The Matrix Interweaves much symbolism, mythology, philosophy, and psychology. On the surface, the movie challenges the dominance of technology in our culture and predicts an apocalyptic result from the use of artificial intelligence. Yet, behind the human struggle for survival is a mythical backdrop upon which are backlit some of C.G. Jung's basic ideas regarding the human psyche. These Jungian ideas include the ego-Self relationship and how it relates to the persona, the shadow, individuation, and the transcendent function.
The earth has been decimated due to a battle for control of the earth between the AI's and humans; the Matrix camouflages this decimation. Humans are artificially created and sustained by the AI superstructure. Then they are plugged into a computer. A computer program generates a simulated reality called the Matrix. Humans live their lives in this computer-generated reality, but this reality is only in their minds. In fact, humans are kept in mechanical eggs filled with an amniotic-like fluid. The AI infrastructure keeps humans alive to tap the energy they produce.
The strangers are a group of humans who have escaped the Matrix. Their leader is named Morpheus. Neo is believed by Morpheus to be the savior, “The One” (The Matrix). An oracle (also an escaped human) predicted long ago that a savior would come, a sort of second coming, and that he would be able to see through the Matrix and bring it down. The oracle told Morpheus that he would find The One. One question, which threads through the movie, is whether or not Neo is The One.
Neo is asleep at his desk at home in one of the first scenes. A computer monitor next to him flashes repeatedly the simple text: “Wake up Neo” (The Matrix). The message is an instruction from the Self. The sleeping man is in ego mode, a symptom of an egocentric psyche. He is unaware of the possibility that there is something else besides the ego and he has not yet awoken to the possibility that there is another world outside of the persona he lives behind.
The theme of Neo as a Jesus Christ figure plays throughout the movie. In Edinger's opinion, Christ was a figure who represented the individuating ego. The image of Christ, and the rich network of symbolism which has gathered around him, provide many parallels to the individuation process. When the Christian myth is examined carefully in the li...
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...w people what you don't want them to see. I'm going to show them a world without you. A world without rules and controls, without borders or boundaries. A world where anything is possible. Where we go from here is a choice I leave to you (The Matrix).
Neo has become an individuated ego. He negotiated a series of challenging psychic experiences to grow out of his former egocentric attitude. His statement speaks of an awareness of the ego as well as a sense of Self. He even refers to the ego field as scared and seems to be compassionate of the ego's fear. But he wants to live without the rules and control of the ego.
Works Cited
Chernow, Barbara and Vallasi, George, eds. The Columbia Encyclopedia. 5th Ed. Columbia UP, 1993.
Edinger, Edward F. Ego and Archetype. Boston: Shambhala, 1992.
Jacobi, Jolande. Complex/Archetype/Symbol in the Psychology of C.G. Jung. Princeton, New Jersey: Princeton UP, 1974.
Jung, C.G. The Essential Jung. Ed. A. Storr. Princeton, New Jersey: Princeton UP, 1983.
---. Memories, Dreams, Reflections. New York: Vintage, 1961.
The Matrix. Dir. Larry and Andy Wachowski. Perf. Keanu Reeves, Laurence Fishburne. Warner Brothers, 1999.
This world is designed to simulate the peak of human civilization which was destroyed by nuclear war. The majority of the world's population is oblivious to the fact that their world is digital rather than real, and they continue living out their daily lives without questioning their reality. The main character, Neo, is a matrix-bound human who knows that something is not right with the world he lives in, and is eager to learn the truth. He is offered the truth from a character named Morpheus, who proclaims that Neo is “the One” (chosen one) who will eventually destroy the Matrix, thereby setting the humans “free.” For this to happen, Neo must first overcome the Sentient Program agents who can jump into anyone's digital body.
This student of Philosophy now sees the movie The Matrix in a whole new way after gaining an understanding of some of the underlying philosophical concepts that the writers of the movie used to develop an intriguing and well thought out plot. Some of the philosophical concepts were clear, while others were only hinted at and most likely overlooked by those unfamiliar with those concepts, as was this student when the movie first came out in theaters all those many years ago. In this part of the essay we will take a look at the obvious and not so obvious concepts of: what exactly is the Matrix and how does it related to both Descartes and Plato, can we trust our own senses once we understand what the Matrix is, and how Neo taking the Red Pill is symbolic of the beginning of the journey out of Pl...
For the common moviegoer and book aficionado, the movie, The Matrix and Do Androids Dream of Electric Sheep? are bizarre and peculiar. These works are not the usual themes of normal movies and books. These works have a lot of elements in common. Both works have matrices. The movie and the book stress the idea of reality. In both works the idea of what s real and what s not is the central theme.
The Matrix series is much more than an action-packed sci-fi thriller. After one view of this film for the second and third time, we start to notice a great deal of symbolism. This symbolism starts to paint a completely different picture than the images of humans battling machines. It is a religious story, with symbols deeply set in the Christian faith. The Matrix contains religious symbolism through its four main characters, Morpheus, Neo, Trinity and Cypher. In that each character personifies the “Father,” the “Son,” “Satan,” and the “Holy Spirit” of the Christian beliefs only shown through the amazing performances of the actors. A critic by the name of Shawn Levy said "The Matrix slams you back in your chair, pops open your eyes and leaves your jaw hanging slack in amazement."(metacritic.com)
Spanking, a supposed form of child abuse, is the best way to discipline a child who has behaved against guidelines previously discussed by parents, and does not harm a child in the grand scheme of life. Spanking a child will result in the betterment of a child’s behavior, the lessening chance of the child developing a behavioral disorder, and the assurance that the child will blossom into a well-developed and responsible adult.
The movie "Matrix" is drawn from an image created almost twenty-four hundred years ago by the greek philosopher, Plato in his work, ''Allegory of the Cave''.The Matrix is a 1999 American-Australian film written and directed by the Wachowski brothers. Plato, the creator of the Allegory of the Cave was a famous philosopher who was taught by the father of philosophy Socrates. Plato was explaining the perciption of reality from others views to his disciple Aristotle. The Matrix and the Allegory of the Cave share a simmilar relationship where both views the perciption of reality, but the Matrix is a revised modern perciption of the cave. In this comparison essay I am going to explain the similarities and deifferences that the Matrix and The Allegory of the Cave shares.In the Matrix, the main character,Neo,is trapped in a false reality created by AI (artificial intelligence), where as in Plato's Allegory of the Cave a prisoner is able to grasp the reality of the cave and the real life. One can see many similarities and differences in the film and the allegory. The most important similarity was between the film and the Allegory is the perception of reality.Another simmilarity that the movie Matrix and the Allegory of the Cave shares is that both Neo and the Freed man are prisoners to a system. The most important difference was that Neo never actually lived and experienced anything, but the freed man actually lived and experinced life.
For example, if a person is in a coma and the family believes that they will not revive, then the family should allow the patient to die because the patient is basically dead already. Furthermore, if someone is in really bad pain, then they should be able to choose euthanasia because they are suffering a lot. They might not want to die because they acknowledge it would make their family member sad, but on the other hand they are hurting and can only think about is the pain. That is when I strongly agree with Hooker that people should be able to choose euthanasia and that being euthanised is for the best. In my opinion, having a law permitting euthanasia is good because it means that the person can take control of their own life. It would be up to them whether they want to be euthanised or not, in both good and bad conditions. Just having the option can be beneficial to some because it is like having the freedom to choose to live or die. Therefore, If I was sick, I would like to have a law that permits me to choose euthanasia, because I could decide whether it is the best decision for me or
The Matrix is a 1999 science fiction film written and directed by The Wachowskis, starring Keanu Reeves and Laurence Fishburne. It tells a story of a future in which reality to most humans is actually a computer program called "the Matrix”. In "the Matrix” humans are really sleep while their bodies are fed on my machines. The movie while directed to entertain audiences but also gave us many insights into philosophy. Many scenes in this movie reflect Descartes, and his many writings explaining them in a visual manner. In this paper I will show various examples of philosophy within the scenes and give commentary explaining each scene.
These men, known as agents, hold Neo down and insert a metal like device into his stomach. He soon awakes at his house and is told by Morpheus that he is “the one.” When he meets with Trinity and Morpheus, Trinity removes the metal device from his stomach which shocks him because he didn’t believe that to be real. Morpheus soon offers to reveal the Matrix to Neo. He is given the option of a red pill or blue pill; the blue in which he will go home and remember nothing, red in which will allow him to see the truth.
There are some very startling similarities in the clash of matrices portrayed by the movie The Matrix and Dawn. On the surface the two works might seem to be addressing different topics, but the books have a common theme, and when the two works are analyzed in-depth, the parallels become readily apparent. The Matrix is about the clash between machines and humanity, while Dawn is about an alien race that decides to trade the survival of humanity for the genetic traits they can use from the human species. But at the heart of both struggles, there is a main character set between two startlingly different Matrices, or patterns of existing, and it is up to them to make the critical decision between which reality will continue.
The Matrix specifically shows how advanced technology such as artificial intelligence (A.I.) may one day get out of the control of the people and become a dangerous enemy to mankind. It turns out that in the movie people believe that they are living normal lives in the 90's as common businessmen and families as we do today, when in reality the time is later in the 21st century and people are hooked up to machines in pods where they are merely interpreting electrical signals which tells them that the they are alive in the 90's. They call this set up The Matrix. The artificial intelligence machines put these people in these pods for their whole lives where they never use a muscle in their body; they only think that they are moving and living normal lives.The reason why the artificial intelligence machines put people into pods is because the sky is scorched and there is no source of electricity, so the A.I. units found an alternate source of energy: humans.
Deep within the cave the prisoners are chained by their necks and have a limited view of reality. Around them, by the distant light of the fire, they only see shadows and outlines of people or objects. From their conclusions of what they may think is real, are false. “The Matrix” parallels Plato’s “Allegory of the Cave” in a number of ways. Similar to the prisoners of the cave the humans trapped in the modern day puppet-handlers (the machines) want them to see. In the movie, Neo is a computer hacker, and on day he suddenly realizes that his world is fake, by finding out the truth after he was released from the pod. Neo discovers that what he has been presented with his entire life is only reflections or merely shadows of the truth. The theme is recognized throughout the movie as we see many objects, as well as Neo, reflected in other objects. The puppet-handlers (the machines) represent what Plato calls the influential and powerful members of society. The objects making the shadows in “The Allegory of the Cave” are also creating a false conclusion for the prisoners. In “The Matrix” the puppet-handle...
The use of spanking is one of the most controversial parenting practices and also one of the oldest, spanning throughout many generations. Spanking is a discipline method in which a supervising adult deliberately inflicts pain upon a child in response to a child’s unacceptable behaviour. Although spanking exists in nearly every country and family, its expression is heterogeneous. First of all the act of administering a spanking varies between families and cultures. As Gershoff (2002) pointed out, some parents plan when a spanking would be the most effective discipline whereas some parents spank impulsively (Holden, 2002). Parents also differ in their moods when delivering this controversial punishment, some parents are livid and others try and be loving and reason with the child. Another source of variation is the fact that spanking is often paired with other parenting behaviours such as, scolding, yelling, or perhaps raging and subsequently reasoning. A third source of variation concerns parental characteristics. Darling and Steinberg (1993) distinguished between the content of parental acts and the style in which it was administered (Holden, 2002). With all this variation researchers cannot definitively isolate the singular effects of spanking.
...n against machine in a noticeably strained battle, but they also despise that the humans are more machine like than they ponder, and that the machine possesses human qualities as well. The humans, for their part, are as persistently compelled as machines. The incredible fighting skills and superhuman strength of the character seem to put them in machine type category. It showed how dependent man and machine actually are, or might be. One terror of fake intelligence is that technology will trap us in level of dependency. It emphasized the idea that artificial intelligence enslaves the human race. With the time we people are also becoming slaves of the machines that we have created. In time people will be so dependent on machines that they can no longer survive without them. This is the implicit idea of the film matrix, idea which hardly people would have noticed.
The Bauhaus was one of the most influential modernist art schools of the 20th century, not to say the most influential one. Their main concern was to teach, and to understand art 's relationship to society and technology. The school was founded by the German Architect: Walter Gropius. Consequently, The Bauhaus of Design had a huge impact in Europe which is the central continent of art and the United States even after it has been closed, and has forever shape the development of Art history from now on. According to the art story website, the Bauhaus of Design was shaped by the 19th and early 20th centuries trends such as Arts and Crafts movement, which had sought to level the distinction between fine and applied arts, and to reunite creativity and manufacturing. Which later on has had affected some major artwork such as architecture and graphic design and as a result, had also inspire the romantic medievalism of the school 's early years, in which it pictured itself as a kind of medieval crafts guild. But in the mid-1920s the medievalism gave way to a stress on uniting art and industrial design, and it was this which ultimately proved to be its most original and important achievement (Art Story). The school is also known for its faculty, which included some of the most talented artists such as : Wassily