Through fully fleshed-out arguments, writers Fretz and Rushing address class consciousness and economic strife in the movie, Jaws. Director, Steven Speilberg, morphes the blood thirsty shark into a symbol of economic terror, for the people of the costal town it massacres (Fretz 70). Threatening to shut down Amity’s beaches, a large source of income and tourist draw, the shark poses menace to the safety of people’s lives, as well as their lively hoods. Without tourists, the town of Amity loses most of its’ income. Sigmund Freud argues, “mystery and fear emerge from something with which we are familiar but has always been oppressed” (Fu 15). The people of Amity know the danger swimming in the ocean poses, but they neglect the truth for a bit of Summer fun. Shifting the perception of the audience through …show more content…
Barry Keith Grant states, “As a broad answer, we might say that horror addresses fears that are both universally taboo and that also respond to historically and culturally specific anxieties. Horror movies exploit timeless themes of sex and death, the self and the soul, and our own beastly inner nature – fears that exist within our collective unconscious – as well as more topical fears such as, for example, atomic radiation in the 1950s, environmental contamination in the 1970s and 1980s, or, more recently, post-911 tourist horror with films such as Touristas (2006), The Ruins (2008), and the two Hostel films (2005, 2007).” (Grant ?) Grant argues that monsters in true horror films appeal to people’s deepest fears, and stem from honest consideration of a sometimes failing societal structure. Jaws capitalizes on rational fears of the ocean, and uncovers the worries people posses about their everyday life; no one is safe, and nothing is forever. The people of Amity lose loved ones, as well as their false sense of safety in an unstable beach
I have provided a clear evaluation of his essay in an organized way using the appropriate standards of evaluation. In understanding why humans “Crave Horror Movies” even when some people get nightmares after watching them we find the importance of our emotions and fears. We find those emotions and fears form a body of their own which needs to be maintained properly in order to remain healthy. We see how emotions can be controlled though viewing horror movies. Stephen King’s “Why We Crave Horror Movies” is a well written essay with convincing analogies, comparisons, and urban humor.
Analysis of the Ways the Director Builds Suspense in the Opening to the Film Jaws
First I will highlight the brief journey through the horror genre and the conventions that have developed. Second, I will then show how these conventions are used in the film Jaws. Let’s start with the silent era, an era based on monsters, Frakingstien 1910, Dracula 1912, The Phantom Of The Opera 1925. Without sound, there was a heavy emphasis on make – up, adding to the horror and preparing the first convention, which is the reveal of the monster. Facial expressions and body language played big part in early horror movies as it provided the tension. A second convention was the ‘dark property in the middle of nowhere,’ using isolation as a way to build up tension.
Terror in Spielberg's Jaws The film ‘Jaws’ exemplifies the statement ‘Sublime terror rests in the unseen- the ultimate horror’. Some people would say that dismemberment and gore is needed to terrorise an audience, but this only shocks and disgusts viewers.
When I was young I would always watch “scary movies” with my sister. For this reason, Every night I would have nightmares after each movie. By all means, I’d end up on the other side of the bed or on the floor. Given that, Stephen King claims his short story “ Why We Crave Horror” is to crave horror by facing our fears and, re-establish our feelings normalcy by getting used to the horror towards something that is called the human condition provided that, he is right about his claims. By all means, His three claims are “To show we can,that we are not afraid, that we can ride this roller coaster”. “ We also go to re-establish our feelings of essential normality”. “ If we share a brotherhood of man, then we also share an insanity of man”.
The article Why We Crave Horror Movies by Stephen King distinguishes why we truly do crave horror movies. Stephen King goes into depth on the many reasons on why we, as humans, find horror movies intriguing and how we all have some sort of insanity within us. He does this by using different rhetorical techniques and appealing to the audience through ways such as experience, emotion and logic. Apart from that he also relates a numerous amount of aspects on why we crave horror movies to our lives. Throughout this essay I will be evaluating the authors arguments and points on why society finds horror movies so desirable and captivating.
In a crucial scene in Jaws, chief Martin Brody must use his mistake as guide for to him complete his goal of saving the town from the antagonistic shark. After catching a tiger shark, the local town fishermen all celebrate their victory together with Brody and the mayor believing they have solved Amity Island’s problem. Soon the mother of the deceased child who was killed by the great shark appears on the boardwalk. Her costume, a solid black dress appropriate for a funeral, contrasts with the bright sunny day on the beach that is represented with high-key lighting. The dress also symbolizes the mother’s multiple feelings of mourning for her child and her anger towards Brody, which again juxtaposes the feelings of success among Brody and the fishermen. Her conversation with the police chief is executed through a shot-reverse shot sequence but she catches Brody’s attention with a smack to his face. She goes on how Brod...
Jaws, written and published by Peter Benchley is a magnificent, action-packed novel. Benchley seems to have a burning passion for sharks, as the novel is based on a great white that terrorizes a small seaside town. The story begins in a small town called Amity. A young girl, Chrissy Watkins, went for a late night swim. While on her swim, she is unfortunately killed by a great white, and her body washed up on shore the next morning. This shark attack captures the attention of police chief, Martin Brody. He then requests to have the beaches closed for further investigation, his request was then denied by the mayor, Larry Vaughan. He is worried about the summer tourist season, as the summer season keeps the small town of Amity alive. The shark
Modern day horror films are very different from the first horror films which date back to the late nineteenth century, but the goal of shocking the audience is still the same. Over the course of its existence, the horror industry has had to innovate new ways to keep its viewers on the edge of their seats. Horror films are frightening films created solely to ignite anxiety and panic within the viewers. Dread and alarm summon deep fears by captivating the audience with a shocking, terrifying, and unpredictable finale that leaves the viewer stunned. (Horror Films)
In his essay, “Why We Crave Horror Movies” King attempts to bring understanding to the phenomenon of the horror film genre. He states “sanity becomes a matter of degree” eluding to the theory that sanity is relative and that all humans are relatively insane. Jack the Ripper and the Cleveland Torso Murderer were the examples of humans on one extreme of the spectrum of sanity; saints represent the other safe end of the sanity spectrum. He illustrates the thought that in order for human kind to stay functionally sane there needs to be some sort of outlet for our violent “mad” thoughts. In King’s view horror movies provide a stable outlet and mental relief for innate madness. King argues that his insanity/ant civilization emotions are ingrained
Even though it is most commonly known as of the first modern horror films that has made its way on the top ten highest grossing films of all time, Steven Spielberg’s classic 1975 film, Jaws, illustrates the unquenchable human desire for purpose and wholeness which advocates that adopting the belief of “anatta” or “no-self” is the way to be liberated from this “fragmented state of unelightenment” (Sluyter 97-98). In the bigger picture, the main antagonist of the film, the shark itself, reflects us as individuals according to Sluyter. To be more specific, the shark is meant to symbolize our “fragmented point of view” we have of our lives and our constant search to remedy our emptiness by “trying to concretize ourselves” with impermanent items
Distinctly unlike To the Lighthouse, Steven Spielberg’s Jaws portrays the ocean as the dangerous home of a terrifying predator, and entering the sea as a death sentence. Despite the film’s nature as a thriller film, the deaths that occur in the water hold a deeper meaning, and relations to the lives of the deceased. Chrissie Watkins, the first victim, dies drunk, while skinny dipping. The entire sequence, from the nudity to Cassidy’s “I’m coming… I’m coming” exists as a euphemism for sex, and the death of Chrissie punishes her for engaging in such behavior (Jaws). Quint’s death also reveals his true character to the audience, by reducing his life to its simplest truths. Although Quint dies fighting the killer shark, ultimately his death feels
The movie ‘Jaws’, directed by Steven Spielberg is a thriller, based on Peter Benchley’s novel, about a great white shark roaming the waters at Amity Island and attacking people. The film is set around the 4th of July, and as it is a public holiday many shopkeepers don’t want to close the beach since the 4th of July is so important and popular. Around this time is when they make a lot of their profit because Amity Island is a popular place and many people come and swim at their beach.
Since the advent of art and writing, monsters have been at the forefront of human creation. From cave paintings of great beasts to the snake-haired gorgons of Greek myth, mankind has been fascinated by what frightens it. The horror genre is so eternally popular because it provokes a very intimate reaction from the audience. Just as comedy is met with laughter and tragedy with tears, horror is met with fear. Horror has taken its place not only as an artistic and literary medium but also as a facet of society. Monsters and fear motivate and inspire just as much as heroes and hope, shaping cultures and religions along lines of light and dark. One must look no farther than the skeletal depictions of Hell and its beasts in medieval manuscripts to see the social weight terror can wield. The pious medieval citizen was motivated equally by the feverish desire to stay out of hell as he was to gain access to heaven.
One might argue that the scariest horror films are those films which horrors portray a sense that something of that nature might actually happen in the real world. The beauty of horror films is that anything could theoretically be possible, like Freddy Krueger sticking his tongue through Nancy’s phone as he says, “I’m your boyfriend now, Nancy” or a horde of zombies stampeding through the cities of the United States wiping out humanity in its path. If one thinks about it long enough, anything we can perceive could happen. However, there is a line between the pure science fiction and those horror films which attempt to tackle a more realistic, social, cultural, psychological, or political problem in society.