical of comic acting, with motion not normal for human beings. While the scene did not explicitly and exactly present the white-black relationship of master-slave or colonizer-colonized that was common in American societies of the 19th and 20th century, it did suggest the notion of blacks being inferior to whites, at least socio-economically. Behavior-wise, the contrast between blacks and whites was also highlighted on a few occasions in the film, with both the paperboy and aforementioned street musicians adopting relatively comic mannerisms as opposed to Big Daddy and the other wealthy whites. The latter seemed to carry themselves in a more “proper” manner associated with upper class American

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