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Ownership of the parthenon marbles
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In a political sense, the British have a powerful claim to the Parthenon marbles as they are the legal owners of the artefacts. This is due to Lord Elgin selling the Marbles to the British government when he was in bankruptcy. Since the British got ownership of the relics from Elgin instead of taking the Marbles out of the Parthenon, they have complete possession of the sculptures. But the Marbles were not even illegally taken from Greece, as a document was written that allowed Elgin’s men to take the statues to Britain. This document was created by Ottoman sultan in control of the Parthenon at the time in the form of a firman. As a firman was the most formal kind of permission available from the Ottoman Empire, meant Elgin’s transportation …show more content…
This is shown in the Greek perspective on the disagreement. Greece is without a doubt in the right when based upon morals alone. Since the statues were originally in the care of Greece, and was in no position to protest when the Ottoman Empire allowed Lord Elgin to remove segments of the precious artefacts, it is only natural that Greece, now free from Ottoman rule, request for the reunification of the Parthenon marbles. Reason for such as decision is in the form of the marbles themselves. They are currently in disarray as parts of the sculptures are currently presiding in the British museum while the rest are in Greece. If the statues were returned, then Greece could finally complete their national treasure that has been left incomplete during Ottoman rule. In addition, the claim that the Parthenon marbles are safer in the hands of Britain is subjective throughout the statues care. The writer of “The Parthenon Marbles: The Case for Reunification” Christopher Hitchens had written “The marbles might have survived the Greek revolution and every subsequent vicissitude, or they might not have done… It is profitless to speculate.” Hitchens views have reasonable value as even though the situation in The Greek war of independence for artefacts was dire, it was also problematic when the statues under British care were mistreated through unauthorised means, which resulted in permanent damage. With these arguments, it is understandable why Greece is fighting furiously for the ownership of the marbles and they are not to blame for the loss of their artefacts in the first place because of Ottoman rule. However despite the significance of Greek’s arguments for the reunification of the Parthenon Marbles, there is a serious repercussion that may result from the marbles being reclaimed by
Therefore, it is clear that the Ottomans had the power to give Elgin property rights. The next question that must be raised is whether or not they did. This has proven to be slightly less clear. Elgin obtained from the Ottoman government in Constantinople a formal written instrument called a firman. This document states:
Parts of the sculptures that used to belong to the Parthenon are now residing within Britain’s Museum, and Christopher Hitchens argues that they be returned to Greece through his work entitled “The Lovely Stones.” Hitchens builds his argument by utilizing a short history of the incident and rhetorical questions.
There is an ongoing debate on whether the Parthenon Marbles, now located in London, England, should be returned to their original homeland of Athens, Greece. The marbles were removed from the Parthenon by Lord Elgin from 1801-1812 and transported to England. They were sold to the British government in 1816 and put in the British Museum where they have been for the last 200 years. I believe that the marbles should now be returned to Greece, not only because of the method and circumstances surrounding their removal, but because they are original pieces of the oldest and most symbolic structure in Greek history that epitomizes the pinnacle of Ancient Classical Greece and the beginning of western democracy through artistic ingenuity.
This week’s unit 2 assignment objective is to discuss the similarities and differences in culture as seen via the Parthenon and Pantheon. Both structures were great buildings of their time. They represented the spirituality of ancient Greeks and Romans. The Parthenon of Athens, Greece was a building. While the Pantheon celebrated the gods of Romans.
Although Eichendorff’s story displays religious elements, the pious facets take on a different form than in Psyche. In “The Marble Statue”, Sunday remains a holy day where evil subsides. God and Satan manifest into the metaphysical through characters, settings, and motifs. Fortunato is a pure character directing Florio towards the path of the righteous man while Donati is a sinister man leading the boy into temptation. The seductress is the embodiment of evil while Bianca is the good. The aspect of religion is demonstrated in a more direct manner in Psyche. The artist abandons a life of art to become a brethren of the covenant where it is proclaimed the Goddess of Art is “a witch who carries towards vanity, towards earthly pleasure”. The good and evil is left to interpretation in “The Marble Statue” while religion in Andersen's tales contains a straightforward portrayal of faith and sin.
The Marble Grave Stele is a horizontal piece that was embedded in a larger piece of marble. The inscriptions of the names of who died have long been lost. Thus, we must interpret for ourselves what the full meaning of the piece is. The artist of the piece is unknown, but it was constructed in Greece in around 360 B.C. during the Classical Era and stands at 171.1 centimeters in height. Its original location, as its name suggests, was at a gravesite; currently, it is located in New York City at the Metropolitan Museum of Art. The Stele was carved from marble. Overall, it is in good condition; however, the body of the woman on the left is missing with only her head surviving. Its stone frame in which it was set is also missing. This frame more than lik...
... carved in the round, giving it a highly realistic look. The figures seem to jump out of the marble with almost completely three-dimensional bodies. The act of Greeks favoring reason over emotion is found in many sculptures and scenes on the Parthenon.
For years on end, countries have been fighting with big museums from other countries for ancient artifacts that belong to the original countries. The argument of whether or not the museums should be able to keep them still remains. It is the right of the country to have their own artifacts. It is imperative for countries to be able showcase their historical artifacts, therefor museums should return them to their rightful owners.
Possibly one of the greatest testaments to the Greeks passion for their gods is the Acropolis and Parthenon in Athens, Greece. “. . . temple after temple, each more gorgeous and more perfect than the one before, rose all over the Greek main land, to reach a final climax in the Athenian Parthenon . . .” (Hamlin 124). Here Hamlin explains the greatness of what was achieved in Athens at the Acropolis and how nothing beyond that point could compare.
The philosophical ideas of Plato that relate to the Parthenon include whether the structure is an element of the Visible World or the Intelligible World. In my opinion, Plato would view the Parthenon as an object in the Visible World. The Parthenon is a one of a kind monument that is tangible and exists in our real world. The Parthenon is an architectural project and deals with forms of science and mathematics. Plato's view of science and mathematics are categorized as forms in the Intelligible World, which are intangible. Through analysis of illusory tactics, the Tripartite Soul, the simile of the line, and the artistic qualities of architecture, Plato's, as well as my view of the Parthenon will become evident.
...troversy as all countries have lost, to a great or lesser extent, treasures of national renown and significance over time. Wars, theft, treasure seeking, changing boundaries and migration have all in some way contributed to this diaspora of art. There is clear evidence that the historic placing of objects in locations remote from their origin has on occasion afforded protection and preservation, The Elgin Marbles in The British Museum being a case in point. However, given the overarching principle of self determination it is difficult to argue that serendipitous historic placement is sufficient reason for items of true national heritage to be kept indefinitely. A world-wide system of touring exhibitions and cultural exchange, with context being provided by the originating society may provide the natural progression to the accessible widening of people’s experiences.
...ity in Classical Athens. New York, NY: Alexander S. Onassis Public Benefit Foundation (USA) in Collaboration with the National Archaeological Museum, Athens, 2008. Print.
"Should Britain Return the Elgin Marbles?" The Week UK. N.p., 14 Feb. 2009. Web. 13 Feb.
Much like that of the Byzantines before them, the Ottoman Empire served as a link between Europe and Asia, and greatly benefited from the profits of the exchange that was perennially flowing over these geographic boundaries; this era came to be known as the Golden Age of the Ottoman Empire. Although there can be many identifications and definitions for the means by which the Ottoman Empire was able to exert such a powerful degree of influence, military right, and cultural dynamism. It will be the purpose of this analysis to discuss and analyze the means by which a continual process of centralization can ultimately be understood as one defining force, that allowed the Ottoman Empire to thrive throughout this period of the “Golden Age.”
Due to the fact that The Parthenon was located on top of The Acropolis, it was visible to everybody in Athens. Essentially, such a masterpiece would take a very long time yet Pericles critics were amazed at how fast The Parthenon was built. The Parthenon was so important to Athens culture because the temple was built for Athena, the patron goddess of the city (Aird, 58). Now it is a true beauty of Athens and Greece reminding everybody how amazing Athena is just by looking up the Acropolis. Part of Pericles plan was to extend a strong wall out to the Aegean Sea from Athens. Originally, this was just to prevent another attack from the Persians, however, led to an easy access for a navy and cultural diffusion (Armento, Beverly J., and others, 363). By extending this wall, Athens was allowing access from the Aegean Sea and became a major trading port. Due to all of the supplies and goods coming through Athens, Athenian culture began to vary and led to an expansion in cultural thoughts during the Golden Age. Ships from all around the Mediterranean Sea, Mesopotamia, Rome, and Egypt came to Athens. Finally, Athen’s Golden Age was a time when new thoughts and ideas came.