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The theme of madness in hamlet critical
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The Overpowering Emotions of Hamlet and Antony in Hamlet and The Tragedy of Antony and Cleopatra by Shakespeare
Two of the most the most complicated characters in Shakespeare’s plays are Mark Antony, in The Tragedy of Antony and Cleopatra, and Hamlet, in The Tragedy of Hamlet, Prince of Denmark. They share many similarities, but also have notable differences. The biggest trait that they have in common is the effect that their emotional state of mind has on their actions. Antony and Hamlet are overcome by their emotions and lose their objective reasoning power. They are both irrational and disorientated in the decisions they make. Hamlet differs from Antony on a personal level. This is to say that his mood does not shift as sporadically as Antony’s, and his melancholia is present throughout the entire play. Antony, on the other hand, has mood swings that take him from love to anger in short periods of time. The biggest difference between the two is the speed of their actions. Antony has many different affairs throughout the play and wastes no time carrying them out or thinking about them. Hamlet’s revenge on Claudius is his sole task in the play, and it takes him months to accomplish. Another clear distinction is that there is a theme of madness in Hamlet that is not as evident in Antony and Cleopatra. The question of Hamlet’s madness, or ‘Antic Disposition’, is one of the most debated in English literature. Antony’s mental state, on the other hand, is never questioned, but he is still very irrational. Love is a key theme. There is a question of love in Hamlet, but it does not play such an important role. Both characters are obsessive and delusional; all of these factors cause their inevitable deaths.
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...nts after declaring he will wage war on Caesar, “Tis one of those odd tricks which sorrow shoots out of the mind” (IV.ii.13-14). Antony’s mood fluctuation creates spontaneity in him. He is very unpredictable. He lets his emotions make his decisions instead of his mind. This is his tragic flaw. He makes decisions without considering their consequences.
Antony has an inner struggle between his love with Cleopatra in Egypt, and his duties as a leader of Rome. Antony makes the mistake of letting the two interfere with each other. A prime example of this is his marriage to Octavia. He marries her for the good of Rome, and to patch up his unstable friendship with Caesar. He does this without any consideration to Cleopatra. He fails to even inform her of it. Cleopatra finds out from a messenger, and appears to be heartbroken.
“He is far gone, far gone” (2.2.8). The play Hamlet written by William Shakespeare is the story of young Hamlet whose father was killed by his uncle, Claudius, then his uncle took the throne and married Hamlet’s mother, Gertrude, which ultimately caused hamlet to become melancholic or ‘mad’. In the essay ‘Madness and Melancholy in Hamlet’ written by Kate Flint she explores the idea of madness and melancholy in the Elizabethan time in reference to the actions of Hamlet. She states that Hamlet is neither mad nor melancholy but does display symptoms of each. Flint states that to categorize Hamlet as either mad or melancholy the characters would have to be viewed as real people which they cannot be. She shows that Hamlets madness is only an excuse to expose the truth and teach the audience a lesson. The essay takes the position that hamlet’s strange behaviour was neither madness nor melancholy because those are human emotions but that they were a way to break the barrier between player and audience.
One of the most emotional and moving scenes in William Shakespeare's tragedy Hamlet is in Act III, Scene I lines 90-155 in which the title character becomes somewhat abusive toward his once loved girlfriend Ophelia. It is interesting to examine the possible motives behind Hamlet's blatant harshness in this "Get the to a nunnery" scene toward the easily manipulated and mild mannered girl. While watching Kenneth Branagh and Mel Gibson's film adaptations of the play, the audience may recognize two possibilities of the many that may exist which may explain the Prince's contemptible behavior; Kenneth Branaugh seems to suggest that this display of animosity will help the troubled man convince his enemies that he is in fact demented, whereas the Mel Gibson work may infer that Hamlet's repressed anger toward his mother causes him to "vent" his frustrations upon Ophelia, the other female of importance in his life.
As Hamlet transforms from a motivated intellectual to an obsessed griever, Shakespeare evaluates the fluidity of sanity.The juxtaposition of Hamlet’s desire to act and inability to do so unveils Hamlet’s inner turmoil, for as Hamlet disconnects from family, distrusts his environment, and forms an obsession with perfection, the audience realizes his fatal flaw and watches him tumble into the grasps of insanity. This degeneration forces the audience to consider how equilibrium between thought and action influences the conservation of sanity, not only for Hamlet, but also for all of humanity.
Riddled with ambiguity by its very nature, the text of William Shakespeare's Hamlet has been a commonly debated subject in literary circles since its first performance. The character Hamlet undergoes intense physical and emotional hardship in his quest for revenge against his despicable uncle. This hardship, some argue, leads to an emotional breakdown and, ultimately, Hamlet's insanity. While this assessment may be suitable in some cases, it falls short in others. Since Hamlet is a play, the ultimate motivation of each of the characters borrows not only from the text, but also from the motivations of the actors playing the parts. In most respects, these motivations are more apt at discerning the emotional condition of a character than their dialogue ever could. Thus, the question is derived: In Kenneth Branagh's film adaptation of Hamlet, does the character Hamlet suffer from insanity? Giving halt to the response, this paper will first endeavor to establish what insanity is and will then provide sufficient examples both from the text, film, and Branagh's own musings on his motivations as proof that Hamlet's character, at least in Branagh's version of the play, is not insane.
William Shakespeare is widely known for his ability to take a sad story, illustrate it with words, and make it a tragedy. Usually human beings include certain discrepancies in their personalities that can at times find them in undesirable or difficult situations. However, those that are exemplified in Shakespeare’s tragedies include “character flaws” which are so destructive that they eventually cause their downfall. For example, Prince Hamlet, of Shakespeare’s tragedy play “Hamlet,” is seemingly horrified by what the ghost of his father clarifies concerning his death. Yet the actions executed by Hamlet following this revelation do not appear to coincide with the disgust he expresses immediately after the ghost alerts him of the true cause of his death. Thus, it is apparent that the instilled self doubt of Prince Hamlet is as the wand that Shakespeare uses to transform an otherwise sad story to an unfortunate tragedy.
Antony also played on the people’s greed, to influence them to his side. “I found it in his closet; ‘tis his will/and they would go kiss Caesar’s dead wounds…” (III, ii, 129, 132-133). Antony is very smart in the way he does this. He knows how to talk to the people to get them to believe his side of the story and revenge Caesar’s death. Likewise, Antony is conniving. He uses this strength by flattering Brutus, and falsely befriending the conspirators into letting him speak at Caesar’s funeral. “I doubt not of your wisdom. Let each man render me his bloody hand.” (III, i, 200-201). Antony presents his case in such a way that Brutus and the other conspirators think that he is on their side, when in fact he really is going to turn the common people against them to revenge Caesar’s death by creating a war. Furthermore, Brutus is an honorable man giving him the chance to be a great leader. Brutus is an idealist man, who is optimistic about assassinating Caesar. “Grant that, and then is death a benefit. So are we Caesar’s f...
One of the most analyzed plays in existence is the tragedy Hamlet, with its recurring question: "Is Hamlet’s 'antic disposition' feigned or real?" In truth, this question can only be answered by observing the thoughts of the main characters in relation to the cause of Hamlet real or feigned madness. In the tragedy Hamlet, each of the main characters explains Hamlets madness in their own unique way. To discover the cause behind the madness of Hamlet, each character used their own ambitions, emotions and interpretations of past events. Characters tried to explain Hamlet's "antic disposition" by means of association to thwarted ambition, heartbreaking anguish, and denied love. In the workings of their thoughts, the characters inadvertently reveal something about their own desires, emotions and experiences to the reader.
This flaw eventually leads to his downfall because of all the bad decisions it causes him to make. The first mistake pride causes him to make is to kill Caesar and the next mistake follows right after. “ Mark Antony, here, take you Caesar’s body. You shall not in your funeral speech blame us, but speak all good you can devise of Caesar, and say you do’t by our permission; Else shall you not have any hang at all about his funeral; and you shall speak in the same pulpit wherto I am going, after my speech is done.” (24) This was said by Brutus to Antony right after Caesar’s death. Brutus not only allows Antony to live but then allows him to speak at Caesar’s funeral after Brutus speaks, completely unsupervised. This choice of Brutus’ is brought about by his pride (and maybe a little bit of shortsighted stupidity).
Throughout the play, Hamlet, written by William Shakespeare, the unclear representation of the protagonist’s actions is present. The protagonist, Hamlet, conducts the idea that he is turning mad. Although, there are many indications which support that this so-called “madness” is part of an act that Hamlet portrays. The other characters within the play try to understand the reasoning behind Hamlet’s madness, but cannot figure out the truth behind it. The main cause of Hamlet’s madness is the realization of his father’s death and the numerous influences his father’s death has on his life. Hamlet can control his actions of madness and specifically acts differently around certain characters. The characters who are more concerned
Theater audiences and literary enthusiasts are not spared of Shakespeare’s astonishing ability to capture the human spirit in his play Hamlet. The story of the tormented prince who desires revenge but is unable to take action delves deep into the human mind than plays before it. While some uninformed readers may write off Hamlet’s behavior to poor writing, it is clear that the Oedipus complex is the true driving force of Hamlet’s actions when delaying his revenge.
As the play’s tragic hero, Hamlet exhibits a combination of good and bad traits. A complex character, he displays a variety of characteristics throughout the play’s development. When he is first introduced in Act I- Scene 2, one sees Hamlet as a sensitive young prince who is mourning the death of his father, the King. In addition, his mother’s immediate marriage to his uncle has left him in even greater despair. Mixed in with this immense sense of grief, are obvious feelings of anger and frustration. The combination of these emotions leaves one feeling sympathetic to Hamlet; he becomes a very “human” character. One sees from the very beginning that he is a very complex and conflicted man, and that his tragedy has already begun.
Up until this point the kingdom of Denmark believed that old Hamlet had died of natural causes. As it was custom, prince Hamlet sought to avenge his father’s death. This leads Hamlet, the main character into a state of internal conflict as he agonises over what action and when to take it as to avenge his father’s death. Shakespeare’s play presents the reader with various forms of conflict which plague his characters. He explores these conflicts through the use of soliloquies, recurring motifs, structure and mirror plotting.
Hamlet is one of the most often-performed and studied plays in the English language. The story might have been merely a melodramatic play about murder and revenge, butWilliam Shakespeare imbued his drama with a sensitivity and reflectivity that still fascinates audiences four hundred years after it was first performed. Hamlet is no ordinary young man, raging at the death of his father and the hasty marriage of his mother and his uncle. Hamlet is cursed with an introspective nature; he cannot decide whether to turn his anger outward or in on himself. The audience sees a young man who would be happiest back at his university, contemplating remote philosophical matters of life and death. Instead, Hamlet is forced to engage death on a visceral level, as an unwelcome and unfathomable figure in his life. He cannot ignore thoughts of death, nor can he grieve and get on with his life, as most people do. He is a melancholy man, and he can see only darkness in his future—if, indeed, he is to have a future at all. Throughout the play, and particularly in his two most famous soliloquies, Hamlet struggles with the competing compulsions to avenge his father’s death or to embrace his own. Hamlet is a man caught in a moral dilemma, and his inability to reach a resolution condemns himself and nearly everyone close to him.
Hamlet is one of Shakespeare’s most well-known tragedies. At first glance, it holds all of the common occurrences in a revenge tragedy which include plotting, ghosts, and madness, but its complexity as a story far transcends its functionality as a revenge tragedy. Revenge tragedies are often closely tied to the real or feigned madness in the play. Hamlet is such a complex revenge tragedy because there truly is a question about the sanity of the main character Prince Hamlet. Interestingly enough, this deepens the psychology of his character and affects the way that the revenge tragedy takes place. An evaluation of Hamlet’s actions and words over the course of the play can be determined to see that his ‘outsider’ outlook on society, coupled with his innate tendency to over-think his actions, leads to an unfocused mission of vengeance that brings about not only his own death, but also the unnecessary deaths of nearly all of the other main characters in the revenge tragedy.
Antony. Shakespeare proves this play a tragedy by selecting characteristics of ill-fated lovers in Antony and Cleopatra. Poor Antony turns victim to Cleopatra's enslavement, and forgets his duties in Rome. Antony is a disgrace to his Roman self, and "loses" himself to dotage" of Cleopatra. He also forgets of his marriage to Caesars sister Octavia flees back to Egypt, to Cleopatra.