"So please go home and tend to your own tasks, / the distaff and the loom, and keep the women / working hard as well" (6.585-587). From this we see Hector's view of women, which is a theme that is echoed throughout the rest of the Iliad. Women are mentioned relatively few times in the Iliad in comparison with the books devoted solely to the men. Nevertheless, there is clear evidence that the role of women in this society was that of a servile follower.
The first example of women being treated as property is found at the very beginning of the poem, when Agamemnon agrees to give Chryseis back to Calchas. "But fetch me another prize, and straight off too, / else I alone of the Argives go without honor. / That would be a disgrace. You are all witness, / look--my prize is snatched away" (1.38-41)! The women are described as prizes, on par with weaponry, gold, and other honors of war. In fact, Achilles gives other women away as prizes during the funeral games for Patroclus. "For the winner a large tripod made to stride a fire / and worth a dozen oxen, so the soldiers reckoned. / For the loser he led a woman through their midst, / worth four, they thought, and skilled in many crafts (23.782-785). Not only was she a prize in a contest, she was a prize for the runner up. This is a very demeaning and degrading position.
Women were also portrayed as weaker than men in several scenes, in both the physical and the mental sense. The opening quote can be used as evidence for this, when Hector tells the women of Troy to go back to doing the projects of women, such as working on the loom and the distaff. In other words, Hector is saying that this is the only work women are suited for, certainly not the works of war which occupy men. It do...
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...nce we see women in the Iliad being referred to by both themselves and others, as liars and bitches who twist the desires of men to suit their own purpose, such as when Helen tries to persuade Hector to rest with her in book six. "My dear brother, / dear to me, bitch that I am, vicious, scheming-- / horror to freeze the heart" (6.407-409)! Here we even see a women debasing her own character.
One does not need to go into deep, critical analysis to see that women are portrayed as very weak and servile in the Iliad. We have seen them being humiliated by their husbands, brothers, and even owners. They are often charged with tasks others would find demeaning if left to someone else. The chauvinism is everywhere and it is very clear that the role of women in the Iliad was that of a woman who needs a man to take care of her and keep her lying, twisted heart in check.
Judged by modern Western standards, the treatment of women by men in Homer's Odyssey can be characterized as sexist. Women in Homer's Odyssey are judged mainly by their looks. If important men and gods consider a woman beautiful, or if her son or husband is a hero or has an important position such as king, the woman is successful. The way women in The Odyssey are treated is based on appearance, the things men want from them, and whether the woman has any power over men. During Odysseus' journey to the underworld he sees many different types of women. We hear about their beauty, their important sons, or their affairs with gods. We hear nothing about these women's accomplishments in their lifetime. Odysseus tells how Antiope could "boast a god for a lover,"(193) as could Tyro and many other women. Epikaste was called "that prize"(195) her own son unwittingly married.
In The Iliad, the gods and goddesses have completely different roles. The females are usually the ones in the battle fighting, while the male gods are putting courage into hearts, but that isn’t to say that is all that they do. This is a completely different role than the mortals have. While the men are out in battle, the women are knitting and cooking. The women are also described so that it seems like they are property and not humans, and that they don’t have any feeling. Where the female gods act and are treated as if they are equal, if not ranked higher.
Before we delve into the traits of individual characters, it is important to understand certain assumptions about women that prevailed in the Homeric Age. By modern standards, the Ancient Greeks would be considered a rabidly misogynistic culture. Indeed, the notoriously sour Boetian playwright Hesiod-- who wrote about fifty years before Homer-- proclaimed "Zeus who thunders on high made women to be an evil to mortal men, with a nature to do evil (Theogony 600)." While this view may have been extreme even for the Greeks, they were convinced of the physical and intellectual inferiority of women. Thus, they believed that it was better for all--...
However, when reading the Iliad, there is a shock factor of how some of the men weren’t as kindly receptive to the influences of women as Enkidu was. Enkidu treasured Shamhat, but Agamemnon treated Chryseis and Briseis as mere objects of pleasure. Chryses was influenced by Chyseis’, his daughter’s, capture to call on Apollo, the health god, to place a deadly plague over the Greeks. This resulted in Achilles confronting Agamemnon who reluctantly stated, “Still, I’ll give her back, if that’s what’s best. / I don’t want to see the army destroyed like this. /
Calypso feels that her sexuality makes her susceptible to unfair treatment by the gods. This further proves the point that women were objectified, sexually and otherwise, in Greek culture. It is important to note that Odysseus’ relationship with most goddesses throughout The Odyssey involves the act of sex. Athena, on the other hand, personifies both feministic and non-feministic traits, although they are not necessarily masculine traits. This is quite strange, however, as most women are represented as solely feminine and completely inferior to men. Athena is the goddess of wisdom and war. According to Homer, in the Iliad, Athena is portrayed as a fierce and ruthless warrior, characteristics that women were not generally assigned during this time period. At the same time, Athena is illustrated as being emotional, acting on her emotions. She has a
The Iliad by Homer and the Women of Troy by Euripides are both Greek works of literature that look at the Trojan War from different perspectives. Book 6 of the Iliad illustrates that the ultimate glory is to fight for the city with no regard to the impact on the family. The Women of Troy focuses on the negatives that war causes, especially towards the soldier’s wives and children. Whereas the Iliad focuses on the battle itself and centers on the warriors, the Women of Troy focuses on the wrath the war brings upon the families left behind. The central theme in both the works is the Trojan War and they both offer perspectives of the duty of a person, the role of predetermined fate, and the role of women.
In Ancient Greek times, women were considered to be inferior to men. They were never part of the action, nor were they given significant roles in a world dominated by men. However, in Homer’s The Odyssey, women were not downplayed to weak, helpless beings blended into the background, dependent on men to survive. In fact, together they shaped Odysseus’s journey and contributed to such a strong feminine attitude that have led some scholars to believe that a man could not have possibly have written such an epic.
Women play an influential role in The Odyssey. Women appear throughout the story, as goddesses, wives, princesses, or servants. The women in “The Odyssey” dictate the direction of the epic. Homer the blind creator may have contrived the story with the aim to depict a story of a male heroism; but the story if looked at from a different angles shows the power women have over men. The Sirens and women that posses the power of seduction when ever they are encountered take the men off their course, and lead many to their death. The power women in the Epic pose can be seen from the goddess all to the wives. From The nymph Calypso who enslaves Odysseus for many years posses all the way back to Penelope who many argue is of equal importance to
Women had very few rights, they lived as prisoners, serving men 24 hours a day. Women were sheltered from society, restricted to their husbands and their husbands houses, crying out for help and justice but there is no one to there to hear their screams. In the play Antigone when the title character had to sneak out of the house to meet up with Ismene. Ancient Greek men ruled a lot like over protective fathers with teenage daughters. Men were also scared of women gaining confidence and begin thinking on their own or worse taking action or speaking out against men, like in the play Antigone where Antigone confronts Creon by burying Polyneices after Creon strictly stated that no one bury him. If someone were to bury him, the whole Polis would stone them to death. When Creon found out that someone buried Polyneices, he did not even consider that it could have been a women that did it.
In Greek classics, it is common knowledge that in that era women and men were considered unequal. Men were superior, and in most cases women were not even fit for citizenship. It is in this atmosphere and time period that Aristophanes wrote Lysistrata. The play itself is supposed to be a comedy, although the actions of the women do not seem amusing. Instead, the women’s actions, especially the main character Lysistrata, seem incredibly brave. Lysistrata rounds up her “troop” of all the women in Athens and a Spartan woman. They take charge of the acropolis and refuse to settle for anything less than a peace treaty to end the war. The only problem with this is, in ending the war, they will be bringing back the men from their duty and end up in the same social caste system as they were from the beginning. Aristophanes seems to make the point that – the only power women hold is their sexuality (Rex Par. 7). The Athenian women can withdraw from their husbands for however long they like, they still end up givi...
Greek and Roman women lived in a world where strict gender roles were given; where each person was judged in terms of compliance with gender-specific standards of conduct. Generally, men were placed above women in terms of independence, control and overall freedom. Whereas men lived in the world at large, active in public life and free to come and go as they willed, women's lives were sheltered. Most women were assigned the role of a homemaker, where they were anticipated to be good wives and mothers, but not much of anything else. The roles of women are thoroughly discussed in readings such as The Aeneid, Iliad, Sappho poetry, and Semonides' essay.
In The Odyssey, the poem seems to be a man world and have women portrayed as a muse or siren that lures men “When Calypso, that lovely Goddess, tried to keep me with her in hollow caves, longing for me to be her husband, or when, in the same way, the cunning witch Aeaean Circe held me in her home filled with keen desire I’d marry her, they never won the heart here in my chest” (Bauschatz, 22). In the Iliad, it has similar connections when it comes to portraying women compared to the Odyssey, but not quite. The Iliad has women like trophies or prizes. Agamemnon was threatening Achilles of taking Briseus from him “but I shall take the fair-cheeked Briseis, your prize, I myself going to your shelter, that you may learn well how much greater I am than you, and another man may shrink back from likening himself to me and contending against me” (Bauschatz, 6). In Works and Days, the Women have a duty in the household and getting married “Don’t put things off to tomorrow and then to the next day; no sluggish worker f ills up his barn, and neither does a man who delays. It is care that prospers the work; Do-it-tomorrow wrestles with ruin (Bauschatz,
Although ancient Greece was a male-dominate society, Sophocles' work Antigone, portrays women as being strong and capable of making wise decisions. In this famous tragedy, Sophocles uses the characters Ismene and Antigone to show the different characteristics and roles that woman are typical of interpreting. Traditionally women are characterized as weak and subordinate and Ismene is portrayed in this way. Through the character of Antigone, women finally get to present realistic viewpoints about their character.
Women were often subjects of intense focus in ancient literary works. In Sarah Pomeroy’s introduction of her text Goddesses, Whores, Wives, and Slaves, she writes, “Women pervade nearly every genre of classical literature, yet often the bias of the author distorts the information” (x). It is evident in literature that the social roles of women were more restricted than the roles of men. And since the majority of early literature was written by men, misogyny tends to taint much of it. The female characters are usually given negative traits of deception, temptation, selfishness, and seduction. Women were controlled, contained, and exploited. In early literature, women are seen as objects of possession, forces deadly to men, cunning, passive, shameful, and often less honorable than men. Literature reflects the societal beliefs and attitudes of an era and the consistency of these beliefs and attitudes toward women and the roles women play has endured through the centuries in literature. Women begin at a disadvantage according to these societal definitions. In a world run by competing men, women were viewed as property—prizes of contests, booty of battle and the more power men had over these possessions the more prestigious the man. When reading ancient literature one finds that women are often not only prizes, but they were responsible for luring or seducing men into damnation by using their feminine traits.
The poem “Iliad,” by Homer, is known for its violence between men during a war, but under that violence, is the different type of women who play a significant role in the poem (Homer 189). This poem’s narrative seems to show a male dominated world between the Greek commanders. This male dominated world cannot happen on its own, thus the different background roles of women are needed in order to make sense of all this rage. As the University of Michigan article How Do Women Make Their Way Into This Cycle states, “They are seen as the objects of both lust and domesticity, yet they are also used to excuse war, cause conflict, and display the power of men” (www.umich.edu). The focus in this poem steers towards the rage between the men, but this rage most of the time is inspired and initiated by a woman. The women of Iliad play a significant role in the poem such as war prizes, male hero partners, and women gods.