Modern historians have come to agreement that prostitution is the oldest profession in the book. This shocking, but simultaneously palpable, fact is enough to prove that the objectification of women has been a norm since the beginning of mankind. Through the narration of Charles Marlow, Heart of Darkness author Joseph Conrad portrays females as seemingly less human than their male counterparts, thus showing readers that the inherent discrimination of women is a universal issue that has persisted through time and across many cultures. One of the first instances in which Marlow describes an interaction between himself and a female character is during his time spent describing his search for a job in the Congo. After deciding to work in the Trading …show more content…
Marlow first sees the mistress after reaching the station. Watching her pace back and forth on shore, he takes particular interest in the many ornaments that she wears, guessing that she “must have had the value of several elephant tusks upon her.” (Conrad, 54-55). Her extravagant decorations give Kurtz the means to assert his dominance over the natives in many ways. For example, it not only shows off his riches in comparison to others but also lays claim to the woman. By using her body as a way to advertise his power, Kurtz downgrades his mistress from a person that he cares for, to a piece of property. In addition, the Russian actively leaves out the word “mistress” when describing Kurtz’s relationship with her, even though he makes it clear that they are on an intimate level. His reluctance to admit to such things further emphasizes Kurtz’s inherent misogyny especially in regards to his mistress. For instance, though Kurtz’s insanity and depravity can be attributed to the traditional European society that he tries so hard to reject, his relationship with the mistress is built upon the same characteristics of said European lifestyle-- romance, manipulation, and objectification of women. The mistress’s unwillingness for Kurtz to leave the station shows that there was some romantic connection between them. However, his many expensive gifts shows his objectification of her body into his property. This in turn calls attention to the manipulation that Kurtz put his mistress through in order for her to allow him to lay ownership to it. The fact that Kurtz sees the mistress as a symbol of power rather than a human being shows the ease and familiarity in which men pigeonhole women down to simple archetypes and lay claim to their
The women in both Hardy’s Tess of the D’Urbervilles and Conrad’s Heart of Darkness are seemingly presented with traditional feminine qualities of inferiority, weakness, and sexual objectification. However, the power that they hold in male-female relationships, and their embodiment of traditional male roles, contests the chauvinistic views of society during Conrad and Hardy’s era. While Conrad presents powerful female characters through their influences over men, the reversal of traditional gender roles is exemplified more by Hardy’s character, Tess, yet both authors present revolutionary ideas of feminism, and enlighten readers to challenge the patriarchal views of society towards women. Both novels criticize traditional societal views towards women by the hypocrisy of Conrad’s Marlow, and Hardy’s narrator’s male gaze. Prince’s death, the rape and her arrest all happened to her whilst asleep.
Without personal access to authors, readers are left to themselves to interpret literature. This can become challenging with more difficult texts, such as Joseph Conrad’s novella Heart of Darkness. Fortunately, literary audiences are not abandoned to flounder in pieces such as this; active readers may look through many different lenses to see possible meanings in a work. For example, Conrad’s Heart of Darkness may be deciphered with a post-colonial, feminist, or archetypal mindset, or analyzed with Freudian psycho-analytic theory. The latter two would effectively reveal the greater roles of Kurtz and Marlow as the id and the ego, respectively, and offer the opportunity to draw a conclusion about the work as a whole.
Joseph Conrad’s “Heart of Darkness” is the author’s most celebrated work. The book conveys the story of Marlow, who is a sailor on the ship. Marlow narrates the story describing particularly what he came across during his journey and experienced. When we look at the events that take place in the book, it is unquestionable that Women do not occupy a significant portion of the story; the story is predominately male dominated. However, does women’s lack of appearance make them minor characters? Or do women have a minor effect in the story? Having analyzed the book under the scope of “Feminist View”, we can answer these questions and say that women play considerable roles even though they occupy a small portion in the story. In my essay I will
This situation of waiting for Kurtz allows Marlow to fantasize about Kurtz and create a larger than life figure out of a man who he’s never met before. Soon Finding Kurtz becomes an all-out obsession for Marlow; even the night before they meet Kurtz, he wishes to press on despite the danger. Here the reader can see that Marlow is willing to get to Kurtz at all costs. When Marlow does finally make contact with Kurtz, his fantasy carries over into the person who he sees Kurtz as. Marlow is willing to overlook some of Kurtz’s shortcomings and is very willing to see his greatness. Marlow is obviously fond of Kurtz, as it can be seen in the passage when he speaks of Kurtz’s “unextinguishable gift of noble and lofty expression.” Here the reader can observe that Marlow is truly fond of Kurtz’s. The narrator even chooses to side with Kurtz against the manager; even though he hardly knows the man. Kurtz has also managed to get the native people to worship him as a god, and has mastered their language. This makes Marlow respect him even more. Marlow’s point of view allows him to foster both the reality and the fantasy of Kurtz, and though he is very fond of Kurtz, he is still able to see the truth in him as
Marlow’s thoughts are so consumed by Kurtz, that he is built up to be much more of a man than he truly is. In turn, Marlow is setting himself up for a let down. He says at one point, “I seemed to see Kurtz for the first time...the lone white man turning his back suddenly on the headquarters, on relief, on thoughts of home...towards his empty and desolate station”(P.32). When Marlow reaches Kurtz’s station, he begins to become disillusioned. He begins to hear about, and even see, the acts that Kurtz is committing, and becomes afraid of him. He sees in Kurtz, what he could become, and wants nothing to do with it. He does not want people to know he has any type of relationship with him, and says in response to the Russian, “I suppose that it had not occurred to him that Mr. Kurtz was no idol of mine.” (P.59). It is at this point that he begins to discover the darkness in his heart.
Gender Role In Joseph Conrad’s Heart of Darkness. For the most part, people who read Heart of Darkness by Joseph Conrad may feel that the novella is strictly a story of exploration and racial discrimination. But to Johanna Smith, who wrote “’Too Beautiful Altogether’: Ideologies of Gender and Empire in Heart of Darkness” it is much more than that. Johanna Smith along with Wallace Watson and Rita A. Bergenholtz agree that throughout Heart of Darkness there are tones of gender prejudice, but the way that these three different authors perceive and interpret those gender tones are to a certain extent different.
An example is his inability to deal with the dying natives at the “grove of death”, offering a native a biscuit as an apparent gesture of kindness. Yet this is only due to him not being confronted with situations like this previously where his own values, and the whole premise behind colonialism, the exploitation is revealed. The patriarchal views of women he displays also outline the background of Marlow and the associated values.... ... middle of paper ... ... "This heart is drowned in a bath of light shed by the advent of civilization.
Heart of Darkness, is not only an intense tale of pursuit, but also a psychological roller coaster as, through the characters of the story, Joseph Conrad shows us a powerful struggle between the Freudian personalities of id, ego and superego. The main characters of the novel, Marlow and Kurtz are mainly identified with the id and the super-ego type of personalities, and throughout the novel, these characters are placed in intense situations which makes them question their own beliefs and reactions, and ultimately their human personality. Hence, in between the characters, not only is there a battle in the physical sense, but also on the meta-physical level. This leads to a psychological imbalance between the human personalities of both the characters, and while one character is already dominated by his id to a large extent, the other character grapples with the struggle of his id with his super-ego.
In 1899 Joseph Conrad published a short work of fiction called Heart of Darkness. This novella is often read, discussed, criticized in literature programs throughout the world. It is a work that allows us to tackle a variety of topics, and is therefore responded to in a variety of ways. The work itself as one critic puts it “might most usefully be considered hyper-canonized” (Padmini “Why” 104). The work is taught beyond the realm of a normal work in the literature program. Many forms of criticism have taken on the subject matter within the book. Feminism, psycho-analytic, Marxism have all had things to say about the novella. They’ve discussed things such as imperialism, the psychology of Marlow and Kurtz, the role of women in the novella (both literally and symbolically), all these issues are important topics in the novella. For a long time, however one crucial issue in the work was not addressed, that of race.
Throughout the entirety of his story Charlie Marlow seems unaware of the importance of female interactions within his travels. Though he mentions women on vague occasions—as in the case of his aunt and the multiple mistresses of Kurtz—he treats them as if they were secondary citizens. In much the same way he regards the “savages,” Marlow approaches women with extreme prejudice. He notes “how out of touch with truth women are. They live in a world of their own, and there has never been anything like it, and never can be. It is too beautiful altogether…” (Conrad, 10). He refers not only to the women from his young adulthood, but...
My research paper is entitled, Analyzing Heart of Darkness through a Feminist Lens. Through this paper, I will investigate and examine Heart of Darkness by means of Feminist Criticism and literary theory. I aspire to thoroughly analyze the entire narrative, in order to pull out and pinpoint various aspects and examples linked to feminist theory. I want to investigate and spotlight specific occurrences, in the novel, where characteristics of Feminist Criticism can be found or applied. I specifically want to look at the tree women characters introduced in the text; “The Intended” “The Mistress” and Marlow’s aunt. I also want to prove that Heart of Darkness is a text that openly conflicts with the basis of feminism.
In Joseph Conrad’s novel Heart of Darkness, Marlow’s view of women embodies the typical 19th century view of women as the inferior sex. There are only three relatively minor female characters in Heart of Darkness: Marlow’s aunt, Kurtz’s mistress, and Kurtz’s "Intended." Marlow mentions these female characters in order to give the literal aspect of his tale more substance. While they definitely play specific roles in the story, they do not relate with the primary theme of the story. The primary theme focuses more on how Marlow’s journey into the heart of darkness contrasts the "white" souls of the black people and the "black" souls of the whites who exploit them, and how it led to Marlow’s self-discovery.
Women have gained equality with men over the many centuries of the evolution of the modern western civilization. Hence, it cannot be overlooked that there still exist many literary examples of social disregard for woman potential. Joseph Conrad's "Heart of Darkness" exemplifies the Western patriarchal gender roles in which women are given the inferior status. Not only are women portrayed as being inferior to men, but Marlow's (the protagonist's) seldom mentioning of them in his Congo adventure narrative symbolizes his view of their insignificance. There is a total of five women presented in Marlow's narrative but only three of them are significant minor characters: Marlow's aunt, Kurtz's African mistress, and Kurtz's "Intended." The following essay will examine how the presentation of each of these three women in Marlow's narrative contributes to connecting events in the story.
Modernism began as a movement in that late 19th, early 20th centuries. Artists started to feel restricted by the styles and conventions of the Renaissance period. Thusly came the dawn of Modernism in many different forms, ranging from Impressionism to Cubism.
The notion of what it means to be human has been explored through various literature and interpreted in many different ways. Through an intricate series of events and circumstances as well as man's perception of superiority, Joseph Conrad's novel Heart of Darkness reveals challenging issues of imperialism and colonialism and there devastating effects on society. As the novel's title implies, the "darkness" illustrated is the negative human side of brutality and discrimination. The deeper meaning and implication of being "human" is dependent on many factors including one's surroundings affecting his or her behavior and decision-making as well as man's arrogance and feeling of superiority taking ethical actions.